Greenwich Concours d’Elegance 2017

Greenwich Concours d’Elegance

June 2 – 4, 2017

The 22nd edition of the Greenwich Concours d’Elegance was held this past weekend at the beautiful waterfront venue in Roger Sherman Baldwin Park in Greenwich, Connecticut. It was an event celebrating both vintage and some of the latest offerings from the auto industry. The event featured the American Classes on Saturday and the International Classes on Sunday.

The Concours d’Elegance is an event that also gives back. The proceeds from entry fees and ticket sales along with other generous donations from patrons are donated to charity. Americares, a health-focused charity serving all 50 states and 90 other countries, is the charity of choice for the Concours d’Elegance.
Saturday’s event could not have asked better weather and drew crowds from Connecticut and surrounding states to take in the mix of beautifully restored and maintained American automobiles and motorcycles. There were also plenty of custom and hot rods cars on hand as well. There was nostalgia in the air and some owners dressed the part to complement their entries.
The judging was divided into classes with teams of judges. Each team of three was assigned approximately 15 cars to judge. Saturday’s classes were Hot Rods, Custom Cars, Children’s Cars, Horseless Carriage, Brass Era, Classic Open, Classic Closed, Postwar Open, Postwar Closed, Unrestored Preservation, Competition, Muscle/Performance, Supercar and Motorcycle.
Wayne Carini of the hit Velocity Channel show “Chasing Classic Cars” was an honorary judge. He also had two cars of his in the Concours as entries.

 

The youngest judge was also a seasoned veteran. Christopher DeMarey at 15 years old was judging for his ninth year alongside his father Jeff DeMarey. Starting at the age of seven it is safe say he was exposed to some of the finest cars on earth before many his age could even pronounce the name Lamborghini correctly. Christopher proudly displayed his pins from previous years tacked to the inside of his jacket. It is safe to say he will continue on at Greenwich for quite a few more years.
Bonhams Auctions held an event on the grounds and Saturday and Sunday displayed items for sale in tents as well as on the lawn for prospective buyers to inspect for Sunday’s auction.
Sunday featured the International classes of Bugatti, Racecars from the 2016 Lime Rock Historic Festival, Children’s Cars, Prewar, English Sports/GT, English Touring/Saloon, German Sports/GT, Italian Touring, International Sports & Touring, French, Special Interest, Unrestored Preservation and Motorcycle Classes.
One of the interesting things to do is to wander the grounds and speak to the owners about their specific vehicles, especially the restored classics. Many of those I spoke to gladly told the history of vehicle, how long it took to restore and what process they went through to get it right, down to the smallest details. Each owner clearly proud and many had photos of past owners and some cases racing history and drivers.
Take the 1933 Packard 1006 V-12 Cabriolet Deville by Fernandez & Darrin owner who painstakingly had 24 coats of paint placed on his Packard until she gleamed a mirror. He recited how the vehicle was once owned by Charles Lindbergh’s son-in-law and possibly Lindbergh himself.
For those who prefer something more modern there was an example of a new generation of concept cars. The Rimac Concept One two-seat high-performance electric sports car designed and manufactured by Rimac Automobil.
The ultra modern electric car has a total output of 811 kW the equivalent of 1,088 hp, and can accelerate from 0–97 km/h (0–60 mph) in 2.8 seconds.
The 2017 Greenwich Concours d’Elegance Best in Show vehicle is decided by an experienced panel of judges and is presented during the awards ceremony, where the owner typically drives the car to the podium area and is interviewed by the master of ceremonies.
The Best of Show for Saturday: 1935 Packard Dietrich D-C Pht.
The Best of Show for Sunday: 1938 Bugatti Type 57C Atalante.
All class winners are listed below,
For all vintage vehicle and modern one of a kind auto and motorcycle admirers the Greenwich Concours d’Elegance is a must see for the summer. If you have not taken in this New England weekend of beautifully crafted vehicles it is something you should consider for next year. In addition it’s a charitable event so it’s great for everyone involved and attending helps in many ways far beyond Greenwich.
By Donna Erichsen
Photos by George Bekris

Greenwich Concours d’ Elegance

Greenwich Concours d’Elegance celebrates its 22nd year in 2017

Bugattis, Historic Race Cars, Hot Rods and Children’s Cars featured to benefit Americares  

 

GREENWICH, Conn. (April 27, 2017) – Recognized as one of the premier classic car shows in the country, the Greenwich Concours d’Elegance will celebrate its 22nd year of showcasing significant cars, motorcycles and one-off automotive creations on June 3-4, 2017.
The brainchild of the late Bruce Wennerstrom, the Concours continues its tradition of holding two unique Concours back-to-back at Roger Sherman Baldwin Park overlooking the Greenwich, Conn., harbor on Long Island Sound.
For 21 years, the proceeds from the Greenwich Concours have gone to support Americares, a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing medicine, medical supplies and health programs.
Organizer of the world-renowned Amelia Island Concours d’Elegance, Bill Warner, has been named the Grand Marshal.
Saturday, June 3, will be the Concours Americana for American cars and motorcycles, while Sunday, June 4, will feature the Concours International for imported marques.
The inaugural hot rod display being organized by Velocity Channel’s Chasing Classic Cars host Wayne Carini will highlight Saturday’s show. A special exhibit of children’s cars and supercars will round out the day’s displays. Saturday’s ticket also allows attendees to preview all of the cars in the Bonhams auction tent.
Tickets are also available on Saturday night to a gala party and elegant buffet at the Greenwich Delamar Hotel, with luxurious yachts as a backdrop on the quay.
Sunday’s featured marque will be Bugatti and will include a collection of rare Bugattis from the American Bugatti Club. Sunday will also feature race cars from the Lime Rock Park Historic Festival. The Bonhams auction begins at noon on Sunday and requires a separate admission.
Also showcased during the weekend will be the iconic outlaw cars from the original cross-country Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, held in the ’70s, along with some of the later non-outlaw entries. These cars will also be displayed at the Cannonball Reunion, a joint evening event  with the Greenwich International Film Festival, at Cole Auditorium on Friday, June 2.
Both days will include displays of the latest in new cars including BMW, Cadillac, Tesla, Lincoln, Jaguar, Land Rover, and Miller Motorcars of Greenwich will highlight its Ferrari, Bugatti, Pagani, Alfa Romeo, Aston Martin, McLaren, Bentley, Rolls-Royce and Maserati marques. Opportunities to test drive some of these new vehicles will be offered. There will also be a number of luxury yachts displayed at the adjacent Delamar Hotel docks.
“The Greenwich Concours is proud to partner with Americares to help families in need all over the world,” said Mary Wennerstrom, Concours Chairman. “Not only will attendees who appreciate these rare cars be treated to two days to delight their senses, they will also be contributing to one of the world’s most respected charities.”
“Americares is honored to be the Greenwich Concours’ charity of choice for more than two decades,” said Americares President and CEO Michael J. Nyenhuis. “Together we are helping families affected by poverty or disaster get the health care they need — the health care they deserve.”
Baby Bugatti with a 1925 Bugatti Type 35A/51 Grand Prix at the Greenwich Concours site.
Photo by Bearded Mug Media.
VIP tickets are available on a limited basis. A VIP ticket includes early entry to the Concours, breakfast and lunch with the car owners and judges, access to the VIP lounge and patio at the Delamar Hotel, entrance to the Bonhams Cocktail Reception on Friday night, lapel pin, poster and a VIP lanyard.
    • Gates open at 10 a.m. for general admission, 8 a.m. for VIP ticket holders
    • Advance tickets for both days are available at $30 per day or $50 for both days
    • Children 12 and under are free when accompanied by an adult
    • VIP Admission is $250 per day or $450 for both days
    • Saturday Night Gala tickets are available for $175
    • Tickets can be purchased at Tickets
    • Admission to Bonhams auction is available on site at $40 for two people
The weekend activities will include other events, open to the public, some in cooperation with the Greenwich International Film Festival:
About Americares
Americares is a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing health programs, medicine and medical supplies. Each year, Americares reaches more than 90 countries and all 50 U.S. states with over $600 million in innovative health programs and quality medical aid. Americares is the world’s leading nonprofit provider of donated medicine and medical supplies. For more information, visit americares.org.

Beth Hart

Beth Hart

Fire on the Floor Tour

Feb. 25, 2017

Fox Theater, Mashantucket, CT

The Fox Theater darkened and the band begins to play. The crowd looks at the stage anticipating Beth Hart’s arrival. An electric guitar continued to moan in the dark. Beth Hart began singing the first lines of a song, her voice echoing throughout the theater. Suddenly she surprised and thrilled the audience when a lone spotlight lit up the singer dressed in a sparkling mini smoothly entering the theater from behind the crowd. The spotlight followed her as she passed by patrons, touching a few shoulders and hands along the way, as she sung “Don’t Explain” a Billie Holiday cover. Hart paused in the isle turned and faced the enthusiastic crowd to croon out the blues. She swung around and glided up onto the stage, not missing a beat. This woman has big stage presence and a voice to match it. Everyone was already fixated and cheering Hart on and the second song had not even begun.
The second number was “As Good as it Gets,” which was a number one single of Hart’s in Denmark. She has had many releases in Europe of various songs that have topped the charts. She is well recognized for her blues and soul songs worldwide and has released the albums “Seesaw” and “Live in Amsterdam” with fellow blues artist Joe Bonamassa.
Beth Hart and her band consisting of guitarist Jon Nichols, bassist Bob Marinelli and drummer Bill Ransom meshed so well, they knew their show and played perfectly. Jon Nichols made his multiple guitars used during the performance wail, moan and he also sang backup vocals.
Hart has such incredible range and rich tone. She brings the audience right down into the depths of her low down blues. She sings with such conviction coming from a life of knowledge of pain and suffering that she transfers into such beautiful music you feel every note. Hart’s “Lift Me Up,” a song she wrote for a sister who passed away was soulful and beautiful. The raw emotion in the song had people feeling it in the audience.
Hart’s husband Scott asked her to include the song “Leave the Light On,” off her platinum album of the same name. Before the song he made an impromptu appearance on the stage running over to her at the piano and giving her a little hug.
The evening was well rounded with heart aching blues off Hart’s newest album “Fire on the Floor,” including the title song from that release that told of the heartbreak of desire and love. These soulful ballads were alternated with lighter songs from the same DVD. The rock song “Fat Man” was popular as well with a catchy with toe tapping, driving beat.
The band played a mix of songs from some of Hart’s large catalog of releases since 1999. She also sang a cover of Tom Wait’s “Chocolate Jesus.” Hart alternated between shimmying across the stage, sitting, kneeling and playing on the piano. Her energy was passionate and boundless.
The band came back onstage for an encore of “No Place Like Home” followed by Hart’s 1999 single “LA Song (Out of This Town)” from her second album “Screamin’ for My Supper.”
I was totally blown away by this concert. I have heard her music and loved her voice, but seeing Hart perform in person was a treat I will not forget. Hart was humble, thankful for her success and honest about her struggles in life. Her sharing that made the show even more memorable. To realize what she has gone through in her life and for her to come out so positive and happy on the other side makes you want her success to continue for a long time. If you get the chance to see this woman and her band perform do it. Do not hesitate for a moment. If you are a blues lover or just a lover of great music this is a night not to miss.

Review by Donna Erichsen
Photos by George Bekris
Beth Hart 
Set List
Don’t Explain (Billie Holiday cover)
Good as It Gets
I’ll Take Care of You (Bobby “Blue” Bland cover)
Delicious Surprise
Baddest Blues
Lifts You Up
Baby Shot Me Down
Sister Heroine
Close to My Fire (Slackwax cover)
My California
Chocolate Jesus (Tom Waits cover)
Woman You’ve Been Dreaming Of
St. Teresa
Leave the Light On
Fat Man
Love Is a Lie
Encore:
No Place Like Home
L.A. Song (Out of This Town)

 

Barrett-Jackson Northeast Auction Sells Out Weekend

Barrett-Jackson Northeast (Photo by George Bekris)

Barrett-Jackson kicked off its newest auction for The World’s Greatest Collector Car Auctions® at the sold out The Mohegan Sun Arena in Uncasville, Connecticut. Also, Barrett-Jackson set an attendance record for any event at Mohegan Sun.

“The inaugural Barrett-Jackson Northeast Auction became a success within the first few hours with record crowds and an unprecedented sell-out of both tickets and consignments,” said Craig Jackson, chairman and CEO of Barrett-Jackson. “This will be absolutely the best collector car event in the Northeast in 2016.”

Mohegan Sun, one of the most spectacular entertainment, gaming, dining and shopping destinations in North America, hosted the three-day collector car auction event for visitors from around the world. Coverage of the inaugural Northeast Auction presented by Barrett-Jackson was broadcast live on the Velocity and Discovery television networks as well.

Barrett-Jackson (Photo by George Bekris)

The first Northeast Barrett-Jackson exceeded expectation and the sale achieved $30,378,920 in total sales, and 574 vehicles sold for an average price of $52,925.  Not bad for it’s first year in New England.

Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )

Top sale of the weekend was a 1969 L88 Corvette at $624,800. Big sales in the American muscle category included a 1969 Boss 429 Mustang at $346,500, a 1970 Plymouth Hemi Superbird at $330,000 and a 1968 Shelby GT500 KR Convertible at $203,500. Barrett-Jackson had numerous Italian cars in the lineup, including several 1990s Lamborghinis and 1980s Ferraris. The most expensive of them were the 1998 Lamborghini Diablo SV Monterey Edition at $253,000 and the 1967 Ferrari 330 GT 2+2, a two-headlight car, at $330,000. This being a mostly no reserve Barrett-Jackson sale, there were only a handful of no-sales.

The Mohegan Sun arena was full of both bidders and spectators. During one part of the sale there were so many bidders in attendance they spilled over into the spectator portion of the arena making it even more interesting to watch the fast paced bidding.

Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )

There were vintage hot rods and old army vehicles as well. The auction had a wide array of memorabilia ranging from gas pumps and old signage to bicycles and pedal cars. So even if you were not in the market for a Lamborghini there were plenty of items to bid on.

Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )
Barrett-Jackson (Photo by George Bekris )

Many in the crowd did not even come to bid but to stroll the giant tented parking lots of Mohegan Sun and take in the best car show around. There were classics, exotics, muscle cars, hot rods for everyone’s taste. There were one offs and show cars like the Shelby all polished aluminum shining in the sun.  Many of these cars you won’t see at any other show in the Northeast and the crowds seem to appreciate all of them judging by the spectators flocking from tent to tent and milling through the parking garage filled with both flesh and steel.

Barrett-Jackson (Photo by George Bekris )

Barrett-Jackson Northeast drew in its share of stars to enjoy the event. Richard Rawlings and Aaron Kaufmann of Fast ‘N Loud and brought in 12 vehicles from Dallas to sell at auction.  They were  spotted throughout the weekend with others from Gas Monkey Garage and camera crew zipping around the event in his Gas Monkey Garage golf cart as well as onstage during the auction.

Established in 1971 and headquartered in Scottsdale, Arizona, Barrett-Jackson, The World’s Greatest Collector Car Auctions®, is the leader in collector car auctions and automotive lifestyle events. The company produces auctions in Scottsdale, Arizona; Palm Beach, Florida; at Mohegan Sun in Connecticut; and Las Vegas, Nevada. With broadcast partners, Velocity and Discovery Channel, Barrett-Jackson will feature live television coverage in 2016, including broadcasts in over 100 countries internationally. Barrett-Jackson also endorses a one-of-a-kind collector car insurance for collector vehicles and other valued belongings.

Hopefully this inaugural Barrett-Jackson Northeast Auction will be the first of many years of auctions and amazing vehicles to come in the future.

For more photos of the Barrett-Jackson Northeast Auction visit George Bekris Photography 

For more information on Barrett-Jackson Auctions visit Barrett-Jackson Online

Lita Ford

Lita Ford

Lita Ford

Mohegan Sun Wolf Den – Nov. 27, 2015
Lita Ford played the Mohegan Sun’s Wolf Den wearing a stunning red leather suit with her long blonde hair flying as she strutted the stage with her band to bring her brand of 80’s rock music back with a vengeance. One of the guitar queens of the eighties Lita and her band played to a full house plus the extra crowd that spilled out to the casino floor outside on Friday, Nov. 27, 2015. Many fans waited for hours to gain entrance to the concert. Those that didn’t get a seat circled the outside of the Den to take it in standing.
Ford started as a sixteen year old lead guitarist for the all-female rock band The Runaways in the late 70’s. After a short stint and rough breakup with the band she embarked on a long solo career. At 57 Ford is still out on tour rocking crowds 40 years into her career. LIta Ford still has staying power and proved she can still fill the seats.
Lita lead off with “Larger Than Live”, followed by “Relentless”. The warmed up crowded then rocked among to Ford’s rendition of Elton John’s “The Bitch Is Back”. They continued with many of her best known songs.
The song “Can’t Catch Me” included drummer Bobby Rocks in an exceptionally fun and interesting drum solo. He beat on the drums shirtless and focused finishing with a flair and with his forehead. I have never seen head banging taken to that extreme. Evidentially, many others had not either and he wowed the crowd.
Patrick Kennison on guitar did a great job filling in for Ozzy Osborne’s part on the hit “Close My Eyes Forever”. The song was probably Ford’s most critically acclaimed hit when she performed it as a duet with Osborne on the self titled “Lita” album.
They performed “Devil in My Head” which let Marty O’Brien on bass shine with its heavy bass and drum beats. Then crowd helped out by singing along on the well known song Ch..Ch..Ch…”Cherry Bomb”.
“Kiss me Deadly” was the final song and there was no encore, but much to the fans’ delight Lita graciously held a meet and greet and signed photos for almost an hour after the show.
Review by Donna Erichsen
Photos by George Bekris

Set List
Larger Than Life
Relentless
The Bitch Is Back
Hungry
Falling In and Out of Love
Gotta Let Go Back to the Cave
Devil in My Head
Can’t Catch Me
Out for Blood
Close My Eyes Forever
Cherry Bomb
Kiss Me Deadly

Ian Anderson

From the rock opera "Jethro Tull"
Ian Anderson

Ian Anderson

Fox Theater, Mashantucket, CT
November 8, 2015
Ian Anderson’s Jethro Tull: The Rock Opera is not just another concert. It’s the story of Jethro Tull, an 18th Century agriculturist, as seen through Ian Anderson’s eyes and imagination. The whole concept of a rock opera is not often done, but when pulled off right it’s a night not to be missed. Ian Anderson has spent decades fluting his way around the stage as one of the most recognizable front men in rock. Who else is instantly associated with standing on one leg, like the Pied Piper of rock, with flute in hand? His opera consists of many songs we are familiar with mixed with 5 new songs and narration from the projected video of virtual guests on the back screen to tell the story of Jethro Tull. It was an entertaining mix of the English countryside, fields of grain, and other interesting imagery along with wailing guitar and Anderson owning the stage.
Most of the band members were considerably younger than Anderson’s age of 68, but you didn’t notice the gap as he cavorts about the stage shifting from flute to mandolin and on to harmonica. They played 2 sets with a short intermission and it was pure energy the entire time. After many years of singing Anderson’s voice is a bit raspier, but he hasn’t lost his bounce or swagger.
The stage band consisted of John O’Hara on keyboard, Florian Opahle, who played particularly well on lead guitar, Grieg Robinson on bass and Scott Hammond on drums. The virtual guests were Unmur Birna Björnsdóttir playing Tull’s wife. She added clean and frankly beautiful note to production as her voice pierced the theater and took it that next level. The virtual young Tull was played by Ryan O’Donnell, who also used to tour with Anderson a couple of years ago.
They started off with “Heavy Horses”, followed by “Wind-up”. Then came “Aqualung” with cheers from the crowd for Florian’s guitar playing on that oh so familiar song. “With You There to Help Me” and “Back to the Family” were next. “Farm on the Freeway” was backed by scenes of farmland being pushed out by loaded freeways clogged with streams of cars. Anderson new song “Prosperous Pasture” was followed by the heavy beats of “Fruits of Frankenfield”. He then ended set one with the well know and more folkish “Songs From the Wood ”
The band resumed the opera with set two and “And the World Feeds Me” and ” Living in the Past” always well received. Next came “Jack-in-the-Green” and “The Witch’s Promise”. The set continued with new songs “Weathercock” and “Stick, Twist, Bust”, which was a new song . Anderson and the band followed with “Cheap Day Return”, “A New Day Yesterday” and “The Turnstile Gate” another of his new tunes.
It only took the first few notes of the closing set and opera song on the keyboard by John O’Hara for the audience to know “Locomotive Breath” was coming down the track and many rose from their seats singing along to the steady pounding beat and “No way to slow down”.
The final song and encore of the evening was “Requiem and Fugue”.
Well done and very entertaining night. If you get a chance to take it in don’t hesitate, even if you have seen Anderson perform many times. This rock opera rounds out a long career wonderfully.
Review by Donna Erichsen
Photos by George Bekris

Set list :
Heavy Horses
Wind-Up
Aqualung
With You There to Help Me
Back to the Family
Farm on the Freeway
Prosperous Pasture Anderson
Fruits of Frankenfield Anderson
Songs From the Wood
Set2
And the World Feeds Me
Living in the Past
Jack-in-the-Green
The Witch’s Promise
Weathercock
Stick, Twist, Bust
Cheap Day Return
A New Day Yesterday
The Turnstile Gate
Locomotive Breath
Encore:
Requiem and Fugue
(with Bourée snippet)

 

Joe Walsh

Joe Walsh

Joe Walsh

Mohegan Sun Arena
Oct.16,2015
Joe Walsh has a reputation of putting on a consistently enjoyable concert and this was no exception. On October 16th at the Mohegan Sun Arena he treated the audience to a great show. The 67 year old is not only former member of the James Gang and Eagles, Walsh also has a number of songs written and performed in his long running solo career. This concert was a sampling of his many great and enduring songs. The only drawback is that he has so many songs in his bag of tricks there is no way we could hear them all in one concert.
Walsh was joined by one of his Barnstorm keyboardists and drummer Joe Vitale. He was also accompained by Gannin Arnold on guitar, Larry Young on bass, Jason Freeze on keyboards and ssaxaphone, Clayton James on synthisizer keyboards and Drew Hester on drums. Melanie Taylor, Windy Wagner and Connie Jackson rounded out the band with their back-up vocals.
Walsh sang “Walk Away”, “The Bomber” and a whimsical take on “Funk #49” with a midsong inclusion of lines from “Funk #50” off his solo album “Analog Man”, all sounded great. Along with “Turn To Stone” from his first solo album “Barnstorm” in 1974 he had the audience entranced in the moment. He used various guitars through out the show, so the sounds were consistently changing .
The encore started with I.L.B.T’s “I Like Big Tits”, a Breast Cancer awareness song, which was a hit with the crowd. Joe brought up the importance of this topic with the fact that his wife is a Breast Cancer survivor. He brought the message home in a positive way. Walsh then finished with ” Rocky Mountain Way”, always a favorite.
All in all a great concert and Joe Walsh never fails to put on a fun show. We’ll be seeing him next time as well.
Review by Donna Erichsen
Photos by George Bekris

Set List
Walk Away
A Life of Illusion
Over and Over
Analog Man
In the City
Pretty Maids All in a Row
Mother Says
Turn to Stone
The Bomber: Closet Queen/Bolero/Cast Your Fate to the Wind
Funk #49
Life’s Been Good
Encore:
I.L.B.T.s (for breast cancer awareness month)
Rocky Mountain Way

Carlos Santana

Carlos Santana Corazon Tour

Mohegan Sun Arena, Uncasville, CT
August 19, 2015
Carlos Santana, a man who’s career spans decades is still so relevant. The opening songs at the Mohegan Sun Arena were an omage to Woodstock and the tron above the stage showed scenes of his performance with his signature sound and style that is instantly recognizable. With the Corazon tour Carlos is still spreading the message of “Love and Light” through his music and his wish for a world living in harmony. This tour is a melding and mixing of Carlos. With his legendary guitar playing, and his staying power of almost 50 years. Strong and fresh vocals by Andy Vargas and Tony Lindsay as they sang “Soul Sacrifice”, “Freedom in Your Mind”, and “Maria Maria”.
Midway through the show, Carlos’ son Salvador Santana, who is an accomplished keyboardist, vocalist, and songwriter, took the stage and performed “Summers Day”, “Rise Up” and “Fantasy Reality” from his newly released CD “Fantasy Reality”. His upbeat rap style and ease on stage is a testament to someone who truly has performing in his blood. Savador was accompanied by Alex Nestor’s with her strong and soulful voice.
Oh, and how many times have you heard a trombone solo? Jeff Cressman marched around the stage and provided a top notch solo followed by David K. Mathews on the keyboard.
The evening was an enjoyably spicy and rhythmic time with Carlos Santana and his band that included brass and percussion sections as they played “Corazon Espanado”, “Smooth” and “Tequila” and others from his large collection of songs.
Time flew by and too soon they wrapped it up with an encore that included “Black Magic Woman” and “Oye Como Va”. Great night, and as anyone would expect, a great concert.
Review by Donna Erichsen
Photos by George Bekris

Set List:
WOODSTOCK INTRO
1. SOUL SACRIFICE
2. SAIDEIRA
3. LOVE MAKES THE WORLD GO ROUND
4. FREEDOM IN YOUR MIND
5. MARIA MARIA
6. FOO FOO
7. EUROPA
8. *SUMMERS DAY
9. *RISE UP
10. *FANTASY REALITY
11. CORAZON ESPINADO
12. JINGO
13. EVIL WAYS/ A LOVE SUPREME
14. BLUE TRANE/ A PLACE W/ NO NAME
15. TEQUILA
16. SMOOTH
17. BLACK MAGIC WOMAN / GYPSY QUEEN
18. OYE COMO VA
19. TOUSSAINT L’OUVERTURE
20. OMINOUS

Richie Furay

Richie Furay

The Katharine Hepburn Cultural Arts Center
Mar. 20, 2015
Mar. 20, 2015
0002
Richie Furay
The first day of spring and the snow is falling. It’s all good. Richie Furay and his band are playing “The Kate”, The Katharine Hepburn Cultural Arts Center and Theater in Old Saybrook, Connecticut.
Richie Furay, a singer, songwriter, and Rock & Roll Hall of Famer who is best known for being a founding member, singer, guitarist and songwriter of Buffalo Springfield in 1967 with Stephen Stills, Neil Young, Bruce Palmer and Dewey Martin. Furay later co-founded the supergroup Poco with Jim Messina and the Souther Hillman Furay Band with Chris Hillman, and J.D. Souther.
He was also just inducted into the Colorado Music Hall of Fame. Now that is a pedigree most would envy.
The Empty Pocket’s out of Chicago warmed up the audience with a great sound that lifts your spirits. A fun band with a sound all their own and are a pleasure to see perform. I will be following their music in the future.
When Richie took the stage it was good to hear his voice again and it’s so distinctly recognizable. He still has the voice he had 40 years ago which is amazing.
The Richie Furay Band treated the audience in the intimate venue of about 250 seats to a stellar night of music at it’s best.
Jessie Furay Lynch, Richie’s Daughter, is expecting and due in May so she was unable to accompany the band for this stop of their tour.
They were joined by Erika Brett from the Empty Pocket’s and her beautiful voice fit like a glove.
Richie, along with Scott Sellen on guitar and banjos, Jack Jeckot on keyboard and Harmonica, Alan Lemke on drums and Aaron Sellen on Bass.
The band took us all along on an entertaining show of past, present and future music played exceptionally well. “For What It’s Worth” which turned into a sing-a-long, “Pickin’ Up The Pieces”, “Good Feelin’ To Know”, “Fallin’ in Love” “Kind Woman” and some of his newer songs
“We Were The Dreamers”, off his just released new album “Hand in Hand” about his time with Poco was a real crowd pleaser. They were indeed legends.
The entire band meshed so well and seamlessly their songs resonated off the walls of the old hall and made the atmosphere both comforting and welcoming. The audience took it all in like a deep breath. An exceptional concert by one of the greats singing some of his anthems of a generation.
Richie Furay is also just a nice guy and it shows in his pure enjoyment of the moment. He was instrumental in the whole Colorado sound so prevalent in the early 70’s. He spoke as if he was talking with a room of old friends about some of his experiences with Neil Young, Steven Stills,Poco and life in general.
If you get a chance to see Richie Furay, do it while he is still touring. It was a such a good feelin’ kind of night and we were all destined to leave with a smile. He said at the start of the show that he wanted us to leave glad that we braved the snow and came out to spend an evening with him. Two hours later we were. What a way to start spring.
Review by Donna Erichsen
Photos by George Bekris