Rhode Island National Guard Airshow 2017

Rhode Island National Guard Airshow

May 20 & 21, 2017
Quonset, Rhode Island

The Rhode Island Nation Guard annual airshow at the Quonset Point air base could not have asked for better conditions. They treated families, aviator’s, plane enthusiasts and photographers to an action packed weekend with some of the world’s best aviators in action. The planes ranged from F-16 Vipers to vintage WWII aircraft circling the skies over Narragansett Bay in a spectacular display of daring and skill.
The United States Special Operations Command Parachute Team opened the show jumping out of a Lockheed Martin c130 and trailing a 30 foot American Flag held by the lead jumper as they passed a baton in mid air and trailed smoke as the showed off their precision landing skills in front of the crowd. The Para-Commandos are representative of the Special Operations Forces and represent the Navy SEALS, Army Rangers, Air Force Combat Controllers and Marine Raiders.
It was a kid friendly event that was perfect for families and as an extra bonus all the proceeds from the vendor’s profits goes to the Hasbro Children’s Hospital and other local charities. Patrons got to enjoy a world class airshow, eat, drink visit various displays and support local charities all in one afternoon.
The USAF F-16 Viper Demo Team streaked through the sky performing precision feats and high performance rolls. They showcase the capabilities of the jet and the expert pilots of the USAF.
Mike Goulian put is EXTRA 330SC Unlimited through a thrilling aerial aerobatic display of daring climbs, barrel rolls. Goulian is one of the top performers in the sport and it was evident in this performance. The high tech carbon-fiber and rugged steel plane is the world’s most high performance aerobatic airplane. He flawlessly swooped down low and upside down just feet above the runway before driving his craft straight up skyward and then tumble back toward earth. He showed his world class skills before a cheering crowd.
The military brought out the Rhode Island National Guard Dynamic Military Display with soldiers giving a demonstration of troop deployment from a variety of aircraft. They used Apache helicopters and medical helicopters to show deployment of personnel and equipment including cannons, and vehicles as well as evacuation of personnel.
John Klatt piloted The Jack Link’s Screamin’ Sasquatch Jet Waco plane powered by dual power plants. It has a Pratt & Whitney 985 radial engine and a General Electric CJ610 jet engine with 3,000 pounds of thrust for a combine rate of 4,500 lbs. This jet can accelerate while climbing straight up and were both on hand to thrill the crowd with aerobatics and screaming jet powered antics.

Of course no Jack Link’s event would be complete without the Jack Links Sasquatch on hand to mingle with the crowd much to the delight of the kids on hand bringing smiles from toddlers and adults alike. I think I spied a dinosaur ambling through the spectators too.
The AV-8B Harrier V/STOL strike aircraft was brought out to show it’s capabilities in all conditions. It can take off and land on short runways and pitching aircraft carrier decks. It provides close air support, intermediate range intercept and attack missions. The versatile aircraft performed takeoffs, landing and was able to turn 360 degrees while staying in the same spot in front of the crowd. It was then able to rise up and take off to speed in seconds.
A 1940’s F4U Corsair piloted by Mark Murphy performed stunts and was put thru her paces. This was a popular aircraft from WWII and was proven in both the british and US military. The planes were flown off aircraft and were successful in downing 2,140 enemy aircraft during the war.

Sean D. Tucker took to the skies in the bright red Team ORACLE Challenger III. The legend of the air performed awe inspiring daredevil feats in the air. He is amazing in his ability to maneuver the plane into seemingly impossible positions. He dove down and went under, cut through and back under 3 cables strung across the airstrip just 30 feet above the ground. He spoke from the cockpit while performing and entertaining the spectators with enthusiasm and his trademark yell of “Yeah Baby!!” while screeching across the sky rolling and pitching his plane in amazing twists and turns.
The Shockwave Jet Truck showed up and blasted its 36,000 horsepower down the runway. They even had a race between the Shockwave Jet Truck and Rob Holland in his MXS-RH Nano Pro plane. Holland and his Ultimate Airshows is the three time defending World Freestyle Aerobatic Champion raced the Shockwave Truck upside down down the track in a amazing feat of both skill, daring giving the spectators a visually stunning loud and fast jet race from ground and air.
Randy Ball brought out his 26 years of airshow experience by wowing the crowd with an exceptional performance of the capabilities of the MIG-17 jet fighter. He powered his machine past the crowd at a screaming pace with low level runs to shoot straight up skyward at a breakneck speed. The spectacular aircraft looked like a couple wings hooked onto a huge engine.
The Geico Skytypers Air Show Team performed precision flight maneuvers with six aircraft simulation war time flight scenarios and amazing stunts. They performed low level flights in the WWII American SNJ-2 1940 and 1941 vintage trainers surrounding the crowd with beautiful precision flight from the world renowned team.
All in all it is a great weekend event that changes it’s talent each year. Next year the Blue Angels are scheduled to appear again. So mark your calendars for May 2018 in Quonset, RI for a memorable weekend event.

Greenwich Concours d’ Elegance

Greenwich Concours d’Elegance celebrates its 22nd year in 2017

Bugattis, Historic Race Cars, Hot Rods and Children’s Cars featured to benefit Americares  

 

GREENWICH, Conn. (April 27, 2017) – Recognized as one of the premier classic car shows in the country, the Greenwich Concours d’Elegance will celebrate its 22nd year of showcasing significant cars, motorcycles and one-off automotive creations on June 3-4, 2017.
The brainchild of the late Bruce Wennerstrom, the Concours continues its tradition of holding two unique Concours back-to-back at Roger Sherman Baldwin Park overlooking the Greenwich, Conn., harbor on Long Island Sound.
For 21 years, the proceeds from the Greenwich Concours have gone to support Americares, a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing medicine, medical supplies and health programs.
Organizer of the world-renowned Amelia Island Concours d’Elegance, Bill Warner, has been named the Grand Marshal.
Saturday, June 3, will be the Concours Americana for American cars and motorcycles, while Sunday, June 4, will feature the Concours International for imported marques.
The inaugural hot rod display being organized by Velocity Channel’s Chasing Classic Cars host Wayne Carini will highlight Saturday’s show. A special exhibit of children’s cars and supercars will round out the day’s displays. Saturday’s ticket also allows attendees to preview all of the cars in the Bonhams auction tent.
Tickets are also available on Saturday night to a gala party and elegant buffet at the Greenwich Delamar Hotel, with luxurious yachts as a backdrop on the quay.
Sunday’s featured marque will be Bugatti and will include a collection of rare Bugattis from the American Bugatti Club. Sunday will also feature race cars from the Lime Rock Park Historic Festival. The Bonhams auction begins at noon on Sunday and requires a separate admission.
Also showcased during the weekend will be the iconic outlaw cars from the original cross-country Cannonball Baker Sea to Shining Sea Memorial Trophy Dash, held in the ’70s, along with some of the later non-outlaw entries. These cars will also be displayed at the Cannonball Reunion, a joint evening event  with the Greenwich International Film Festival, at Cole Auditorium on Friday, June 2.
Both days will include displays of the latest in new cars including BMW, Cadillac, Tesla, Lincoln, Jaguar, Land Rover, and Miller Motorcars of Greenwich will highlight its Ferrari, Bugatti, Pagani, Alfa Romeo, Aston Martin, McLaren, Bentley, Rolls-Royce and Maserati marques. Opportunities to test drive some of these new vehicles will be offered. There will also be a number of luxury yachts displayed at the adjacent Delamar Hotel docks.
“The Greenwich Concours is proud to partner with Americares to help families in need all over the world,” said Mary Wennerstrom, Concours Chairman. “Not only will attendees who appreciate these rare cars be treated to two days to delight their senses, they will also be contributing to one of the world’s most respected charities.”
“Americares is honored to be the Greenwich Concours’ charity of choice for more than two decades,” said Americares President and CEO Michael J. Nyenhuis. “Together we are helping families affected by poverty or disaster get the health care they need — the health care they deserve.”
Baby Bugatti with a 1925 Bugatti Type 35A/51 Grand Prix at the Greenwich Concours site.
Photo by Bearded Mug Media.
VIP tickets are available on a limited basis. A VIP ticket includes early entry to the Concours, breakfast and lunch with the car owners and judges, access to the VIP lounge and patio at the Delamar Hotel, entrance to the Bonhams Cocktail Reception on Friday night, lapel pin, poster and a VIP lanyard.
    • Gates open at 10 a.m. for general admission, 8 a.m. for VIP ticket holders
    • Advance tickets for both days are available at $30 per day or $50 for both days
    • Children 12 and under are free when accompanied by an adult
    • VIP Admission is $250 per day or $450 for both days
    • Saturday Night Gala tickets are available for $175
    • Tickets can be purchased at http://www.greenwichconcours.com/visitors/tickets/
    • Admission to Bonhams auction is available on site at $40 for two people
The weekend activities will include other events, open to the public, some in cooperation with the Greenwich International Film Festival:
About Americares
Americares is a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing health programs, medicine and medical supplies. Each year, Americares reaches more than 90 countries and all 50 U.S. states with over $600 million in innovative health programs and quality medical aid. Americares is the world’s leading nonprofit provider of donated medicine and medical supplies. For more information, visit americares.org.

Steve Winwood

Steve Winwood

Grand Theater at Foxwoods, Mashantucket, CT
April 28, 2017

Steve Winwood has a career that spans decades. He started as a member of  The Spencer Davis Group at age 14 in England. He went on from there to Traffic, and then to Blind Faith one of the first super rock bands. Once leaving those bands and embarking on his successful solo career he has carried on through time with hits of his own. It is great to see such an iconic legend of an era still out there touring.
Winwood was inducted into the Rock and Roll Hall of Fame as a member of  Traffic in 2004 and won two Grammy awards. He was nominated twice for the Brit Award for Best British Male Artist: 1988 and 1989.
The evening started out with Winwood on the mandolin as he and the band played his well know hit “Back in the High Life Again.” He was accompanied by Richard Bailey on Drums, José Neto on Guitar, Edwin Sanz on Percussion, and Paul Booth on Saxophone.
Then they rolled into “Pearly Queen” and then “I’m a Man” from his Spencer Davis Group days. They followed that with “Fly” off his Nine Lives Album.
“Higher Love” was one of his US Billboard Hot 100 number ones that they played. Though Windwood does not speak to the audience too much while performing he was clearly happy to have his daughter Lilly Winwood come on stage and accompany him in singing “Higher Love” as well as on “Gimme Some Lovin’ ” during the encore.
The first encore song was the ever popular “Mr. Fantasy.” Always one of the audience favorites and a must play at any Steve Winwood concert.
The song list was not lengthy, but there were some great solos by each of the band members. It had the feel of an earlier time at concerts when bands would jam on longer during live performances.
Winwood’s voice still sounds as good as ever. I last saw him 11 years ago and he has not lost a bit of his edge. I would recommend this concert to anyone wanting to hear great music spanning 4 decades. I only wish there was enough time in one concert to cover his many songs and styles of singing.
It was also refreshing to see Winwood’s daughter, Lilly Winwood open for him. She played an acoustic set of cuts from her newly released debut EP titled “Silver Stage.” Her voice was soulful, beautiful and wise beyond her years.
Set List:
Back in the High Life Again
Pearly Queen (Traffic)
I’m a Man (The Spencer Davis Group)
Fly
Them Changes (Buddy Miles cover)
Can’t Find My Way Home (Blind Faith)
Had to Cry Today (Blind Faith)
The Low Spark of High Heeled Boys (Traffic)
Empty Pages (Traffic)
Light Up or Leave Me Alone (Traffic)
Higher Love (with Lilly Winwood on vocals)
Encore:
Dear Mr. Fantasy (Traffic)
Gimme Some Lovin’ (The Spencer Davis Group)
(with Lilly Winwood on vocals)
By Donna Erichsen
Photos by George Bekris

 

Beth Hart

Beth Hart

Fire on the Floor Tour

Feb. 25, 2017

Fox Theater, Mashantucket, CT

The Fox Theater darkened and the band begins to play. The crowd looks at the stage anticipating Beth Hart’s arrival. An electric guitar continued to moan in the dark. Beth Hart began singing the first lines of a song, her voice echoing throughout the theater. Suddenly she surprised and thrilled the audience when a lone spotlight lit up the singer dressed in a sparkling mini smoothly entering the theater from behind the crowd. The spotlight followed her as she passed by patrons, touching a few shoulders and hands along the way, as she sung “Don’t Explain” a Billie Holiday cover. Hart paused in the isle turned and faced the enthusiastic crowd to croon out the blues. She swung around and glided up onto the stage, not missing a beat. This woman has big stage presence and a voice to match it. Everyone was already fixated and cheering Hart on and the second song had not even begun.
The second number was “As Good as it Gets,” which was a number one single of Hart’s in Denmark. She has had many releases in Europe of various songs that have topped the charts. She is well recognized for her blues and soul songs worldwide and has released the albums “Seesaw” and “Live in Amsterdam” with fellow blues artist Joe Bonamassa.
Beth Hart and her band consisting of guitarist Jon Nichols, bassist Bob Marinelli and drummer Bill Ransom meshed so well, they knew their show and played perfectly. Jon Nichols made his multiple guitars used during the performance wail, moan and he also sang backup vocals.
Hart has such incredible range and rich tone. She brings the audience right down into the depths of her low down blues. She sings with such conviction coming from a life of knowledge of pain and suffering that she transfers into such beautiful music you feel every note. Hart’s “Lift Me Up,” a song she wrote for a sister who passed away was soulful and beautiful. The raw emotion in the song had people feeling it in the audience.
Hart’s husband Scott asked her to include the song “Leave the Light On,” off her platinum album of the same name. Before the song he made an impromptu appearance on the stage running over to her at the piano and giving her a little hug.
The evening was well rounded with heart aching blues off Hart’s newest album “Fire on the Floor,” including the title song from that release that told of the heartbreak of desire and love. These soulful ballads were alternated with lighter songs from the same DVD. The rock song “Fat Man” was popular as well with a catchy with toe tapping, driving beat.
The band played a mix of songs from some of Hart’s large catalog of releases since 1999. She also sang a cover of Tom Wait’s “Chocolate Jesus.” Hart alternated between shimmying across the stage, sitting, kneeling and playing on the piano. Her energy was passionate and boundless.
The band came back onstage for an encore of “No Place Like Home” followed by Hart’s 1999 single “LA Song (Out of This Town)” from her second album “Screamin’ for My Supper.”
I was totally blown away by this concert. I have heard her music and loved her voice, but seeing Hart perform in person was a treat I will not forget. Hart was humble, thankful for her success and honest about her struggles in life. Her sharing that made the show even more memorable. To realize what she has gone through in her life and for her to come out so positive and happy on the other side makes you want her success to continue for a long time. If you get the chance to see this woman and her band perform do it. Do not hesitate for a moment. If you are a blues lover or just a lover of great music this is a night not to miss.

Review by Donna Erichsen
Photos by George Bekris
Beth Hart 
Set List
Don’t Explain (Billie Holiday cover)
Good as It Gets
I’ll Take Care of You (Bobby “Blue” Bland cover)
Delicious Surprise
Baddest Blues
Lifts You Up
Baby Shot Me Down
Sister Heroine
Close to My Fire (Slackwax cover)
My California
Chocolate Jesus (Tom Waits cover)
Woman You’ve Been Dreaming Of
St. Teresa
Leave the Light On
Fat Man
Love Is a Lie
Encore:
No Place Like Home
L.A. Song (Out of This Town)

 

Jesse Colin Young

Jesse Colin Young

The Katharine Hepburn Cultural Arts Center

Feb. 18, 2017

The Jesse Colin Young Band performed at the Katharine Hepburn Cultural Arts Center on Saturday, February 18, 2017. It was a two part show. The first set was all acoustic with Young solo on his guitar. The second set was Young accompanied by his band of young talented artists in their 20’s. It’s ironic that they are around the age he was when he was touring in the Youngbloods.

Jesse Colin Young’s career began on the east coast in 1964 but really took off when he became one of the founding members of the Youngbloods in 1967, during the summer of love in California. Their best known hit is the iconic and still well loved song “Get Together” which was a worldwide top ten hit.
“Get Together” has become one of the anthems of a generation that proclaimed peace, love and harmony and would see us all through the turmoil of the Vietnam war era. It is such a classic that no Jesse Colin Young article or concert would feel be complete without the song. It’s been included in numerous movies throughout the years.

After the Youngbloods, Young continued with his own successful career and solo albums. He recorded in his studio in Marin, California and started his own Ridgetop Record label until a fire ravaged his home and property in 1995. He then moved his family to Hawaii and began a new life that included writing and producing music in a new studio. He and his wife also started their own coffee plantation 2000 feet up the slope of the 8000 foot Hualalai Mountain Volcano.The organic coffee is called Morning Sun and is sold and shipped worldwide.

Young opened with his well known songs “Songbird” and “Sugar Babe.” Followed by “Four in the Morning,” “Sunlight” and “Desire.” Young told the audience how he had taken a hiatus from touring for 6 years and had not planned on returning to the road until he saw his son and fellow Berklee college students performing at a recital and was blown away by their talent. He then decided to start touring again and invited Aleif Hamdan (electric guitar), Jack Sheehan (saxophone), Donnie Hogue (drums), Jenn Hwan Wong (keyboard), Sally Rose (backup vocals), Virginia Garcia-Alves (backup vocals) and Young’s son Tristan Young (bass) to join him. Their youth and enthusiasm energized his desire to tour again and it’s evident he enjoys their energy onstage.

For the second set Young was joined by the band and they started the set with “Ridgetop.” This was followed by “Sweet Good Times” and “Walk the Talk About Love.” They then sang “Cast a Stone,” which Young wrote following the Boston bombing about the emotions felt during the anxious hours in the aftermath.
The band shows their versatility by changing it up with a mix of blues and soul songs. They played a cover of the Marvin Gaye songs “What’s Goin’ On” and “Mercy, Mercy Me.” The band moved smoothly between the blues, folk and jazz mix of songs. Sally Rose and Virginia Garcia-Alves added beautiful accompaniment to Young’s voice.

 

They performed another of Young’s acclaimed songs “Darkness, Darkness” off the album Elephant Mountain. The song was also an anthem of the 60’s but refers more to the soldiers feelings in Vietnam. Jesse then sang a song he wrote, “For Orlando” after the tragic Orlando, Florida nightclub shooting.

The Katharine Hepburn Cultural Arts Center is gem of a venue in Old Saybrook, CT, an intimate theater holding 250 patrons. It was a sold out concert and all of the patrons were happy to spend an evening with the band judging by the applause for an encore as the performance ended. The band returned to the stage and played a rousing rendition of T-Bone Shuffle.
It was a feel good performance with a legend and his band that everyone thoroughly enjoyed.

Jesse Colin Young Band Members:
Aleif Hamdan – Electric Guitar
Jack Sheehan – Saxophone
Tristan Young – Bass
Donnie Hogue – Drums
Jenn Hwan Wong – Keyboard
Sally Rose – Backup Vocals
Virginia Garcia-Alves – Backup Vocals
Set List
Set 1 : Young Solo
Songbird
Sugar Babe
Four in the Morning
Sunlight
Desire
Set 2 with Jesse Colin Young Band
Ridgetop
Sweet Good Times
Walk the Talk about Love
Cast a Stone
What’s Goin’ On/Mercy, Mercy Me
Lightshine
Statesboro Blues
Right Here, Right Now
Darkness, Darkness
For Orlando
Get Together
Encore
T-Bone Shuffle
Review by Donna Erichsen
Photos by George Bekris

 

 

Lyle Lovett and John Hiatt

Lyle Lovett and John Hiatt

Garde Arts Center, New London, CT
January 20, 2017

The Garde Arts Center was the perfect setting for Lyle Lovett and John Hiatt’s intimate acoustic duet performance.
The Garde is a historic theater in downtown New London celebrating it’s 90th anniversary. The theater still has the feel of the majestic performing houses of the early 20th century with cloth seats, ornate decorations on the walls and balcony seats. It holds a little over 1400 patrons which was a perfect size for this show.
The show consisted of two excellent singer, songwriters, Lyle Lovett and John Hiatt and a couple of acoustic guitars for each artist. That’s it. No fancy sets, lighting shows, neon or strobe lights. Both men came out dressed in their Sunday best, suit and tie. It was just about as pure as it gets. Lovett and Hiatt made this work perfectly and the audience didn’t need it any other way. The show was a combination of songs from each performers vast library of tunes intermingled with witty banter about being on the road and life with other performers over their decades of touring.
Lyle Lovett would sing one of his songs with back up harmony and accompaniment on guitar by Hiatt. Then the roles would reverse and John Hiatt would sing with harmonies by Lovett. The format was entertaining and spanned country, blues, Texas swing and some of their mainstream alternative country classics. They sang both the award winning songs and lesser known obscure ones.

They both have so many songs to choose from that, as Lyle Lovett mentioned, they go into each show with no real setlist and float from one song to another picking lead in from the previous song. They played off each other like a straight man and his sidekick. Both have a dry wit and an easy style of country humor that brought the audience along with laughter. It was such an easy night akin to sitting around country store in Texas or a barstool in Memphis picking and storytelling. If it is scripted beforehand you wouldn’t know.
Lovett is a songwriter and actor is addition to his longstanding career as a country, blues and Texas swing singer. He hails from Texas and has 20 albums in his storied career. His other lesser known talent is comedy. He had the audience going from chuckles to full out laughter at his insights in the preambles to the songs. He performed “She’s No Lady” and “Her First Mistake” as well as the very Texan “Don’t Touch My Hat”. He also included some of his lesser heard tunes to round out his half of the songs. His deadpan humor made each song more enjoyable.
John Hiatt has done 22 albums has been singing and playing for 40 years. He played with many of the greats. His voice is more grizzled than Lovett but that only serves to compliment the harmonies of Lovett’s tenor better. The best of his playlist were brought out “Seven Little Indians” and “Drive South. He crooned his blues toned “Cadillac with Tennessee Plates” to the audience delight. There was a new song “Over the Hill”, a great song I hope to hear more of in the future. Hiatt played his harmonica with gusto and his playing has only gotten better over the years. But, Hiatt has another talent that surprised the audience, he can whistle. I don’t mean just whistle. He belted out a whistle that was pitch perfect and resonated throughout the theater like a fine tuned instrument. It was one of those wow moments where you can hear a pin drop in the audience. I think he took most everyone by surprise judging by the applause as the song ended.

 

Many went into the theater for this sold out show expecting a great concert. I don’t think the audience expected to be as blown away as we were by such an exceptional concert done with the most minimal of equipment out there, a couple of guitars and a harmonica. This is a pairing of talents that was meant to be. New London may be in the middle of New England, but it was all Tennessee, Louisiana and Texas in the The Garde this January night. The Garde outdid themselves booking these men and I sincerely hope we see them back there in the future. If you get the chance do not miss this duo. Grab your tickets and see them while you can.

Review by Donna Erichsen
Photos by George Bekris
Interior Garde photos courtesy of Rita Rivera

 

 

Cirque Dreams Jungle Fantasy

Cirque Dreams Jungle Fantasy

Mohegan Sun Arena

January 6, 2017

Cirque Dreams Jungle Fantasy awed the full house at the Mohegan Sun Arena on Friday, January 6, 2017. The stage was placed in the center of the arena giving all the patrons a great view of the action. The troupe amazed the spectators with contortions and energetic acts of tumbling and high flying balancing performances. All forms of jungle creatures were brought to life in vivid constumes and make up. There were frogs, snakes, ladybugs, bees, ostriches.

The performers took to the air on hoops, nets, lines and pieces of cloth. Many of these feats done over 20 feet off the ground with no safety net. They performed precise manouvers suspended high off the ground at times only being held by feet on the hoops or an outstretched hand. It is impossible to describe some of the moves that the performers gracefully executed with seeming ease. Only photos and seeing them in person can accurately convey the difficulty of each act and their graceful agility.The crowd laughed and gasped as the dozen or so perfomers bent their bodies and pushed the envelope of what the human body can acheive. To say they were limber would be a gross understatement. Their balance superbe and exact.


There were jugglers of balls, logs, hoops and people. It was a circus of vibrant color with people and items tumbled and flipped in the air on performers feet over and over at a dizzing pace. The show was fast paced and entertaining. It moved smoothly from one act to another with just enough time for your mind to adjust to what new body bending move was coming next.
A great family event for all ages.


Review by Donna Erichsen
Photos by George Bekris

Stevie Nicks

Stevie Nicks

Mohegan Sun Arena

Nov. 25, 2016

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Stevie Nicks North American 24 Karat Gold tour is named after her most recent solo album,
Stevie Nicks greeted the enthusiastic Mohegan Sun crowd with a mix of songs seldom heard in her concerts blended in with a few of her better known hits. She started off the evening with the soul song “Gold and Braid.” She also did cuts from newest album, “24 Karat Gold: Songs from the Vault,” which were accompanied with stories from Nicks about how each song was written and subsequently “lost” over the years.

 

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Nicks recalled that she had been in the music industry for 43 years. Nicks did a lot of reminiscing about the early years and playing with Lindsay Buckingham on their first album together. She performed songs from her 1981 “Bella Donna” for the first time since the very early ‘80s, and four songs not heard live before other lesser played cuts from her 1983 album “Wild Heart”.
Nicks talked about bringing the song “Stop Draggin’ My Heart Around” onto an album that she credited for launching her solo career. She said Tom Petty and that song were instrumental in making a name for herself without Fleetwood Mac. Nicks then was joined by Chrissie Hynde on stage to perform it along with Waddy Wachtel singing Petty’s choruses.
Tempe’s Al Ortiz on bass, Sharon Celani and Marilyn Martin were on vocals. Waddy Wachtel her long time production manager played lead guitar.

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She told of how she did not perform live for 9 years after being dismayed by the internet until finally being moved to perform again by the 2011 song “Moonlight (A Vampire’s Dream)” inspired by the film “Twilight: New Moon”. She felt she had lived a similar love story to Bella and Edward in her past relationship with Lindsey Buckingham.
She then rolled into a more well know combo of “Gold Dust Woman” a Fleetwood Mac favorite followed by “Edge of Seventeen.” as a tribute of sorts to Prince with his images added to the screen. She told that this was one of his favorite songs.
The encore was two of her best know crowd favorites “Rhiannon” by Fleetwood Mac, which Nicks said she has performed at every concert since 1975, and she ended the concert with “Leather and Lace”.
After this show it was announced that she would add 20 new dates to the tour.
Chrissie Hynde and the Pretenders opened the show. 

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www.stevienicksofficial.com
Review by Donna Erichsen
Photos by George Bekris
Stevie Nicks Set List
Gold and Braid
If Anyone Falls
Stop Draggin’ My Heart Around (with Chrissie Hynde)
Belle Fleur
Gypsy (Fleetwood Mac song)
Wild Heart
Bella Donna
Enchanted
New Orleans
Starshine
Moonlight (A Vampire’s Dream)
Stand Back
Crying in the Night (Buckingham Nicks song)
If You Were My Love
Gold Dust Woman (Fleetwood Mac song)
Edge of Seventeen
Encore:
Rhiannon (Fleetwood Mac song)
Leather and Lace

 

Chrissie Hynde and the Pretenders

Chrissie Hynde and the Pretenders

 Mohegan Sun Arena

Nov. 25, 2016

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Chrissie Hynde and the Pretenders opened the night for Stevie Nicks. At 65 you would think Hynde would be showing signs of slowing down, not so. She prowled the stage guitar in hand with just as much swagger as ever. Hynde and the Pretenders sang for an hour prior to Stevie Nicks taking the stage.

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Hynde played many of their most popular 1980s tunes including “Back On The Chain Gang,” “Brass In Pocket,” “Private Life” and “My City Was Gone”. They all sounded great and were still played with enthusiasm. Her vibrancy on stage has not deminished. The band played tracks from their recent album “Alone” produced by Dan Auerbach, including”Gotta Wait,” “Let’s Get Lost,” “Holy Commotion” and “I Hate Myself”.  Hynde knows when to stick with what works and this album had very much of the same feel as those ’80s rock tunes that made her a household name.

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Known as one of the classic women in rock Hynde still entertains and although she gave praise to Stevie Nicks and downplaying her own influence on rock,  Chrissie Hynde and the Pretenders had no problem showing that they are still one of the best known rock bands fronted by a woman.

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www.thepretenders.com
Review by Donna Erichsen
Photos by George Bekris
Pretenders Setlist
Alone
Gotta Wait
Message of Love
Private Life
Down the Wrong Way (Chrissie Hynde song)
Hymn to Her
Back on the Chain Gang
I’ll Stand by You
Holy Commotion
My City Was Gone
Stop Your Sobbing (The Kinks cover)
Don’t Get Me Wrong
Mystery Achievement
Middle of the Road
Brass in Pocket

Martin Barre Band

The Martin Barre Band

The Katharine Hepburn Cultural Arts Center

 Oct. 13, 2016

 

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Just one word needed to describe the Martin Barre Band performance at the Katharine Hepburn Cultural Arts Center on October 13th. “Brilliant“.
To coin a british term brilliant best sums up the energetic performance. The band took the stage and wowed the sold out crowd. They played an assortment of songs including original compositions by Barre, some blues-rock, Jethro Tull classics, and even a jig.

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Martin Barre on guitar, Dan Crisp on vocals and guitar, George Lindsay drums and Alan Thomson on bass were a top notch combo. Each an exceptional musician in their own right combined to make a memorable evening. All of the band members complimented one another’s talent and they meshed beautifully. It was evident they enjoyed playing together and looked like they had fun on the stage.
In between the songs Barre entertained the audience with a few clever quips and jokes. Barre has an unexpectedly dry sense of humor as well as being warm and down to earth. He also spoke of the early years of playing and how he was changed by coming to America.
Martin Barre has not wavered a bit in his performances. After 43 years of playing with Jethro Tull and then on to his own Martin Barre Band one thing that has never changed is his amazing ability on the guitar. While with Jethro Tull he sold over 60 million records and racked up eleven gold and five platinum records. He sounds just a good as I have ever heard him.
Dan Crisp was spot on on his vocals with backup from the rest of the band. He belted out with great animation the Jethro Tull songs and soulfully crooned the blues numbers. Sounding similar enough like Ian Anderson when needed but with a style all his own on most songs. Crisp showed that when he launched into “Bad Man” off the Back to Steel album and in “Thorazine Shuffle” a Warren Haynes & Gov’t Mule cover.
There was no need for a flute in this crowd. The guitars wailed and teased the audience into each song with abandon. They did reengineered versions of “Teacher” and “Fatman” and a few other Jethro Tull classics. Enough of the original to remind you of the roots but taken in a different direction by Barre. Barre even pulled out the mandolin for a tweaked up version of Robert Johnson’s “Cross Road Blues”. Every song was so great that 2 1/2 hours later it was impossible to pull out a favorite.
Called back by a cheering and clapping audience for an encore Barre and the band blew the roof off the house with “Locomotive Breath”. As they took their bows Barre said he would remember “The Kate” for a long time and promised to return again. We certainly hope they do. If you get the chance to see The Martin Barre Band definitely do it.

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For more information on the band and future tour dates visit www.martinbarre.com

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Review by Donna Erichsen
Photos by George Bekris
SET LIST:
Hammer
Cry You A Song
Minstrel In The Gallery
Steal Your Heart Away (Bobby Parker cover)
Back To Steel
Eleanor Rigby
Nothing To Say
Sea Lion
Love Story
Skating Away on the Thin Ice of the New Day
Intermission
Thorazine Shuffle
Cross Road Blues (Robert Johnson cover)
Jig/Hymn 43
Bad Man
Moment of Madness
Sweet Dream
A Song Four Jeffery
Teacher
Fat Man
A New Day Yesterday
Encore
Locomotive Breath