Rod Stewart – Mohegan Sun Arena – March 24, 2018

At 73 Rod Stewart is still going strong. He treated the Mohegan Sun Arena’s sold out crowd to a high energy performance. He brought to the stage an enthusiastic young set of singers and a mix of young and older members in his 12 piece band.

Before he took the stage a local band the Mystic Highland Pipe Band wound its way through the isles with bagpipes and drums.
The opening song “Soul Finger” had a 60’s feel to it with the singers shimmying out until Rod appeared and made he was across the stage. The energy of the night was palpable from that moment to the last note of the evening. They played almost nonstop for 2 hours including a number of costume changes.

His back up singers called the Rodettes shimmed and strutted right along with Stewart as has sang “Young Turks” followed by “Infatuation.”
Stewart and the Rodettes sang a great version of the Muddy Waters tune “Rollin’ and Tumblin’.”
The persussion section performed a great solo while part of the band did a quick outfit change.
During the song “Love Is” the ladies in the band were dressed tartan skirts. Julia Thornton played the banjo as J’anna Jacoby and Caissie Levy joined in on the violins. The ladies all accompanied Stewart twirling and dancing with the backup singers in a foot stomping dance to the song.
Stewart dedicated “Rhythm of My Heart” to those who died in battle during World War II. They then dedicated “People Get Ready”  to students who took part in the “March for Our Lives” against gun violence the same day.
Jimmy Roberts performed a great solo on saxophone allowing Rod and the Rodettes time for one of several costume changes.
Stewart told the audience to have a seat as he and part of his band and singers joined him at the front of the stage. They seated themselves and performed a multi song acoustic set. They did “The First Cut is the Deepest” followed by a fan favorite “Reason To Believe.” Next was Van Morrison’s “Have I Told You Lately.” It was refreshingly laid back and intimate. Then the band went right into “You’re In My Heart.” The audience needed no encouraging to wholeheartedly join in the songs. They knew the words and Stewart enjoyed the participation.
Stewart’s final songs of the night were from his time with The Faces, including “Stay With Me” with Stewart kicking and throwing signed soccer balls into the audience. He is great kicker and landed a couple into the upper decks to the delight and shouts of approval from the crowd. He followed this with his Number 1 hit “Maggie May.”
The encore was “Da Ya Think I’m Sexy” and the audience loved it as this is one of Stewart’s best known songs.
Stewart and his band are definitely a must see if you get the chance. I don’t know how many more years he will tour, but he has an ageless quality and puts on a thoroughly enjoyable concert from beginning to end. I can’t think of one thing he didn’t do or could have done to make the evening more entertaining and enjoyable.
The band members:
Conrad Korsch – bass guitar
Dave Palmer – drums
Jimmy Roberts – saxophone
J’anna Jacoby – violin, mandolin, acoustic guitar
Julia Thornton – vocals, banjo, harp
Caissie Levy – vocals, violin
Chuck Kentis – keyboards
Emerson Swinford – guitar
Bridget Cady – vocals and dance
Becca Kotte – vocals and dance
Di Reed – vocals and dance
http://www.rodstewart.com/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Young Turks
Infatuation
Having a Party (Sam Cooke cover)
Some Guys Have All the Luck (The Persuaders cover)
You Wear It Well
Tonight’s the Night (Gonna Be Alright)
Love Is
Rhythm of My Heart (Marc Jordan cover)
Rollin’ and Tumblin’ (Hambone Willie Newbern cover)
Forever Young
Downtown Train (Tom Waits cover)
The First Cut Is the Deepest (Cat Stevens cover)
Reason to Believe (Tim Hardin cover)
People Get Ready (The Impression cover)
You’re in My Heart (The Final Acclaim)
Have I Told You Lately (Van Morrison cover)
Stay With Me (Faces song)
Maggie May
Encore:
Da Ya Think I’m Sexy?

 

 

Trans-Siberian Orchestra

Trans-Siberian Orchestra

“Ghosts of Christmas”

Mohegan Sun Arena
November 26, 2017

The Christmas season has arrived with the performance from the progressive rock band the Trans-Siberian Orchestra. This has become an almost every year tradition for many. So it doesn’t seem like the season starts without an evening watching TSO. The performance was split into two parts. The first portion of the show was the “The Ghosts of Christmas Eve”, a story from the 1999 soundtrack, was narrated by Bryan Hicks as portions of the rock opera were shown on screens.
Prior to beginning the show a presentation was made of over $10,000 for local Connecticut charities from some of the proceeds from shows at Mohegan Sun this year. Trans-Siberian Orchestra has always made sure with each of their Christmas performances that they contribute something back directly to the community where they are performing that night.
As always the string section is made up of local talented performers brought in for the event. On its first tour since the death of founder Paul O’Neill seven months ago. The band continues on with his vision of the show started in 1993. They still keep the concept of two troupes performing at the same time in different areas and bringing in the local talent as well as their own performers.
With each new season TSO changes the layout of the lasers and platforms that move. This year there were numerous risers for guitarists Chris Caffery and Joel Hoekstrar to strap onto as they performed. Roddy Chong on the violin was also hooked on to risers and floated above the stage in both the front and back of the arena. The arena was filled with smoke and flames. But, this year the entire backdrop was turned into many different sections of video screens all playing at the same time to expand the storyline well beyond the back of the stage. This year included the entire percussion section and keyboards on a stage that ascended up in the air about 30 feet during different numbers.
TSO played selections from their numerous rock operas Christmas Eve and Other Stories, The Christmas Attic, Beethoven’s Last Night, The Lost Christmas Eve, their two-disc Night Castle and Letters From the Labyrinth. They played a few from each of these as well as “Wizards in Winter” from The Lost Christmas Eve album released in 2004.
The second half of the concert was predominantly music from their non-Christmas albums including “Carmina Burana” a deep and dark number with flames shooting as the background videos projected flames shooting out of castle windows.
Trans Siberian Orchestra is one of the top ticket selling bands of the first decade of the new millennium. They are known for never having had an opening band and have never been an opening band for any other performers. They went straight to performing in auditoriums without being a bar or club band. Their performances from the start have been extravaganzas full of light shows and special effects. This is one part of the show that never disappoints the audience. O’Neill always wanted his shows to be intentionally over the top.
The concert was a bit too long and could possible be shortened by a couple of songs without losing it’s effect. Perhaps not playing “Christmas Eve/Sarajevo 12/24” twice. Once clearly does suffice without the reprise. But, all and all it was a good performance and rang in the season in a now traditional form.
Review by Donna Erichsen
Photos by George Bekris
http://www.trans-siberian.com
SET LIST:
Time and Distance (The Dash)
Winter Palace
The Lost Christmas Eve
O Come All Ye Faithful/O Holy Night
Good King Joy
Christmas Dreams
Christmas Eve (Sarajevo 12/24)
(Savatage cover)
Christmas Canon Rock
What Child Is This?
Music Box Blues
First Snow
Promises to Keep
This Christmas Day
Siberian Sleigh Ride
Christmas Nights in Blue
A Mad Russian’s Christmas
For the Sake of Our Brother
Wizards in Winter
Madness of Men
Beethoven
Carmina Burana
The Safest Way Into Tomorrow
The Night Conceives
The Mountain
Find Our Way Home
Requiem (The Fifth)
Christmas Eve (Sarajevo 12/24) (Reprise)
(Savatage cover)

 

Gordon Lightfoot

Gordon Lightfoot

Garde Arts Center – New London, CT
September 23, 2017

The Canadian music legend Gordon Lightfoot took the stage at the Garde Arts Center in New London, Connecticut to entertain a full house of fans.
After decades of touring the 78 year old Gordon Lightfoot has honed his skills on which direction to take the audience. He begins the concert with the self depreciating humor acknowledging the rumor years ago that he had died. No, he is alive and ready to entertain. Gaunt and lanky he seems frail to be on the stage. But, once he begins to sing and get his musical footing he goes full on and does not stop until the end of set one and an intermission.
Backed by a veteran four-piece band, Mike Hefferman on Keyboards, Barry Keane on Drums and Percussion, Carter Lancaster on Lead Guitar and Rick Haynes on Bass. All but Lancaster having played with Lightfoot for decades as he acknowledged during the introductions. The youngster being Carter Lancaster has been with the band since 2011. The group all play well together and accompany Lightfoot’s lighter voice without overpowering his voice with their musical notes.
Lightfoot plays a medley of shorter versions of some of his sizeable catalog of songs during part of the first set. Enough of each song to get the feel of the song while being a shorter length. No one minded. A songwriter from a young age his collection of songs is so numerous he sticks mostly to the better known hits for most of the night.
The second set he performed many of his most recognizable hits. “The Wreck of the Edmund Fitzgerald,” “Sundown “, “If You Could Read My Mind” and “Carefree Highway.”
Lightfoot shared the story of being a young artist in the early 60’s and getting the chance to almost meet Elvis during a concert he attended in Buffalo. Elvis had recorded Lightfoot’s song “Early Morning Rain” and after talking with people at Elvis’s record company he was told that Elvis wanted to meet him. He went to the concert in Buffalo and was told by staff to go to the stage left door after the concert and Elvis would meet him there at the door. They told Lightfoot to get there as soon as the concert ended because the band left really fast when they get off stage and that they run right out of the building. But, that for him Elvis was going to wait for 5  minutes. So, the concert ended and he was halfway back in the theater and he trying to make his way to the stage left door. There were 14,000 people going out and he was pushing his way down to the stage against the flow. He finally got to the stage door and looked at his watch and it had be 4 minutes and 45 seconds. He was greeted by someone at the door who told him “I’m sorry Mr. Lightfoot, Elvis just left the building”.
In the lead up to “Baby Step Back” Lightfoot said with a smile “Meet Me By the Rockpile Honey, I’ll Get a Little Boulder There.” This got a laugh from the audience as did a few other witty comments while introducing or ending a song. He has a wry and dry sense of humor.
Years and decades of touring has Lightfoot’s skills honed on which direction to take the audience. One of the last songs of the night was “Early Morning Rain” a song that was covered by both Elvis and Bob Dylan.
There is something to be said for taking life’s hard knocks, facing it down and getting back out there. It takes heart and stamina to face a major illness and keep on touring. Though his schedule is not at intense as it was back in his earlier days he is still touring. Many would have given it up and retired. Lightfoot’s voice is lighter and more breathy at times and he’s not able to hold the notes as long as he once could. That said he still pleases the crowd and the band sounded very good.
I think everyone who has followed Gordon Lightfoot over the years now knows of his limits, but that doesn’t matter. This fact is not unnoticed by Lightfoot and he is genuinely appreciative of his audience who come out time and again. Every other song or so someone in the crowd shouted out their appreciation for him and he smiled and answered them back. Early on in the concert someone in the crowd yelled out “We love you Gordie!” He smiled and said if it weren’t for the fans he would not be out there. I guess the feeling is mutual. As long as he has the will to be out there and tour they will come.
Set 1
Now and Then
Waiting for You
The Watchmans Out
14 Karat Gold
Minstrel of the Dawn
Never Too Close
Rainy Day People
Shadows
Beautiful
Carefree Highway
Did She Mention My Name
Ribbon of Darkness
Sundown
Set 2:
Drink Yer Glasses Empty
Sweet Guinevere
The Wreck of the Edmund Fitzgerald
Christian Island
Don Quixote
I’d Rather Press On
A Painter Passing Through
If You Could Read My Mind
Restless
Early Morning Rain
Baby Step Back
Encore:
Cold on the Shoulder
Waiting for You
http://www.lightfoot.ca/ 
Band:
Mike Herrernan – Keyboards
Barry Keane – Drums, Percussion
Carther Lancaster – Lead Guitar
Rick Haynes – Bass
Review by Donna Erichsen
Photos by George Bekris

Stephen Stills and Judy Collins

Stephen Stills and Judy Collins

College Street Music Hall
New Haven, Connecticut
August 17, 2017

The College Street Music Hall in New Haven, Connecticut hosted Judy Collins and Stephen Stills for an intimate night of music and stories. It’s not the largest of venues, holding approximately two thousand patrons, but perfect for the blend of rock and folk that Collins and Stills performed.
The 72-year-old Stephen Stills plays many instruments but this night was strictly on guitar. He’s an instrumentalist and composer and has in the past been a part of Crosby, Stills, Nash and Young and Buffalo Springfield. He followed that with a longstanding solo career.
The 78-year-old folk singer Judy Collins is an iconic and enduring figure in folk music with a career spanning many decades. Stills and Collins met in 1967, during a high point in the young Collins’ career. That was the start of a decades long friendship that has gone full circle culminating with the this tour and their upcoming album release.

They opened the set with “Handle With Care” followed by “So Begins The Task.”
Collins the took the stage solo for her original song “River of Gold.” Collins voice has not lost it’s lilting tone and beautiful quality. Her singing gives no indication of her age. She still has a lovely peacefulness to her music and had no problem with the clear high notes she is know for. That’s how the evening went, Collins would perform a song or two solo then Stills would join her for a couple songs together. He then would sing one or two of his songs solo.
The duo sang a cover of Leonard Cohen’s 1988 song “Everybody Knows.” The song will be featured on their soon to be released LP of the same name. This album combines 50 years of their separate and combined careers works. Some of their more popular songs are revisited. In addition the album features a few covers of songs from various other artists.
Stills and Collins have worked together before on a track for a Collins record in the past but they have not done an album together. “Everybody Knows,” which will be released Sept. 22, has covers of songs by Leonard Cohen.
“Who Knows Where the Time Goes” from Collins’ 1968 album (which Stills played on) and “So Begins the Task” from Stills’ 1972 album with Manassas.
Stills took the stage by himself to perform “Treetop Flyer,” a song he said is still a popular request at USO shows he does on occasion. He said it’s one of his most requested songs in general.
Collins voice still resonated through the theater as she perform the touching “Suzanne”, another Leonard Cohen cover. This was followed by “Judy” a song Stills wrote for Collins.
The evening was also rich with stories told by both Collins and Stills of their history together and with other performers. They gave insight into how it was to tour and perform in the late 60’s and early 70’s. Their stories were both funny and touching. Collins was actually quite funny with her impressions of Leonard Cohen and his wife. They told of their short love affair followed by a longstanding friendship. They now get together once in awhile for dinner though each has gone on with their individual lives, married and are happily living their own lives on separate coasts. Lives they will go back to after November when this tour is over.
They finished out the night with “For What It’s Worth” another of the most requested on Still’s concert list and “Bluebird.”
They came back onstage for an encore with “Houses”, “Someday Soon” and “Suite: Judy Blue Eyes.”
Numa Edema was the opening act. He’s a Norwegian soul singer and started the evening performing cuts from his debut album “Hourglass” including his songs “Delta Man” and “Not Long Ago.” His soulful and slightly blues influenced music was well received by the crowd.
Time has passed and Stills will probably never have the range he once has as is the case with many who started their careers in the sixties. But even with that taken into acount the concert was good and an enjoyable evening.
Set List
Handle With Care (Traveling Wilburys cover)
So Begins the Task (Manassas cover)
River of Gold
Questions (Buffalo Springfield cover)
Girl From the North Country (Bob Dylan cover)
Everybody Knows (Leonard Cohen cover)
Seen Enough (Crosby, Stills, Nash & Young cover)
Treetop Flyer (Stephen Stills cover)
Both Sides, Now (Joni Mitchell cover)
Suzanne (Leonard Cohen cover)
Judy (Stephen Stills cover)
Who Knows Where the Time Goes (Sandy Denny cover)
Chelsea Morning (Joni Mitchell cover)
For What It’s Worth (Buffalo Springfield cover)
Bluebird (Buffalo Springfield cover)
Encore:
Houses (Judy Collins cover)
Someday Soon (Ian Tyson cover)
Suite: Judy Blue Eyes (Crosby, Stills & Nash cover)
Review by Donna Erichsen
Photos by George Bekris

 

Steve Winwood

Steve Winwood

Grand Theater at Foxwoods, Mashantucket, CT
April 28, 2017

Steve Winwood has a career that spans decades. He started as a member of  The Spencer Davis Group at age 14 in England. He went on from there to Traffic, and then to Blind Faith one of the first super rock bands. Once leaving those bands and embarking on his successful solo career he has carried on through time with hits of his own. It is great to see such an iconic legend of an era still out there touring.
Winwood was inducted into the Rock and Roll Hall of Fame as a member of  Traffic in 2004 and won two Grammy awards. He was nominated twice for the Brit Award for Best British Male Artist: 1988 and 1989.
The evening started out with Winwood on the mandolin as he and the band played his well know hit “Back in the High Life Again.” He was accompanied by Richard Bailey on Drums, José Neto on Guitar, Edwin Sanz on Percussion, and Paul Booth on Saxophone.
Then they rolled into “Pearly Queen” and then “I’m a Man” from his Spencer Davis Group days. They followed that with “Fly” off his Nine Lives Album.
“Higher Love” was one of his US Billboard Hot 100 number ones that they played. Though Windwood does not speak to the audience too much while performing he was clearly happy to have his daughter Lilly Winwood come on stage and accompany him in singing “Higher Love” as well as on “Gimme Some Lovin’ ” during the encore.
The first encore song was the ever popular “Mr. Fantasy.” Always one of the audience favorites and a must play at any Steve Winwood concert.
The song list was not lengthy, but there were some great solos by each of the band members. It had the feel of an earlier time at concerts when bands would jam on longer during live performances.
Winwood’s voice still sounds as good as ever. I last saw him 11 years ago and he has not lost a bit of his edge. I would recommend this concert to anyone wanting to hear great music spanning 4 decades. I only wish there was enough time in one concert to cover his many songs and styles of singing.
It was also refreshing to see Winwood’s daughter, Lilly Winwood open for him. She played an acoustic set of cuts from her newly released debut EP titled “Silver Stage.” Her voice was soulful, beautiful and wise beyond her years.
Set List:
Back in the High Life Again
Pearly Queen (Traffic)
I’m a Man (The Spencer Davis Group)
Fly
Them Changes (Buddy Miles cover)
Can’t Find My Way Home (Blind Faith)
Had to Cry Today (Blind Faith)
The Low Spark of High Heeled Boys (Traffic)
Empty Pages (Traffic)
Light Up or Leave Me Alone (Traffic)
Higher Love (with Lilly Winwood on vocals)
Encore:
Dear Mr. Fantasy (Traffic)
Gimme Some Lovin’ (The Spencer Davis Group)
(with Lilly Winwood on vocals)
By Donna Erichsen
Photos by George Bekris

 

Beth Hart

Beth Hart

Fire on the Floor Tour

Feb. 25, 2017

Fox Theater, Mashantucket, CT

The Fox Theater darkened and the band begins to play. The crowd looks at the stage anticipating Beth Hart’s arrival. An electric guitar continued to moan in the dark. Beth Hart began singing the first lines of a song, her voice echoing throughout the theater. Suddenly she surprised and thrilled the audience when a lone spotlight lit up the singer dressed in a sparkling mini smoothly entering the theater from behind the crowd. The spotlight followed her as she passed by patrons, touching a few shoulders and hands along the way, as she sung “Don’t Explain” a Billie Holiday cover. Hart paused in the isle turned and faced the enthusiastic crowd to croon out the blues. She swung around and glided up onto the stage, not missing a beat. This woman has big stage presence and a voice to match it. Everyone was already fixated and cheering Hart on and the second song had not even begun.
The second number was “As Good as it Gets,” which was a number one single of Hart’s in Denmark. She has had many releases in Europe of various songs that have topped the charts. She is well recognized for her blues and soul songs worldwide and has released the albums “Seesaw” and “Live in Amsterdam” with fellow blues artist Joe Bonamassa.
Beth Hart and her band consisting of guitarist Jon Nichols, bassist Bob Marinelli and drummer Bill Ransom meshed so well, they knew their show and played perfectly. Jon Nichols made his multiple guitars used during the performance wail, moan and he also sang backup vocals.
Hart has such incredible range and rich tone. She brings the audience right down into the depths of her low down blues. She sings with such conviction coming from a life of knowledge of pain and suffering that she transfers into such beautiful music you feel every note. Hart’s “Lift Me Up,” a song she wrote for a sister who passed away was soulful and beautiful. The raw emotion in the song had people feeling it in the audience.
Hart’s husband Scott asked her to include the song “Leave the Light On,” off her platinum album of the same name. Before the song he made an impromptu appearance on the stage running over to her at the piano and giving her a little hug.
The evening was well rounded with heart aching blues off Hart’s newest album “Fire on the Floor,” including the title song from that release that told of the heartbreak of desire and love. These soulful ballads were alternated with lighter songs from the same DVD. The rock song “Fat Man” was popular as well with a catchy with toe tapping, driving beat.
The band played a mix of songs from some of Hart’s large catalog of releases since 1999. She also sang a cover of Tom Wait’s “Chocolate Jesus.” Hart alternated between shimmying across the stage, sitting, kneeling and playing on the piano. Her energy was passionate and boundless.
The band came back onstage for an encore of “No Place Like Home” followed by Hart’s 1999 single “LA Song (Out of This Town)” from her second album “Screamin’ for My Supper.”
I was totally blown away by this concert. I have heard her music and loved her voice, but seeing Hart perform in person was a treat I will not forget. Hart was humble, thankful for her success and honest about her struggles in life. Her sharing that made the show even more memorable. To realize what she has gone through in her life and for her to come out so positive and happy on the other side makes you want her success to continue for a long time. If you get the chance to see this woman and her band perform do it. Do not hesitate for a moment. If you are a blues lover or just a lover of great music this is a night not to miss.

Review by Donna Erichsen
Photos by George Bekris
Beth Hart 
Set List
Don’t Explain (Billie Holiday cover)
Good as It Gets
I’ll Take Care of You (Bobby “Blue” Bland cover)
Delicious Surprise
Baddest Blues
Lifts You Up
Baby Shot Me Down
Sister Heroine
Close to My Fire (Slackwax cover)
My California
Chocolate Jesus (Tom Waits cover)
Woman You’ve Been Dreaming Of
St. Teresa
Leave the Light On
Fat Man
Love Is a Lie
Encore:
No Place Like Home
L.A. Song (Out of This Town)

 

Jesse Colin Young

Jesse Colin Young

The Katharine Hepburn Cultural Arts Center

Feb. 18, 2017

The Jesse Colin Young Band performed at the Katharine Hepburn Cultural Arts Center on Saturday, February 18, 2017. It was a two part show. The first set was all acoustic with Young solo on his guitar. The second set was Young accompanied by his band of young talented artists in their 20’s. It’s ironic that they are around the age he was when he was touring in the Youngbloods.

Jesse Colin Young’s career began on the east coast in 1964 but really took off when he became one of the founding members of the Youngbloods in 1967, during the summer of love in California. Their best known hit is the iconic and still well loved song “Get Together” which was a worldwide top ten hit.
“Get Together” has become one of the anthems of a generation that proclaimed peace, love and harmony and would see us all through the turmoil of the Vietnam war era. It is such a classic that no Jesse Colin Young article or concert would feel be complete without the song. It’s been included in numerous movies throughout the years.

After the Youngbloods, Young continued with his own successful career and solo albums. He recorded in his studio in Marin, California and started his own Ridgetop Record label until a fire ravaged his home and property in 1995. He then moved his family to Hawaii and began a new life that included writing and producing music in a new studio. He and his wife also started their own coffee plantation 2000 feet up the slope of the 8000 foot Hualalai Mountain Volcano.The organic coffee is called Morning Sun and is sold and shipped worldwide.

Young opened with his well known songs “Songbird” and “Sugar Babe.” Followed by “Four in the Morning,” “Sunlight” and “Desire.” Young told the audience how he had taken a hiatus from touring for 6 years and had not planned on returning to the road until he saw his son and fellow Berklee college students performing at a recital and was blown away by their talent. He then decided to start touring again and invited Aleif Hamdan (electric guitar), Jack Sheehan (saxophone), Donnie Hogue (drums), Jenn Hwan Wong (keyboard), Sally Rose (backup vocals), Virginia Garcia-Alves (backup vocals) and Young’s son Tristan Young (bass) to join him. Their youth and enthusiasm energized his desire to tour again and it’s evident he enjoys their energy onstage.

For the second set Young was joined by the band and they started the set with “Ridgetop.” This was followed by “Sweet Good Times” and “Walk the Talk About Love.” They then sang “Cast a Stone,” which Young wrote following the Boston bombing about the emotions felt during the anxious hours in the aftermath.
The band shows their versatility by changing it up with a mix of blues and soul songs. They played a cover of the Marvin Gaye songs “What’s Goin’ On” and “Mercy, Mercy Me.” The band moved smoothly between the blues, folk and jazz mix of songs. Sally Rose and Virginia Garcia-Alves added beautiful accompaniment to Young’s voice.

 

They performed another of Young’s acclaimed songs “Darkness, Darkness” off the album Elephant Mountain. The song was also an anthem of the 60’s but refers more to the soldiers feelings in Vietnam. Jesse then sang a song he wrote, “For Orlando” after the tragic Orlando, Florida nightclub shooting.

The Katharine Hepburn Cultural Arts Center is gem of a venue in Old Saybrook, CT, an intimate theater holding 250 patrons. It was a sold out concert and all of the patrons were happy to spend an evening with the band judging by the applause for an encore as the performance ended. The band returned to the stage and played a rousing rendition of T-Bone Shuffle.
It was a feel good performance with a legend and his band that everyone thoroughly enjoyed.

Jesse Colin Young Band Members:
Aleif Hamdan – Electric Guitar
Jack Sheehan – Saxophone
Tristan Young – Bass
Donnie Hogue – Drums
Jenn Hwan Wong – Keyboard
Sally Rose – Backup Vocals
Virginia Garcia-Alves – Backup Vocals
Set List
Set 1 : Young Solo
Songbird
Sugar Babe
Four in the Morning
Sunlight
Desire
Set 2 with Jesse Colin Young Band
Ridgetop
Sweet Good Times
Walk the Talk about Love
Cast a Stone
What’s Goin’ On/Mercy, Mercy Me
Lightshine
Statesboro Blues
Right Here, Right Now
Darkness, Darkness
For Orlando
Get Together
Encore
T-Bone Shuffle
Review by Donna Erichsen
Photos by George Bekris

 

 

Richie Furay Acoustic Quartet

Richie Furay

Sept. 30, 2016
The Katharine Hepburn Cultural Arts Center

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Richie Furay and friends entertained an intimate audience at the Katharine Hepburn Cultural Arts Cents, also known as “The Kate”. Richie  helped shape the sound of country rock and folk as we know it today and is known the world over as one of the greats in the early rock scene. A founding member of Buffalo Springfield, Poco, and the Souther,Hillman Furay band, his voice is instantly recognizable.
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Furay gave a wonderful performance on September 30th. He started the evening off letting the audience know this was going to be a relaxed performance. Kind of like a gathering in his living room for a evening with friends. It indeed felt like a big living room as the Kate holds only about 250 patrons. It also was a pared down version of his band. He began the evening by himself. Then as the evening progressed introduced his daughter Jessie Furay Lynch who sang harmony beautifully. Scott Sellen joined in after that and played guitar and banjo. Finishing out the quartet Jack Jeckot joined them on keyboard and harmonica.

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Richie spoke about the influence other artists have had on his career and how they helped in the evolution of his music. He performed Dan Fogelberg’s song “Don’t Lose Heart” accompanied by his daughter Jessie Furay Lynch on harmony.
The informal show was very well performed and it suited the Kate. Being a small venue Furay was able to easily interact with the audience. It was a very enjoyable evening.
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Richie Furay (Lead Vocals and Guitar)
Jessie Furay Lynch (Harmony and Lead Vocals)
Scott Sellen (Lead Guitars, Banjo, Keyboard)
Jack Jeckot (Keyboards, Harmonica, Vocals)
Opening for Richie Furay was the Chris Berardo & The DesBerardos Acoustic Trio.
Chris Berardo, his brother Marc Berardo and Billy Kelly warmed up the crowd. They played a few songs off their “Ignoring All the Warning Signs” album along with the single “Somebody Like Me”.
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Review by Donna Erichsen
Photos by George Bekris

Lita Ford

Lita Ford

Lita Ford

Mohegan Sun Wolf Den – Nov. 27, 2015
Lita Ford played the Mohegan Sun’s Wolf Den wearing a stunning red leather suit with her long blonde hair flying as she strutted the stage with her band to bring her brand of 80’s rock music back with a vengeance. One of the guitar queens of the eighties Lita and her band played to a full house plus the extra crowd that spilled out to the casino floor outside on Friday, Nov. 27, 2015. Many fans waited for hours to gain entrance to the concert. Those that didn’t get a seat circled the outside of the Den to take it in standing.
Ford started as a sixteen year old lead guitarist for the all-female rock band The Runaways in the late 70’s. After a short stint and rough breakup with the band she embarked on a long solo career. At 57 Ford is still out on tour rocking crowds 40 years into her career. LIta Ford still has staying power and proved she can still fill the seats.
Lita lead off with “Larger Than Live”, followed by “Relentless”. The warmed up crowded then rocked among to Ford’s rendition of Elton John’s “The Bitch Is Back”. They continued with many of her best known songs.
The song “Can’t Catch Me” included drummer Bobby Rocks in an exceptionally fun and interesting drum solo. He beat on the drums shirtless and focused finishing with a flair and with his forehead. I have never seen head banging taken to that extreme. Evidentially, many others had not either and he wowed the crowd.
Patrick Kennison on guitar did a great job filling in for Ozzy Osborne’s part on the hit “Close My Eyes Forever”. The song was probably Ford’s most critically acclaimed hit when she performed it as a duet with Osborne on the self titled “Lita” album.
They performed “Devil in My Head” which let Marty O’Brien on bass shine with its heavy bass and drum beats. Then crowd helped out by singing along on the well known song Ch..Ch..Ch…”Cherry Bomb”.
“Kiss me Deadly” was the final song and there was no encore, but much to the fans’ delight Lita graciously held a meet and greet and signed photos for almost an hour after the show.
Review by Donna Erichsen
Photos by George Bekris

Set List
Larger Than Life
Relentless
The Bitch Is Back
Hungry
Falling In and Out of Love
Gotta Let Go Back to the Cave
Devil in My Head
Can’t Catch Me
Out for Blood
Close My Eyes Forever
Cherry Bomb
Kiss Me Deadly

Joe Walsh

Joe Walsh

Joe Walsh

Mohegan Sun Arena
Oct.16,2015
Joe Walsh has a reputation of putting on a consistently enjoyable concert and this was no exception. On October 16th at the Mohegan Sun Arena he treated the audience to a great show. The 67 year old is not only former member of the James Gang and Eagles, Walsh also has a number of songs written and performed in his long running solo career. This concert was a sampling of his many great and enduring songs. The only drawback is that he has so many songs in his bag of tricks there is no way we could hear them all in one concert.
Walsh was joined by one of his Barnstorm keyboardists and drummer Joe Vitale. He was also accompained by Gannin Arnold on guitar, Larry Young on bass, Jason Freeze on keyboards and ssaxaphone, Clayton James on synthisizer keyboards and Drew Hester on drums. Melanie Taylor, Windy Wagner and Connie Jackson rounded out the band with their back-up vocals.
Walsh sang “Walk Away”, “The Bomber” and a whimsical take on “Funk #49” with a midsong inclusion of lines from “Funk #50” off his solo album “Analog Man”, all sounded great. Along with “Turn To Stone” from his first solo album “Barnstorm” in 1974 he had the audience entranced in the moment. He used various guitars through out the show, so the sounds were consistently changing .
The encore started with I.L.B.T’s “I Like Big Tits”, a Breast Cancer awareness song, which was a hit with the crowd. Joe brought up the importance of this topic with the fact that his wife is a Breast Cancer survivor. He brought the message home in a positive way. Walsh then finished with ” Rocky Mountain Way”, always a favorite.
All in all a great concert and Joe Walsh never fails to put on a fun show. We’ll be seeing him next time as well.
Review by Donna Erichsen
Photos by George Bekris

Set List
Walk Away
A Life of Illusion
Over and Over
Analog Man
In the City
Pretty Maids All in a Row
Mother Says
Turn to Stone
The Bomber: Closet Queen/Bolero/Cast Your Fate to the Wind
Funk #49
Life’s Been Good
Encore:
I.L.B.T.s (for breast cancer awareness month)
Rocky Mountain Way