Martin Barre Band

 

The Road Less Traveled Tour
Katharine Hepburn Cultural Arts Center
October 7, 2018

 

The Martin Barre Band returned to the Katharine Hepburn Cultural Arts Center on October 7th to entertain an enthusiastic crowd. Having seen this band before and enjoying every moment of the concert it was a given that we were at The Kate to see them again. Martin said he also enjoys being at that particular venue and it’s a comfortable place for him and the band.
This is The Road Less Traveled Tour to coincide with the release of his newest album of the same name. This night they performed “Lone Wolf” and “(This is) My Driving Song” a couple of cuts off the new release due out October 28th. If the whole album is as good as these two he has solidified the fact that he continues to release new and relevant music.
In 2016 when I last saw Martin perform the Back To Steel album had just been released. The band was getting into their rhythm and playing cuts off that release. This time around they have been playing together for some time now, at least Barre, Crisp and Thomson have been. New to the line-up was Darby Todd on drums and he’s an excellent addition to the group.
Dan Crisp has totally come into his voice and delivered a strong performance. He not only has great vocals but also does a fantastic job on guitar. He seems to have his own style evolving is very engaging, especially when he’s singing a blues song.
Barre was excellent as usual on the guitar and he also surprised the audience at The Kate when he scrambled down the steps from the stage during one song and played to the audience in front. He then took a seat in the front row and played back toward the rest of the band on stage, even giving bass player Alan Thomson the same look I am sure he sees from fans in the audience. It was a great moment and the crowd thoroughly enjoyed it.
The band had traveled through the night to get to The Kate after performing a show in Annapolis, Maryland. Barre said they were running on 8 hours sleep between all of them. If this is how they go on little sleep they need to be sleep deprived and punchy all the time because the entire band once again wowed the audience with a fantastic and energetic performance. Each song better than the last. They built the audience up to a crescendo and took them over the top with the encore of “Aqualung” and “Locomotive Breath.”
They always surpass the last show and never dissapoint. I must say this was my favorite concert of year and I have been to quite a few. This show is a must see on the list of bands to catch and if you get the chance to see them by all means do so. We can not recommend them enough and are awaiting their next tour.
The Stand Up America Celebrate 50 years of Jethro Tull Tour in April and May, 2019 and is in addition to the regular Martin Barre Band tour dates.

 

www.martinbarre.com
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Steel Monkey
Hymn 43
Sea Lion
Lone Wolf
Back to the Family
Love Story
This is My Driving Song
For a Thousand Mothers
Nothing to Say
Nothing Is Easy
Set 2:
Hunting Girl
My Sunday Feeling
I Want You (She’s So Heavy) (The Beatles cover)
Minstrel in the Gallery
A New Day Yesterday
Teacher
Encore
Aqualung
Locomotive Breath

Beth Hart – College Street Music Hall – New Haven, CT – July 25, 2018

Beth Hart

College Street Music Hall
New Haven, CT
July 25, 2018

The College Street Music Hall outdid themselves when they invited in an amazing duo of acts. Beth Hart and Kenny Wayne Shepherd gave the audience a memorable night of the blues and fantastic guitar that meshed perfectly on the same night.
Beth Hart opened the night up with her solid blues number “Tell Her You Belong To Me.” This is my second time seeing Hart and she gets better each time. This theater an intimate venue seating only two thousand people and she said her and the band loved it and felt so relaxed there. which was obvious by her comfortable banter with the audience.
The band accompanying Hart was Bill Ransom on drums, Bob Marinelli on bass, and her guitarist of 20 years, Jon Nichols all gave an excellent performance.
There are many female singers out there but I can honestly say Hart is my favorite. She fills each song with such feeling it’s palpable. Hart has the audience’s complete attention and gives her all with each song and it clearly shows. Many of her songs reflect a time in her life and some struggle she has lived through and come out the other side stronger. Both a talented singer and songwriter her feelings are conveyed in every song.
At one point she wanted to come down into the audience and sing but there was no way off the stage into the crowd so instead she sat on a box at the far end of the stage and sang. It didn’t matter where she was the audience soaked in every note.
When Hart performed the Memphis Minnie & Kansas Joe McCoy song “Why Don’t You Do Right?” the song could as easily have been coming from a singer at a smoky club post WWII. She has such a dynamic voice that’s timeless and was made for the blues.
This Beth Hart concert is the best show I’ve seen this year. She is just as comfortable strutting across the stage belting out down and out blues as she is sitting at the piano singing a ballad to her mother brimming with emotion. She fills each song with such raw emotion and connects so easily with the audience. The audience showed their appreciation for her talent as they stood up more than once during the night and gave her a standing ovation. Hart is so genuinely appreciative and beamed at the applause.
The band really amped it up and proved their their versatility with the encore of Led Zeppelin’s “Whole Lotta Love.” The audience was clapping and cheering the entire band as Hart’s set ended with a bang. Hart is not just a blues star she is a full fledged rock star.

If you get the chance to see Beth Hart absolutely do it, you will not regret it. She is a truly genuine talent and so very down to earth with her well earned fame. If there is one concert to see this year make it Beth Hart.

http://www.bethhart.com

Review by Donna Erichsen
Photos by George Bekris
Setlist:
Tell Her You Belong to Me
Monkey Back
If I Tell You I Love You (Melody Gardot cover)
Baby Shot Me Down
Delicious Surprise
House of Sin
Spiders in My Bed
Love Is a Lie
Lay Your Hands on Me
I’ll Take Care of You (Bobby “Blue” Bland cover)
Why Don’t You Do Right? (Memphis Minnie & Kansas Joe McCoy cover)
Waterfalls
Take It Easy on Me
Mama This One’s for You
Leave the Light On
Encore:
Whole Lotta Love (Led Zeppelin cover)

 

 

ROGER DALTREY PERFORMS THE WHO’S ‘TOMMY’ WITH THE BOSTON POPS

ROGER DALTREY PERFORMS THE WHO’S ‘TOMMY’

WITH MEMBERS OF THE WHO AND THE BOSTON POPS
Koussevitzky Music Shed at Tanglewood, Lenox, MA
June 15, 2018

Rock legend Roger Daltrey accompanied by members of The Who and the Boston Pops Orchestra put on the complete performance of The Who’s 1969 rock opera “Tommy” at the Tanglewood Koussevitzky Music Shed in Lenox, MA.
Pete Townshend is taking a year off but Daltrey said he just did not want to do that. He said performing kept his voice from suffering and that too much time off and his voice would not be the same. But holding onto the familiar sound of Townshend during the vocals was Simon Townshend, Pete Townshend’s brother. Besides sounding amazingly like Pete he plays with the group and this night he sang some of the lyrics Pete would normally deliver, but Daltrey took on most of the wide array of characters in the opera.
The rest of the band consisted of Frank Simes on guitar, Scott Devour on drums and Jon Button on bass.
This performance kicked off the 2018 summer season at Tanglewood and also the celebration of the 100th anniversary of Leonard Bernstein’s birth. It’s also the 50th anniversary of the launching of the rock opera “Tommy.”
Tanglewood, the summer home of the Boston Symphony Orchestra will be celebrating Bernstein starting with this edition of “Tommy.”  Surprisingly Bernstein was a great supporter of this rock opera. I found this out at the performance during a conversation with David Knowle Edwards a writer for the Berkshire Edge.
Here is some background courtesy of Edwards. “Following a performance of “Tommy” at the Fillmore East in 1969, the Who’s lead guitarist and songwriter, Pete Townshend, received Leonard Bernstein’s effusive praise in person, straight from the maestro’s mouth:”
“Leonard Bernstein came with his daughter,” recalls Townshend (in various published interviews). “And he was incredibly excited. He grabbed me by the shoulder, shook me and said, ‘Pete! Do you realize what you’ve done?’ He was so passionate! … Of course, what he was talking about was that I was going the next step in what he had done with ‘West Side Story,’ which was creating a popular song cycle, a musical that was really rooted in street culture.”
The Boston Pops with conductor Keith Levenson joined Roger Daltrey to give the audience a fantastic night of music and even some of his famous microphone twirling. Daltrey’s voice was strong and he gave the audience an energetic and enthusiastic performance. The crowd was on their feet throughout the final few numbers showing their appreciation for the band and the Boston Pops with a long standing ovation.
The audience never took their seats as “Tommy” concluded. The encore songs were “Who Are You” and “Baba O’Riley.” During “Baba O’Riley” Katie Jacoby, a violin soloist, took center stage and gave a rousing ending to the song that had the entire crowd cheering.
Daltrey then ended the night with “Always Heading Home” off his newest album release “As Long As I Have You.” This release is Daltrey’s first solo album in 25 years and he is completely happy with the finished product.
Proceeds from the night’s sales of Daltrey’s new CD “As Long As I Have You” went to benefit the Teenage Cancer Trust. Also, one dollar from every ticket sold on The Who’s current North American Tour is being donated to Teen Cancer America. A project Daltrey is very much involved in and raises money for the charity whenever possible.
This was a historic concert that won’t be forgotten. Daltrey’s voice was strong and the band excellent. The addition of the magnificent playing from the Boston Pops made for a magical night. If you get the chance to catch this show don’t hesitate. It’s not a combination that will happen often if ever again. Different venues will have other orchestras backing Daltrey but if they perform anywhere near as well as the Boston Pops it is well worth seeing. This was a perfect pairing of talents on a beautiful summer night.
https://www.thewho.com/
https://www.bso.org/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Overture
It’s a Boy
1921
Amazing Journey
Sparks
The Hawker (Eyesight to the Blind)
Christmas
Cousin Kevin
The Acid Queen
Do You Think It’s Alright?
Fiddle About
Pinball Wizard
There’s a Doctor I’ve Found
Go to the Mirror!
Tommy Can You Hear Me?
Smash the Mirror
I’m Free
Miracle Cure
Sensation
Sally Simpson
I’m Free
Welcome
Tommy’s Holiday Camp
We’re Not Gonna Take It
See Me, Feel Me/Listening To You
Encore:
Who Are You
Baba O’Riley
Always Heading Home

 

Greenwich Concours d’Elegance – Greenwich, CT -June 2-3, 2018

Greenwich Concours d’Elegance
Greenwich, CT
June 2-3, 2018

Greenwich Connecticut was buzzing with activity this weekend with the 2018 Greenwich Concours d’Elegance. The annual event draws attendees from all over the world for a glimpse of some of the rarest of the rare in the automotive industry and is a Northeastern USA must see for many automobile aficionados and collectors.
The 2018 Greenwich Concours d’Elegance Best of Show winners!

International Best of Show Sport was the 1957 Ferrari 335 Sport Spider Scaglietti of Scuderia N.E.

International Best of Show Elegance was the 1935 SS1 Tourer belonging to Colin Seid and Richard Annis.

American Best of Show Elegance was the 1934 Packard Convertible Victoria of Judge Joseph & Margie Cassini, III.
Saturday was the Concours Americana featuring domestic autos and motorcycles. Warm and sunny skies made a perfect day for the crowds of admirers to enjoy the various vintage auto and motorcycles. Saturday included a ring of American and Foreign modern supercars.
Sunday was the International Concours with rings full of Jaguars, Ferraris, Bentleys, MG’s, Triumphs and numerous other makes and models. There was something for every taste.
It was a beautiful weekend for a rare gathering of Briggs Cunningham automobiles highlighted at this year’s Greenwich Concours. It was an amazing feat to gather so many of the autos in one place for the show. There were 37 original Briggs Cunningham autos produced. Out of the 37 that were made there are now only 35 survivors. The owners of the 35 survivors were invited by the Greenwich Concours officials and 33 of those attended the event. I don’t think this milestone will be repeated anytime soon.
For instance one couple Larry and Jan Pfitzenmaier  brought their Cunningham C-4R 2,500 miles from Arizona not sure if the weather would cooperate but taking the chance anyway in order to attend this largest gathering of Cunninghams. Theirs is the last of the 4 continuation C-4Rs completed. It served as the test mule for the other 3. The original 331 Hemi V8 has been rebuilt to 350HP.
There was a variety of different Cunninghams, from convertibles and coupes to Corvettes as well as a 1962 Maserati Tipo 151 straight in from racing at Monaco two weeks ago. Jay Leno entered his 1953 Cunningham C3. It was an amazing sight to seen them lined up along the waterfront gleaming in the sun.
The 12 metre America’s Cup yacht Columbia, which Briggs Cunningham was the winning skipper of in the 1958 America’s Cup, was at the Delamar Hotel docks next to the concours grounds.  Charter guests enjoyed sailing on the Long Island sound off of Greenwich.
Bonhams returned to Greenwich, CT for its twelfth annual Greenwich Concours d’Elegance Auction on Sunday, June 3rd. Greenwich being less than an hour from New York City drew a large crowd for it’s weekend of premier offerings from barn finds and automobilia to totally restored rare gleaming and historically significant autos. There was also an opportunity to bid on one of two dozen cars from the late Carroll Shelby’s personal collection.
The weekend was outstanding and a complete success, it’s a wrap until next year. This is an event not to be missed.

Jackson Browne – Providence Performing Arts Center – May 9, 2018

Jackson Browne invigorated the crowd at the Providence Performing Arts Center as he and his band delighted the audience with his large catalog of songs including some of his hits and a few lesser known selections.
Playing at the Providence Performing Arts Center is a treat in itself. The newly completed renovations of the 1928 theater are enough to take your breath away. The 3100 seat venue is the second largest theater of its kind in the country. It’s listed on the National Register of Historic Places and is also ranked by Pollstar as one of the Top Venues in the world.
Providence-Performing-Arts-Center
The interior of the PPAC is filled with art deco lighting and gold leaf decorating the walls and ceiling. So much time and heart has gone into restoring the theater to it’s early 20th century glory and it clearly shows. You’re treated to a marvelous experience by attending any show at the venue. They even went so far as laying carpet that’s an exact reproduction of the original carpeting throughout. The original main chandelier in the theater was lost to time so the board went to a local trade school and had a new one designed that was a close replica but keeping a bit of the school’s individual style.
The staff is rightfully proud of the center and very helpful to all patrons. I really can’t say anything but kudos to the entire staff and management of the Providence Performing Arts Center for providing a world class experience and the acoustics are marvelous.
Browne, Chavonne Stewart and Althea Mills made the best of those acoustics. Stewart and Mills have been backing him for many years and they harmonize beautifully together. Accompanied by his band they began with “Before the Deluge” followed by “Some Bridges.”
A sign of the times and a reflection on society and his always political nature Browne sang “The Long Way Around” after discussing the sad effects of the Parkland shooting that is still so fresh in everyone’s mind.
They did perform “Doctor My Eyes” and “You Love the Thunder.” These timeless classics never get old and no one is ever tired of hearing them live. It’s actually not a Browne concert to some fans unless these songs are trotted out. The audience knew every word and made sure Browne and the band heard that.
“These Days,” a reflective song that seems even more so now that Browne is 69 and like many others of this generation ponders over the things he’s accomplished as well as those he never managed to attain. Even though the song was written years ago it seems more fitting now.
A couple of my personal favorites showing foot stomping fun side of Browne were “Somebody’s Baby” followed by “Redneck Friend.” He’s as versatile as they come and shows that with the different types and tempos he plays during the show.
Browne sang the hits “The Pretender,” followed by “Running on Empty” which had the audience on their feet and they never sat down right through the encore songs “Take it Easy” and “Our Lady of the Well.”
Vonda Shepard opened the show and put on a wonderful performance. She is clearly talented and very strong vocally. Shepard played beautifully on the piano and I can think of no one else to better lead into Jackson Browne than Shepard. I would go to see her as a main act.
Vonda Shepard

 

https://www.jacksonbrowne.com
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Before the Deluge
Some Bridges
The Long Way Around (Talked about the Parkland shooting)
You Love the Thunder
The Dreamer
Lives in the Balance
Doctor My Eyes
These Days
In the Shape of A Heart
Looking East
Your Bright Baby Blues
Just Say Yeah
Somebody’s Baby
Redneck Friend
World in Motion
Something Fine
Never Stop
The Pretender
Running on Empty
Encore:
Take It Easy (Eagles cover)
Our Lady of the Well

ANA Popovic – Mohegan Sun – April 12, 2018

Once again ANA Popovic heated up the Mohegan Sun Wolf Den sporting a red hot leather outfit and her Fender Stratocaster. She wailed and crooned the blues with the ease of a seasoned professional. Having cut her teeth with some of the best of the blues world ANA is now considered one of the best blues guitarist on the world touring circuit.
Serbian born and transplanted to Los Angeles by way of Memphis. The six time Blues Music Awards nominee brings her blues rooted and sometimes jazz and funk influenced music to venues throughout the United States and the world.
Over the years Popovic has added to her touring band with each progression of her music. This tour her band included a brass section to back her gritty sultry vocals and accompany the keyboards and drums.
Popovic and the band played for an hour and a half covering music from her “Trilogy” album, which had guests appearances by guitar greats Joe Bonamassa, Robert Randolph, Bernard Purdie. She also played cuts from “Can You Stand the Heat?” and other releases.
Popovic in the past was the only female guitarist among the star-studded Experience Hendrix Tour proving she can hold her own against any male counterparts.
The night ended with a medley including a fantastic version of the Jimmy Hendrix classic “Crosstown Traffic” and a standing ovation from the audience.
ANA Popovic is an extremely talented and accomplished artist. If you haven’t had the chance to see her you should make the time when she comes to a venue near you.
ANA Popovic Band Members:
– Ana Popovic: lead guitar & vocals
– Eric Robert: keys
– Brad Walker: saxophone
– Jon Ramm-Gramenz: trombone
– Buthel Burns: bass + b-vocals
– Cedric Goodman: drums + b-vocals
http://anapopovic.com/home
Review by Donna Erichsen
Photos by George Bekris
Set List:
ANA Shuffle
Can You Stand the Heat
Object of Obsession
Love You Tonight
Train
She Was a Doorman
Long Road Down
New Coat of Paint
Woman To Love
Can’t You See What You’re Doing to Me
Fencewalk
If Tomorrow Was Today
Can You See Me
Medley:
Show How Strong You Are
Going Down
Crosstown Traffic

 

Beth Hart Announces First Live Release In 13 Years, ‘Live From New York – Front and Center’


CD/DVD set will be released on April 13th, 2018 via Provogue Records/Mascot Label Group 

Watch Hart Perform

On March 7th, 2017, the GRAMMY nominated “powerhouse vocalist” (Rolling Stone) Beth Hart performed a very special, intimate concert at NYC’s Iridium Jazz Club, which featured songs from her latest album ‘Fire on the Floor’ and from throughout her career. Now, 13 years after the release of her incredibly successful live release, ‘Live at Paradiso,’ Hart is treating fans to a DVD/CD release of this standout performance with ‘Live From New York – Front & Center’, out April 13th via Provogue Records/Mascot Label Group. The performance is also featured on the Season 8 premiere episode of Public Television’s critically acclaimed concert series, Front and Center (airing now, check local listings).
Known for her visceral, soul-baring vocals and dynamic range, Hart is riding a creative tidal wave following the release of her critically acclaimed 2016 studio album, ‘Fire On The Floor’, as well as her just-released studio collaboration with guitarist Joe Bonamassa, ‘Black Coffee.’ Leveling audiences with her incredible power and celebrated burnt-honey vocals for 20 years, Hart has just launched a 16-date coast-to-coast US tour, which will be followed by a European tour in April-May 2018.
Hart has had an incredible career, beginning with the release of a fistful of hit albums through the ’90s, then reigniting in the post-millennium as both a solo artist and the head-turning vocalist for guitar heroes like Joe Bonamassa, Slash and long-time collaborator Jeff Beck. But it’s in recent times that Beth has truly blossomed, selling out ever-larger venues in cities around the world, including New York, Los Angeles, London, Paris, Berlin, Milan, Amsterdam, and Copenhagen. She is recognized as one of the great live vocalists of our time, with a voice “reminiscent of Etta James and Janis Joplin” (Music Connection), topping Billboard’s Blues Album Chart and receiving numerous GRAMMY and Blues Music Awards nominations. Dubbed “the ultimate female rock star” by The Blues Magazine, the Guardian has praised her “daring, brooding performances” and The Times has called her “Extraordinary.”
‘Live From New York – Front And Center’ will be released as a 2-disc DVD/CD set, mixed in 5.1 stereo, featuring never before seen bonus material, including an exclusive interview with Hart. The audio from the performance will also be sold separately as a digital release.
Track Listing
CD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – Broken And Ugly
06 – St. Teresa
07 – Isolation
08 – Tell Her You Belong To Me
09 – Fat Man
10 – Love Gangster
11 – Leave The Light On
12 – As Long As I Have A Song
DVD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – St. Teresa
06 – Tell Her You Belong To Me
07 – Fat Man
08 – Leave The Light On
09 – Can’t Let Go
10 – As Long As I Have A Song
Bonus DVD features:
* Full Band Bonus Content (Love Gangster – Broken And Ugly – For My Friends)
* Acoustic Bonus Content (Isolation – My California – No Place Like Home)
* Beth Hart Interview

Tour dates – www.bethhart.com/tour/

Beth Hart Online: 
www.facebook.com/officialbethhart
www.twitter.com/BethHart
www.instagram.com/officialbethhart
www.bethhart.com

Rod Stewart – Mohegan Sun Arena – March 24, 2018

At 73 Rod Stewart is still going strong. He treated the Mohegan Sun Arena’s sold out crowd to a high energy performance. He brought to the stage an enthusiastic young set of singers and a mix of young and older members in his 12 piece band.

Before he took the stage a local band the Mystic Highland Pipe Band wound its way through the isles with bagpipes and drums.
The opening song “Soul Finger” had a 60’s feel to it with the singers shimmying out until Rod appeared and made he was across the stage. The energy of the night was palpable from that moment to the last note of the evening. They played almost nonstop for 2 hours including a number of costume changes.

His back up singers called the Rodettes shimmed and strutted right along with Stewart as has sang “Young Turks” followed by “Infatuation.”
Stewart and the Rodettes sang a great version of the Muddy Waters tune “Rollin’ and Tumblin’.”
The persussion section performed a great solo while part of the band did a quick outfit change.
During the song “Love Is” the ladies in the band were dressed tartan skirts. Julia Thornton played the banjo as J’anna Jacoby and Caissie Levy joined in on the violins. The ladies all accompanied Stewart twirling and dancing with the backup singers in a foot stomping dance to the song.
Stewart dedicated “Rhythm of My Heart” to those who died in battle during World War II. They then dedicated “People Get Ready”  to students who took part in the “March for Our Lives” against gun violence the same day.
Jimmy Roberts performed a great solo on saxophone allowing Rod and the Rodettes time for one of several costume changes.
Stewart told the audience to have a seat as he and part of his band and singers joined him at the front of the stage. They seated themselves and performed a multi song acoustic set. They did “The First Cut is the Deepest” followed by a fan favorite “Reason To Believe.” Next was Van Morrison’s “Have I Told You Lately.” It was refreshingly laid back and intimate. Then the band went right into “You’re In My Heart.” The audience needed no encouraging to wholeheartedly join in the songs. They knew the words and Stewart enjoyed the participation.
Stewart’s final songs of the night were from his time with The Faces, including “Stay With Me” with Stewart kicking and throwing signed soccer balls into the audience. He is great kicker and landed a couple into the upper decks to the delight and shouts of approval from the crowd. He followed this with his Number 1 hit “Maggie May.”
The encore was “Da Ya Think I’m Sexy” and the audience loved it as this is one of Stewart’s best known songs.
Stewart and his band are definitely a must see if you get the chance. I don’t know how many more years he will tour, but he has an ageless quality and puts on a thoroughly enjoyable concert from beginning to end. I can’t think of one thing he didn’t do or could have done to make the evening more entertaining and enjoyable.
The band members:
Conrad Korsch – bass guitar
Dave Palmer – drums
Jimmy Roberts – saxophone
J’anna Jacoby – violin, mandolin, acoustic guitar
Julia Thornton – vocals, banjo, harp
Caissie Levy – vocals, violin
Chuck Kentis – keyboards
Emerson Swinford – guitar
Bridget Cady – vocals and dance
Becca Kotte – vocals and dance
Di Reed – vocals and dance
http://www.rodstewart.com/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Young Turks
Infatuation
Having a Party (Sam Cooke cover)
Some Guys Have All the Luck (The Persuaders cover)
You Wear It Well
Tonight’s the Night (Gonna Be Alright)
Love Is
Rhythm of My Heart (Marc Jordan cover)
Rollin’ and Tumblin’ (Hambone Willie Newbern cover)
Forever Young
Downtown Train (Tom Waits cover)
The First Cut Is the Deepest (Cat Stevens cover)
Reason to Believe (Tim Hardin cover)
People Get Ready (The Impression cover)
You’re in My Heart (The Final Acclaim)
Have I Told You Lately (Van Morrison cover)
Stay With Me (Faces song)
Maggie May
Encore:
Da Ya Think I’m Sexy?

 

 

Dixie Dregs – Dawn of the Dregs Tour 2018 – Ridgefield Playhouse – March 14, 2018

The Ridgefield Playhouse hosted the Progressive jazz/rock fusion band Dixie Dregs for a tour many thought would never happen. The Dregs original members have reunited this year to the delight of many long time hard core fans. The Dixie Dregs original members are Steve Morse on lead guitar, Andy West on bass, Allen Sloan on violin, Steve Davidowski on keyboards and Rod Morgenstein rounding out the band on drums. This is the 45th anniversary reunion tour and though through the years other members have come and gone it was fantastic that the five members who started the band were able to come together for this tour.

The crowd enthusiastically awaited the bands arrival onstage. The energy in the air was palpable. Many in the lobby and theater were reminiscing about when they saw the Dregs the first time or the last time they saw them. One thing was clear though that this reunion of the original Dregs was an eagerly anticipated event. It was obvious that throughout the years the band has garnered a mass of loyal fans referred to as “Dregheads.”
Getting these original members of the Dixie Dregs together after four decades was something most didn’t expect. Even though in recent years it seems many bands of the 70’s era are regrouping for one last tour and run at pleasing long time fans, each of the members of Dixie Dregs have gone on to live their separate lives and some even had other polar opposite careers. Allen Sloan is a physician and Andy West a video game designer. Rod Morgenstein went on to add his percussion talents to many bands including Winger. Steve Morse is probably the most active in the music world over these previous decades as he has been playing as lead guitarist for Deep Purple while also performing with Flying Colors and The Steve Morse Band.
They perform jazz, rock and bluegrass with a classical overtone to their music. What may be called progressive country rock with a hint of jazz fusion. Their tempo and rhythm change up in one song keeping your ears entertained with the changing sound and tones and variations in the beat. With that being said it has always been hard to categorize the Dixie Dregs into one genre.
The night was a mix of the broad range of cuts from various albums in the bands history. The majority of the selections were from the Freefall album. They also performed “Take If Off The Top” and “Day 444” off the What If album. It was as if they had been playing for all these years together and each song was performed flawlessly.
The second set included “Cruise Control,” one of the better known Dixie Dreg songs. The set crossed over from the heavier rock influenced to a more classical sound. This set showed the range of the band and their ability to fuse different genres into a consistently enjoyable set that satisfied the audience and left them wanting more. The band returned to the stage for the encore with “Bloodsucking Leaches.”
It was indeed a rare chance to see a classic lineup play so well and enjoy their time onstage together again. They had and continue to have a unique sound. With many bands saying they’re performing farewell tours in the last few years, it’s hard to know if you’ll ever see this combination together again. If you do get the chance to catch the Dixie Dregs on this tour do try get out and see them. You won’t be disappointed and this chance may not come again.

 

 

http://dixiedregs.com

Review by Donna Erichsen
Photos by George Bekris
Setlist
Set1:
Divided We Stand
Free Fall
Holiday
Assembly Line
Twiggs Approved
Take It Off the Top
What If
Country House Shuffle
Moe Down
Odyssey
Set 2:
Violin Solo (Allen Sloan)
Northern Lights
Go for Baroque
Day 444
Refried Funky Chicken
Leprechaun Promenade
Wages of Weirdness
The Bash
Cruise Control
Encore:
Bloodsucking Leeches

The Dixie Dregs coming to Ridgefield Playhouse in Ridgefield, CT

Critically acclaimed and six-time GRAMMY®-Award nominated musical virtuoso’s, THE DIXIE DREGS (a.k.a The Dregs), are gearing up for a national U.S. tour starting February 28. The performances will mark the first time in 40 years the original band–Steve Morse (guitar), Andy West (bass), Allen Sloan (violin), Steve Davidowski (keyboards) and Rod Morgenstein (drums)–will share the stage. Tickets are on sale now.

The “DAWN OF THE DREGS” 25-date tour–with additional dates to be announced soon–will take the band across the country starting on February 28 in Clearwater, FL and make stops in Atlanta, Charleston, Washington D.C., New York City, Boston, Pittsburgh, Cleveland, Chicago, Milwaukee, Boulder and Phoenix, among many others,before wrapping April 25 in Dallas, TX. For more information about the “DAWN OF THE DREGS” tour and to purchase tickets, visit: http://dixiedregs.com/.

“This tour is the result of the overwhelming requests we’ve received from a loyal audience of die hard Dregheads, and new fans who have never seen us perform live, but discovered the band for the first time through Steve’s membership in Deep Purple, or Rod as the drummer for Winger,” said Dreg’s bassist, Andy West. “We can’t wait to play for them all,” adds West.

For guitar aficionados, Steve Morse needs no introduction, and his place in the pantheon of guitar greats is certain. But in fact, his career started with the DIXIE DREGS. The band traces its true beginnings to the band Dixie Grit, which started in a Georgia high school with Steve on guitar and Andy West on bass. Dixie Grit morphed into the DIXIE DREGS at the University of Miami School of Music, where Allen Sloan (violin) and Rod Morgenstein (drums) joined up with Steve and Andy, who were the “dregs” of Dixie Grit.

The members of the DIXIE DREGS remained committed to attending the University of Miami School of Music, which hosted a lively and talented musical community during their tenure, including future greats Pat Metheny, Jaco Pastorius, T Lavitz, and Bruce Hornsby, among many others. In 1975, the group’s demo album, The Great Spectacular, was recorded at the University of Miami and then re-released on CD in 1997.

After graduation, the band moved back to Augusta where Steve Davidowski (keyboards) completed the band. The band paid its dues and honed its skills playing in bars and venues throughout the South in the mid-70’s. They established themselves in the firmament of American instrumental music, seamlessly fusing rock with progressive and jazz elements to create a uniquely instrumental-driven style that has stood the test of time.

Based on a short demo and a tip from former Allman Brothers keyboardist Chuck Leavell along with legendary Allman/Dregs tour manager Twiggs Lyndon, Capricorn Records signed the DIXIE DREGS to record Free Fall (1977). The success and critical acclaim of Free Fall announced the DIXIE DREGS to the world, and after its release, they would become a cult-favorite band that would have a lasting influence on much of modern rock.
Keep your eyes on www.dixiedregs.com and www.facebook.com/TheDixieDregs for all the news.