Beth Hart Announces First Live Release In 13 Years, ‘Live From New York – Front and Center’


CD/DVD set will be released on April 13th, 2018 via Provogue Records/Mascot Label Group 

Watch Hart Perform

On March 7th, 2017, the GRAMMY nominated “powerhouse vocalist” (Rolling Stone) Beth Hart performed a very special, intimate concert at NYC’s Iridium Jazz Club, which featured songs from her latest album ‘Fire on the Floor’ and from throughout her career. Now, 13 years after the release of her incredibly successful live release, ‘Live at Paradiso,’ Hart is treating fans to a DVD/CD release of this standout performance with ‘Live From New York – Front & Center’, out April 13th via Provogue Records/Mascot Label Group. The performance is also featured on the Season 8 premiere episode of Public Television’s critically acclaimed concert series, Front and Center (airing now, check local listings).
Known for her visceral, soul-baring vocals and dynamic range, Hart is riding a creative tidal wave following the release of her critically acclaimed 2016 studio album, ‘Fire On The Floor’, as well as her just-released studio collaboration with guitarist Joe Bonamassa, ‘Black Coffee.’ Leveling audiences with her incredible power and celebrated burnt-honey vocals for 20 years, Hart has just launched a 16-date coast-to-coast US tour, which will be followed by a European tour in April-May 2018.
Hart has had an incredible career, beginning with the release of a fistful of hit albums through the ’90s, then reigniting in the post-millennium as both a solo artist and the head-turning vocalist for guitar heroes like Joe Bonamassa, Slash and long-time collaborator Jeff Beck. But it’s in recent times that Beth has truly blossomed, selling out ever-larger venues in cities around the world, including New York, Los Angeles, London, Paris, Berlin, Milan, Amsterdam, and Copenhagen. She is recognized as one of the great live vocalists of our time, with a voice “reminiscent of Etta James and Janis Joplin” (Music Connection), topping Billboard’s Blues Album Chart and receiving numerous GRAMMY and Blues Music Awards nominations. Dubbed “the ultimate female rock star” by The Blues Magazine, the Guardian has praised her “daring, brooding performances” and The Times has called her “Extraordinary.”
‘Live From New York – Front And Center’ will be released as a 2-disc DVD/CD set, mixed in 5.1 stereo, featuring never before seen bonus material, including an exclusive interview with Hart. The audio from the performance will also be sold separately as a digital release.
Track Listing
CD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – Broken And Ugly
06 – St. Teresa
07 – Isolation
08 – Tell Her You Belong To Me
09 – Fat Man
10 – Love Gangster
11 – Leave The Light On
12 – As Long As I Have A Song
DVD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – St. Teresa
06 – Tell Her You Belong To Me
07 – Fat Man
08 – Leave The Light On
09 – Can’t Let Go
10 – As Long As I Have A Song
Bonus DVD features:
* Full Band Bonus Content (Love Gangster – Broken And Ugly – For My Friends)
* Acoustic Bonus Content (Isolation – My California – No Place Like Home)
* Beth Hart Interview

Tour dates – www.bethhart.com/tour/

Beth Hart Online: 
www.facebook.com/officialbethhart
www.twitter.com/BethHart
www.instagram.com/officialbethhart
www.bethhart.com

Rod Stewart – Mohegan Sun Arena – March 24, 2018

At 73 Rod Stewart is still going strong. He treated the Mohegan Sun Arena’s sold out crowd to a high energy performance. He brought to the stage an enthusiastic young set of singers and a mix of young and older members in his 12 piece band.

Before he took the stage a local band the Mystic Highland Pipe Band wound its way through the isles with bagpipes and drums.
The opening song “Soul Finger” had a 60’s feel to it with the singers shimmying out until Rod appeared and made he was across the stage. The energy of the night was palpable from that moment to the last note of the evening. They played almost nonstop for 2 hours including a number of costume changes.

His back up singers called the Rodettes shimmed and strutted right along with Stewart as has sang “Young Turks” followed by “Infatuation.”
Stewart and the Rodettes sang a great version of the Muddy Waters tune “Rollin’ and Tumblin’.”
The persussion section performed a great solo while part of the band did a quick outfit change.
During the song “Love Is” the ladies in the band were dressed tartan skirts. Julia Thornton played the banjo as J’anna Jacoby and Caissie Levy joined in on the violins. The ladies all accompanied Stewart twirling and dancing with the backup singers in a foot stomping dance to the song.
Stewart dedicated “Rhythm of My Heart” to those who died in battle during World War II. They then dedicated “People Get Ready”  to students who took part in the “March for Our Lives” against gun violence the same day.
Jimmy Roberts performed a great solo on saxophone allowing Rod and the Rodettes time for one of several costume changes.
Stewart told the audience to have a seat as he and part of his band and singers joined him at the front of the stage. They seated themselves and performed a multi song acoustic set. They did “The First Cut is the Deepest” followed by a fan favorite “Reason To Believe.” Next was Van Morrison’s “Have I Told You Lately.” It was refreshingly laid back and intimate. Then the band went right into “You’re In My Heart.” The audience needed no encouraging to wholeheartedly join in the songs. They knew the words and Stewart enjoyed the participation.
Stewart’s final songs of the night were from his time with The Faces, including “Stay With Me” with Stewart kicking and throwing signed soccer balls into the audience. He is great kicker and landed a couple into the upper decks to the delight and shouts of approval from the crowd. He followed this with his Number 1 hit “Maggie May.”
The encore was “Da Ya Think I’m Sexy” and the audience loved it as this is one of Stewart’s best known songs.
Stewart and his band are definitely a must see if you get the chance. I don’t know how many more years he will tour, but he has an ageless quality and puts on a thoroughly enjoyable concert from beginning to end. I can’t think of one thing he didn’t do or could have done to make the evening more entertaining and enjoyable.
The band members:
Conrad Korsch – bass guitar
Dave Palmer – drums
Jimmy Roberts – saxophone
J’anna Jacoby – violin, mandolin, acoustic guitar
Julia Thornton – vocals, banjo, harp
Caissie Levy – vocals, violin
Chuck Kentis – keyboards
Emerson Swinford – guitar
Bridget Cady – vocals and dance
Becca Kotte – vocals and dance
Di Reed – vocals and dance
http://www.rodstewart.com/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Young Turks
Infatuation
Having a Party (Sam Cooke cover)
Some Guys Have All the Luck (The Persuaders cover)
You Wear It Well
Tonight’s the Night (Gonna Be Alright)
Love Is
Rhythm of My Heart (Marc Jordan cover)
Rollin’ and Tumblin’ (Hambone Willie Newbern cover)
Forever Young
Downtown Train (Tom Waits cover)
The First Cut Is the Deepest (Cat Stevens cover)
Reason to Believe (Tim Hardin cover)
People Get Ready (The Impression cover)
You’re in My Heart (The Final Acclaim)
Have I Told You Lately (Van Morrison cover)
Stay With Me (Faces song)
Maggie May
Encore:
Da Ya Think I’m Sexy?

 

 

Dixie Dregs – Dawn of the Dregs Tour 2018 – Ridgefield Playhouse – March 14, 2018

The Ridgefield Playhouse hosted the Progressive jazz/rock fusion band Dixie Dregs for a tour many thought would never happen. The Dregs original members have reunited this year to the delight of many long time hard core fans. The Dixie Dregs original members are Steve Morse on lead guitar, Andy West on bass, Allen Sloan on violin, Steve Davidowski on keyboards and Rod Morgenstein rounding out the band on drums. This is the 45th anniversary reunion tour and though through the years other members have come and gone it was fantastic that the five members who started the band were able to come together for this tour.

The crowd enthusiastically awaited the bands arrival onstage. The energy in the air was palpable. Many in the lobby and theater were reminiscing about when they saw the Dregs the first time or the last time they saw them. One thing was clear though that this reunion of the original Dregs was an eagerly anticipated event. It was obvious that throughout the years the band has garnered a mass of loyal fans referred to as “Dregheads.”
Getting these original members of the Dixie Dregs together after four decades was something most didn’t expect. Even though in recent years it seems many bands of the 70’s era are regrouping for one last tour and run at pleasing long time fans, each of the members of Dixie Dregs have gone on to live their separate lives and some even had other polar opposite careers. Allen Sloan is a physician and Andy West a video game designer. Rod Morgenstein went on to add his percussion talents to many bands including Winger. Steve Morse is probably the most active in the music world over these previous decades as he has been playing as lead guitarist for Deep Purple while also performing with Flying Colors and The Steve Morse Band.
They perform jazz, rock and bluegrass with a classical overtone to their music. What may be called progressive country rock with a hint of jazz fusion. Their tempo and rhythm change up in one song keeping your ears entertained with the changing sound and tones and variations in the beat. With that being said it has always been hard to categorize the Dixie Dregs into one genre.
The night was a mix of the broad range of cuts from various albums in the bands history. The majority of the selections were from the Freefall album. They also performed “Take If Off The Top” and “Day 444” off the What If album. It was as if they had been playing for all these years together and each song was performed flawlessly.
The second set included “Cruise Control,” one of the better known Dixie Dreg songs. The set crossed over from the heavier rock influenced to a more classical sound. This set showed the range of the band and their ability to fuse different genres into a consistently enjoyable set that satisfied the audience and left them wanting more. The band returned to the stage for the encore with “Bloodsucking Leaches.”
It was indeed a rare chance to see a classic lineup play so well and enjoy their time onstage together again. They had and continue to have a unique sound. With many bands saying they’re performing farewell tours in the last few years, it’s hard to know if you’ll ever see this combination together again. If you do get the chance to catch the Dixie Dregs on this tour do try get out and see them. You won’t be disappointed and this chance may not come again.

 

 

http://dixiedregs.com

Review by Donna Erichsen
Photos by George Bekris
Setlist
Set1:
Divided We Stand
Free Fall
Holiday
Assembly Line
Twiggs Approved
Take It Off the Top
What If
Country House Shuffle
Moe Down
Odyssey
Set 2:
Violin Solo (Allen Sloan)
Northern Lights
Go for Baroque
Day 444
Refried Funky Chicken
Leprechaun Promenade
Wages of Weirdness
The Bash
Cruise Control
Encore:
Bloodsucking Leeches

The Dixie Dregs coming to Ridgefield Playhouse in Ridgefield, CT

Critically acclaimed and six-time GRAMMY®-Award nominated musical virtuoso’s, THE DIXIE DREGS (a.k.a The Dregs), are gearing up for a national U.S. tour starting February 28. The performances will mark the first time in 40 years the original band–Steve Morse (guitar), Andy West (bass), Allen Sloan (violin), Steve Davidowski (keyboards) and Rod Morgenstein (drums)–will share the stage. Tickets are on sale now.

The “DAWN OF THE DREGS” 25-date tour–with additional dates to be announced soon–will take the band across the country starting on February 28 in Clearwater, FL and make stops in Atlanta, Charleston, Washington D.C., New York City, Boston, Pittsburgh, Cleveland, Chicago, Milwaukee, Boulder and Phoenix, among many others,before wrapping April 25 in Dallas, TX. For more information about the “DAWN OF THE DREGS” tour and to purchase tickets, visit: http://dixiedregs.com/.

“This tour is the result of the overwhelming requests we’ve received from a loyal audience of die hard Dregheads, and new fans who have never seen us perform live, but discovered the band for the first time through Steve’s membership in Deep Purple, or Rod as the drummer for Winger,” said Dreg’s bassist, Andy West. “We can’t wait to play for them all,” adds West.

For guitar aficionados, Steve Morse needs no introduction, and his place in the pantheon of guitar greats is certain. But in fact, his career started with the DIXIE DREGS. The band traces its true beginnings to the band Dixie Grit, which started in a Georgia high school with Steve on guitar and Andy West on bass. Dixie Grit morphed into the DIXIE DREGS at the University of Miami School of Music, where Allen Sloan (violin) and Rod Morgenstein (drums) joined up with Steve and Andy, who were the “dregs” of Dixie Grit.

The members of the DIXIE DREGS remained committed to attending the University of Miami School of Music, which hosted a lively and talented musical community during their tenure, including future greats Pat Metheny, Jaco Pastorius, T Lavitz, and Bruce Hornsby, among many others. In 1975, the group’s demo album, The Great Spectacular, was recorded at the University of Miami and then re-released on CD in 1997.

After graduation, the band moved back to Augusta where Steve Davidowski (keyboards) completed the band. The band paid its dues and honed its skills playing in bars and venues throughout the South in the mid-70’s. They established themselves in the firmament of American instrumental music, seamlessly fusing rock with progressive and jazz elements to create a uniquely instrumental-driven style that has stood the test of time.

Based on a short demo and a tip from former Allman Brothers keyboardist Chuck Leavell along with legendary Allman/Dregs tour manager Twiggs Lyndon, Capricorn Records signed the DIXIE DREGS to record Free Fall (1977). The success and critical acclaim of Free Fall announced the DIXIE DREGS to the world, and after its release, they would become a cult-favorite band that would have a lasting influence on much of modern rock.
Keep your eyes on www.dixiedregs.com and www.facebook.com/TheDixieDregs for all the news.

David Crosby and Friends

David Crosby and Friends

Garde Arts Center

May 29, 2017

The Garde Arts Center outdid themselves with this concert. Although they have hosted many great shows, this show was spectacular.
Growing up as a child of the sixties one the voices in the soundtrack of my youth would have to be David Crosby. He and his counterparts were a representation of the era and the outspoken cry for justice and political change in America. To see him now as an adult completes a cycle of decades of changes. Changes in age, political climate, people. Crosby has accepted those changes and evolved into a still relevant voice in American music. Though the Vietnam war is long over we are still embroiled in ever present political strife as much now as ever.
Crosby, never one to shy away from his political stance still speaks for peace and love. He has an opinion on what is right and what is wrong in America and what we as American’s allow to happen in our society.
This was such a memorable concert on many levels. To hear Crosby play his older tunes was one but also to hear his musical evolution brought it to another level. He has for almost the last two decades enjoyed playing with one of his sons. James Raymond, Crosby’s son, is the keyboard player in the band and also co-author of many of Crosby’s newer works. They have worked together since forming the band CPR (Crosby, Pevar & Raymond) with Jeff Pevar on lead guitar in 1996.
Crosby gathered together some friends to tour with him, Truly talented friends they are. As Crosby stated during the concert each band player is an accomplished musician on their own and have had their own bands. The friends are James Raymond (keyboards/vocals), Jeff Pevar (guitar/vocals), Michelle Willis (keyboards/vocals), Mai Agan (bass) and Steve DiStanislao (drums/vocals).
Starting off his career with The Byrds, then on to Crosby, Stills, Nash. Continuing with the addition of Neil Young for a time.  Crosby was inducted into the Rock And Roll Hall Of Fame and inducted twice for his works with the Byrds and CSN, and he was a founding member of both bands.
Crosby released his first solo album, If Only I Could Remember My Name, in 1971 and his solo career is still going strong to this day. This past October he released Lighthouse. His newest release “Sky Trails” was available for the concert patrons to purchase only at the venues on concert nights.
There were the obligatory Crosby, Stills and Nash songs. Along with each song though there was a short explanation of where that song belonged in his life. The reasons for writing them and where his mind was at the time and who among the greats of 60’s rock he was associating with during the writing and performing of those songs.
Crosby said that all his life when he had an emotion he squashed but felt he needed to air he would air it by writing a song about it. “In My Dreams,” was the opening song of the evening. Followed by a song he wrote about Jim Morrison. The Crosby, Stills & Nash song “Long Time Coming” finished up the first set and the band took a short intermission.
After the intermission they returned to the stage and went right into a CPR song “Map To Buried Treasure” They played a Crosby & Nash song “Homeward Through The Haze” and then “Angel Dream.”
Jeff Benedict, prize winning author and native of New London, CT, who wrote the book “Little Pink House.” “Little Pink House” is a story of one woman’s fight to keep her house which was being taken by the law of eminent domain. It tells of how large corporations or governments can remove a person’s right to live in a home they purchased and call home simply because it is in the way of development. The Garde Arts Center concert was important because the fight the book and film were based upon is the case that took place in New London.
The book was made into a movie and while searching for inspired music for the movie Benedict thought of asking long time friend Crosby. Crosby an opponent of taking of homes for eminent domain of course agreed and wrote the song “Home Free” Jeff Benedict invited Crosby to play at the Garde Arts Center and the song was performed live for the first time ever at this concert.
They finished up with a rousing version of the CSNY hit “Déjà vu.” The encore to follow was full of patriotism and a great rendition of “My Country ‘Tis Of Thee”
At 75 years young David Crosby sounded fantastic as did his friends. Their voices filled the theater with such wonderful harmonies. Crosby’s vocals were so strong all we can hope for is that he continues to play for many years to come. Hopefully he will also do a encore performance at The Garde Arts Center in the near future. If he does I am sure the house will be full of eager patrons waiting to hear his beautiful music.
Set List
In My Dreams
Morrison
Tracks
She’s Got To Be
At The Edge
Laughing
1000 Roads
Long Time Gone
Map To Buried Treasure
Homeward
What Are Their Names
Home Free
Angel Dream
Low Down Payment
Delta
Deja Vu
Encore
My Country Tis
http://www.davidcrosby.com/
http://jamesraymond.com
http://pevar.com
http://www.michellewillis.ca
http://maiagan.com
Review by Donna Erichsen
Photos by George Bekris

 

 

 

Beth Hart

Beth Hart

Fire on the Floor Tour

Feb. 25, 2017

Fox Theater, Mashantucket, CT

The Fox Theater darkened and the band begins to play. The crowd looks at the stage anticipating Beth Hart’s arrival. An electric guitar continued to moan in the dark. Beth Hart began singing the first lines of a song, her voice echoing throughout the theater. Suddenly she surprised and thrilled the audience when a lone spotlight lit up the singer dressed in a sparkling mini smoothly entering the theater from behind the crowd. The spotlight followed her as she passed by patrons, touching a few shoulders and hands along the way, as she sung “Don’t Explain” a Billie Holiday cover. Hart paused in the isle turned and faced the enthusiastic crowd to croon out the blues. She swung around and glided up onto the stage, not missing a beat. This woman has big stage presence and a voice to match it. Everyone was already fixated and cheering Hart on and the second song had not even begun.
The second number was “As Good as it Gets,” which was a number one single of Hart’s in Denmark. She has had many releases in Europe of various songs that have topped the charts. She is well recognized for her blues and soul songs worldwide and has released the albums “Seesaw” and “Live in Amsterdam” with fellow blues artist Joe Bonamassa.
Beth Hart and her band consisting of guitarist Jon Nichols, bassist Bob Marinelli and drummer Bill Ransom meshed so well, they knew their show and played perfectly. Jon Nichols made his multiple guitars used during the performance wail, moan and he also sang backup vocals.
Hart has such incredible range and rich tone. She brings the audience right down into the depths of her low down blues. She sings with such conviction coming from a life of knowledge of pain and suffering that she transfers into such beautiful music you feel every note. Hart’s “Lift Me Up,” a song she wrote for a sister who passed away was soulful and beautiful. The raw emotion in the song had people feeling it in the audience.
Hart’s husband Scott asked her to include the song “Leave the Light On,” off her platinum album of the same name. Before the song he made an impromptu appearance on the stage running over to her at the piano and giving her a little hug.
The evening was well rounded with heart aching blues off Hart’s newest album “Fire on the Floor,” including the title song from that release that told of the heartbreak of desire and love. These soulful ballads were alternated with lighter songs from the same DVD. The rock song “Fat Man” was popular as well with a catchy with toe tapping, driving beat.
The band played a mix of songs from some of Hart’s large catalog of releases since 1999. She also sang a cover of Tom Wait’s “Chocolate Jesus.” Hart alternated between shimmying across the stage, sitting, kneeling and playing on the piano. Her energy was passionate and boundless.
The band came back onstage for an encore of “No Place Like Home” followed by Hart’s 1999 single “LA Song (Out of This Town)” from her second album “Screamin’ for My Supper.”
I was totally blown away by this concert. I have heard her music and loved her voice, but seeing Hart perform in person was a treat I will not forget. Hart was humble, thankful for her success and honest about her struggles in life. Her sharing that made the show even more memorable. To realize what she has gone through in her life and for her to come out so positive and happy on the other side makes you want her success to continue for a long time. If you get the chance to see this woman and her band perform do it. Do not hesitate for a moment. If you are a blues lover or just a lover of great music this is a night not to miss.

Review by Donna Erichsen
Photos by George Bekris
Beth Hart 
Set List
Don’t Explain (Billie Holiday cover)
Good as It Gets
I’ll Take Care of You (Bobby “Blue” Bland cover)
Delicious Surprise
Baddest Blues
Lifts You Up
Baby Shot Me Down
Sister Heroine
Close to My Fire (Slackwax cover)
My California
Chocolate Jesus (Tom Waits cover)
Woman You’ve Been Dreaming Of
St. Teresa
Leave the Light On
Fat Man
Love Is a Lie
Encore:
No Place Like Home
L.A. Song (Out of This Town)

 

Lita Ford

Lita Ford

Lita Ford

Mohegan Sun Wolf Den – Nov. 27, 2015
Lita Ford played the Mohegan Sun’s Wolf Den wearing a stunning red leather suit with her long blonde hair flying as she strutted the stage with her band to bring her brand of 80’s rock music back with a vengeance. One of the guitar queens of the eighties Lita and her band played to a full house plus the extra crowd that spilled out to the casino floor outside on Friday, Nov. 27, 2015. Many fans waited for hours to gain entrance to the concert. Those that didn’t get a seat circled the outside of the Den to take it in standing.
Ford started as a sixteen year old lead guitarist for the all-female rock band The Runaways in the late 70’s. After a short stint and rough breakup with the band she embarked on a long solo career. At 57 Ford is still out on tour rocking crowds 40 years into her career. LIta Ford still has staying power and proved she can still fill the seats.
Lita lead off with “Larger Than Live”, followed by “Relentless”. The warmed up crowded then rocked among to Ford’s rendition of Elton John’s “The Bitch Is Back”. They continued with many of her best known songs.
The song “Can’t Catch Me” included drummer Bobby Rocks in an exceptionally fun and interesting drum solo. He beat on the drums shirtless and focused finishing with a flair and with his forehead. I have never seen head banging taken to that extreme. Evidentially, many others had not either and he wowed the crowd.
Patrick Kennison on guitar did a great job filling in for Ozzy Osborne’s part on the hit “Close My Eyes Forever”. The song was probably Ford’s most critically acclaimed hit when she performed it as a duet with Osborne on the self titled “Lita” album.
They performed “Devil in My Head” which let Marty O’Brien on bass shine with its heavy bass and drum beats. Then crowd helped out by singing along on the well known song Ch..Ch..Ch…”Cherry Bomb”.
“Kiss me Deadly” was the final song and there was no encore, but much to the fans’ delight Lita graciously held a meet and greet and signed photos for almost an hour after the show.
Review by Donna Erichsen
Photos by George Bekris

Set List
Larger Than Life
Relentless
The Bitch Is Back
Hungry
Falling In and Out of Love
Gotta Let Go Back to the Cave
Devil in My Head
Can’t Catch Me
Out for Blood
Close My Eyes Forever
Cherry Bomb
Kiss Me Deadly

Ian Anderson

From the rock opera "Jethro Tull"
Ian Anderson

Ian Anderson

Fox Theater, Mashantucket, CT
November 8, 2015
Ian Anderson’s Jethro Tull: The Rock Opera is not just another concert. It’s the story of Jethro Tull, an 18th Century agriculturist, as seen through Ian Anderson’s eyes and imagination. The whole concept of a rock opera is not often done, but when pulled off right it’s a night not to be missed. Ian Anderson has spent decades fluting his way around the stage as one of the most recognizable front men in rock. Who else is instantly associated with standing on one leg, like the Pied Piper of rock, with flute in hand? His opera consists of many songs we are familiar with mixed with 5 new songs and narration from the projected video of virtual guests on the back screen to tell the story of Jethro Tull. It was an entertaining mix of the English countryside, fields of grain, and other interesting imagery along with wailing guitar and Anderson owning the stage.
Most of the band members were considerably younger than Anderson’s age of 68, but you didn’t notice the gap as he cavorts about the stage shifting from flute to mandolin and on to harmonica. They played 2 sets with a short intermission and it was pure energy the entire time. After many years of singing Anderson’s voice is a bit raspier, but he hasn’t lost his bounce or swagger.
The stage band consisted of John O’Hara on keyboard, Florian Opahle, who played particularly well on lead guitar, Grieg Robinson on bass and Scott Hammond on drums. The virtual guests were Unmur Birna Björnsdóttir playing Tull’s wife. She added clean and frankly beautiful note to production as her voice pierced the theater and took it that next level. The virtual young Tull was played by Ryan O’Donnell, who also used to tour with Anderson a couple of years ago.
They started off with “Heavy Horses”, followed by “Wind-up”. Then came “Aqualung” with cheers from the crowd for Florian’s guitar playing on that oh so familiar song. “With You There to Help Me” and “Back to the Family” were next. “Farm on the Freeway” was backed by scenes of farmland being pushed out by loaded freeways clogged with streams of cars. Anderson new song “Prosperous Pasture” was followed by the heavy beats of “Fruits of Frankenfield”. He then ended set one with the well know and more folkish “Songs From the Wood ”
The band resumed the opera with set two and “And the World Feeds Me” and ” Living in the Past” always well received. Next came “Jack-in-the-Green” and “The Witch’s Promise”. The set continued with new songs “Weathercock” and “Stick, Twist, Bust”, which was a new song . Anderson and the band followed with “Cheap Day Return”, “A New Day Yesterday” and “The Turnstile Gate” another of his new tunes.
It only took the first few notes of the closing set and opera song on the keyboard by John O’Hara for the audience to know “Locomotive Breath” was coming down the track and many rose from their seats singing along to the steady pounding beat and “No way to slow down”.
The final song and encore of the evening was “Requiem and Fugue”.
Well done and very entertaining night. If you get a chance to take it in don’t hesitate, even if you have seen Anderson perform many times. This rock opera rounds out a long career wonderfully.
Review by Donna Erichsen
Photos by George Bekris

Set list :
Heavy Horses
Wind-Up
Aqualung
With You There to Help Me
Back to the Family
Farm on the Freeway
Prosperous Pasture Anderson
Fruits of Frankenfield Anderson
Songs From the Wood
Set2
And the World Feeds Me
Living in the Past
Jack-in-the-Green
The Witch’s Promise
Weathercock
Stick, Twist, Bust
Cheap Day Return
A New Day Yesterday
The Turnstile Gate
Locomotive Breath
Encore:
Requiem and Fugue
(with Bourée snippet)

 

Joe Walsh

Joe Walsh

Joe Walsh

Mohegan Sun Arena
Oct.16,2015
Joe Walsh has a reputation of putting on a consistently enjoyable concert and this was no exception. On October 16th at the Mohegan Sun Arena he treated the audience to a great show. The 67 year old is not only former member of the James Gang and Eagles, Walsh also has a number of songs written and performed in his long running solo career. This concert was a sampling of his many great and enduring songs. The only drawback is that he has so many songs in his bag of tricks there is no way we could hear them all in one concert.
Walsh was joined by one of his Barnstorm keyboardists and drummer Joe Vitale. He was also accompained by Gannin Arnold on guitar, Larry Young on bass, Jason Freeze on keyboards and ssaxaphone, Clayton James on synthisizer keyboards and Drew Hester on drums. Melanie Taylor, Windy Wagner and Connie Jackson rounded out the band with their back-up vocals.
Walsh sang “Walk Away”, “The Bomber” and a whimsical take on “Funk #49” with a midsong inclusion of lines from “Funk #50” off his solo album “Analog Man”, all sounded great. Along with “Turn To Stone” from his first solo album “Barnstorm” in 1974 he had the audience entranced in the moment. He used various guitars through out the show, so the sounds were consistently changing .
The encore started with I.L.B.T’s “I Like Big Tits”, a Breast Cancer awareness song, which was a hit with the crowd. Joe brought up the importance of this topic with the fact that his wife is a Breast Cancer survivor. He brought the message home in a positive way. Walsh then finished with ” Rocky Mountain Way”, always a favorite.
All in all a great concert and Joe Walsh never fails to put on a fun show. We’ll be seeing him next time as well.
Review by Donna Erichsen
Photos by George Bekris

Set List
Walk Away
A Life of Illusion
Over and Over
Analog Man
In the City
Pretty Maids All in a Row
Mother Says
Turn to Stone
The Bomber: Closet Queen/Bolero/Cast Your Fate to the Wind
Funk #49
Life’s Been Good
Encore:
I.L.B.T.s (for breast cancer awareness month)
Rocky Mountain Way

Carlos Santana

Carlos Santana Corazon Tour

Mohegan Sun Arena, Uncasville, CT
August 19, 2015
Carlos Santana, a man who’s career spans decades is still so relevant. The opening songs at the Mohegan Sun Arena were an omage to Woodstock and the tron above the stage showed scenes of his performance with his signature sound and style that is instantly recognizable. With the Corazon tour Carlos is still spreading the message of “Love and Light” through his music and his wish for a world living in harmony. This tour is a melding and mixing of Carlos. With his legendary guitar playing, and his staying power of almost 50 years. Strong and fresh vocals by Andy Vargas and Tony Lindsay as they sang “Soul Sacrifice”, “Freedom in Your Mind”, and “Maria Maria”.
Midway through the show, Carlos’ son Salvador Santana, who is an accomplished keyboardist, vocalist, and songwriter, took the stage and performed “Summers Day”, “Rise Up” and “Fantasy Reality” from his newly released CD “Fantasy Reality”. His upbeat rap style and ease on stage is a testament to someone who truly has performing in his blood. Savador was accompanied by Alex Nestor’s with her strong and soulful voice.
Oh, and how many times have you heard a trombone solo? Jeff Cressman marched around the stage and provided a top notch solo followed by David K. Mathews on the keyboard.
The evening was an enjoyably spicy and rhythmic time with Carlos Santana and his band that included brass and percussion sections as they played “Corazon Espanado”, “Smooth” and “Tequila” and others from his large collection of songs.
Time flew by and too soon they wrapped it up with an encore that included “Black Magic Woman” and “Oye Como Va”. Great night, and as anyone would expect, a great concert.
Review by Donna Erichsen
Photos by George Bekris

Set List:
WOODSTOCK INTRO
1. SOUL SACRIFICE
2. SAIDEIRA
3. LOVE MAKES THE WORLD GO ROUND
4. FREEDOM IN YOUR MIND
5. MARIA MARIA
6. FOO FOO
7. EUROPA
8. *SUMMERS DAY
9. *RISE UP
10. *FANTASY REALITY
11. CORAZON ESPINADO
12. JINGO
13. EVIL WAYS/ A LOVE SUPREME
14. BLUE TRANE/ A PLACE W/ NO NAME
15. TEQUILA
16. SMOOTH
17. BLACK MAGIC WOMAN / GYPSY QUEEN
18. OYE COMO VA
19. TOUSSAINT L’OUVERTURE
20. OMINOUS