Cars of Briggs Cunningham to headline 23rd annual Greenwich Concours d’Elegance in June

 

 

Original Cunningham race and street cars, cars of John Fitch, Jaguar SS Cars and Competition Motorcycles to be featured

GREENWICH, Conn.    Recognized as one of the most prestigious classic car shows in the United States, the Greenwich Concours d’Elegance will celebrate its 23rd year of showcasing significant cars, motorcycles and one-off automotive creations on June 1-3, 2018. Production and race cars created in the 1950s by the iconic Briggs Cunningham will headline the entire weekend.

The Concours continues its tradition of holding two unique Concours back-to-back, with American cars and motorcycles on Saturday, and foreign marques on Sunday. The event takes place at Roger Sherman Baldwin Park overlooking the Greenwich, Conn., harbor on Long Island Sound.

Miles Collier, one of America’s premier car collectors, and founder of The Revs Institute, has been named the Grand Marshal for this year’s event. The Revs Institute in Naples, Fla., includes the Collier Collection, with 115 automobiles of special historic and technological importance. Many were acquired from the collection of the late Briggs Cunningham, a family friend. The Institute, which fosters deeper understanding of the transformative role of the automobile, also includes the Revs Digital Library of about 500,000 automotive photographs, with emphasis on racing scenes, and a research library with over 20,000 book titles and complete runs of automotive periodicals in English, French, Italian and German. https://revsinstitute.org

The display of Cunningham cars from around the country is being organized by “Barn Find Hunter” Tom Cotter of Charlotte, N.C., and Cunningham collector and historian Charles Schoendorf, of Rowayton, Conn. Lined up along the waterfront both days will be the 1952 C-4R Le Mans roadster from the Simeone Foundation Automotive Museum in Philadelphia, and most of the 25 Vignale-bodied C-3 coupes and cabriolets.

“This will be the most comprehensive collection of Cunningham race cars, touring cars and team cars assembled at one time and place, ever, including at the factory,” says Schoendorf. “A turnout of cars like this will not happen any time soon again, if ever.”

Cunningham, who died in 2003 at the age of 96, is best known as an America’s Cup skipper, race-car builder, driver and team owner. He made the Greens Farms section of Westport, Conn., his home from the ’20s through the ’60s. He fielded his early race cars for Sam and Cowles “Miles” Collier out of his carriage house, and later kept his car collection there before moving it out of state. The Cunningham family remained at the Greens Farms compound until the death of his daughter Lucie Cunningham McKinney in 2014.

On Saturday, cars from one of Cunningham’s most notable race-car drivers, the late John Fitch, of Lime Rock, Conn., will also be on display. A highly-respected driver of the ’50s and ’60s, Fitch was also a safety pioneer and a World War II fighter pilot. The 1966 Fitch Phoenix, owned by Charles Mallory, of Greenwich, Conn., will be part of the display, along with the 1952 Fitch-Whitmore Le Mans Special.

Sunday’s Concours will host a special display of Jaguars, with a focus on the rare pre-war SS Cars. The SS 100, SS 90, SS 1 Tourer and SS 1 Coupe are all scheduled to be shown.

The weekend will also feature the presentation of A Century of Competition Motorcycles by American Iron Magazine publisher Buzz Kanter, of New Canaan, Conn., which will showcase race bikes of various styles from the early 1900s to the present. “I’ve heard motorcycle racing started when the first motorcycle rider came across another on the road. And it’s been full throttle ever since,” Kanter says.

“This year’s Concours promises to be one of the best displays of cars and motorcycles ever,” says Concours Chairman Mary Wennerstrom. “We have collectors coming from all over North America, including Canada, nearly half of the 50 states and, of course, Connecticut. It is very exciting to have so many people in the collector car world gathering in Greenwich! And we are honored to have Miles Collier serve as our Grand Marshal.”

The beneficiary of the Greenwich Concours for the 23rd year is Americares, a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing health programs, medicine and medical supplies. The Stamford, Conn.-based organization is the world’s leading nonprofit provider of donated medicine and medical supplies.

VIP tickets are available on a limited basis. VIP Tickets include early entry at 8 a.m., breakfast and lunch with the car collectors and judges, entrance to the Bonhams cocktail party on Friday night, poster, lapel pin, program and VIP lanyard.

• Gates open at 10 a.m. for general admission, 8 a.m. for VIP ticket holders

• Advance tickets for both days are available at $30 per day or $50 for both days

  • Tickets purchased on the day of the event are $40 per day or $60 for both days• Children 12 and under are free when accompanied by an adult• VIP Admission is $150 per day or $250 for both days• SaturdayNight Gala tickets are available for $175• Tickets can be purchased at http://www.greenwichconcours.com/visitors/tickets/

 

Dixie Dregs – Dawn of the Dregs Tour 2018 – Ridgefield Playhouse – March 14, 2018

The Ridgefield Playhouse hosted the Progressive jazz/rock fusion band Dixie Dregs for a tour many thought would never happen. The Dregs original members have reunited this year to the delight of many long time hard core fans. The Dixie Dregs original members are Steve Morse on lead guitar, Andy West on bass, Allen Sloan on violin, Steve Davidowski on keyboards and Rod Morgenstein rounding out the band on drums. This is the 45th anniversary reunion tour and though through the years other members have come and gone it was fantastic that the five members who started the band were able to come together for this tour.

The crowd enthusiastically awaited the bands arrival onstage. The energy in the air was palpable. Many in the lobby and theater were reminiscing about when they saw the Dregs the first time or the last time they saw them. One thing was clear though that this reunion of the original Dregs was an eagerly anticipated event. It was obvious that throughout the years the band has garnered a mass of loyal fans referred to as “Dregheads.”
Getting these original members of the Dixie Dregs together after four decades was something most didn’t expect. Even though in recent years it seems many bands of the 70’s era are regrouping for one last tour and run at pleasing long time fans, each of the members of Dixie Dregs have gone on to live their separate lives and some even had other polar opposite careers. Allen Sloan is a physician and Andy West a video game designer. Rod Morgenstein went on to add his percussion talents to many bands including Winger. Steve Morse is probably the most active in the music world over these previous decades as he has been playing as lead guitarist for Deep Purple while also performing with Flying Colors and The Steve Morse Band.
They perform jazz, rock and bluegrass with a classical overtone to their music. What may be called progressive country rock with a hint of jazz fusion. Their tempo and rhythm change up in one song keeping your ears entertained with the changing sound and tones and variations in the beat. With that being said it has always been hard to categorize the Dixie Dregs into one genre.
The night was a mix of the broad range of cuts from various albums in the bands history. The majority of the selections were from the Freefall album. They also performed “Take If Off The Top” and “Day 444” off the What If album. It was as if they had been playing for all these years together and each song was performed flawlessly.
The second set included “Cruise Control,” one of the better known Dixie Dreg songs. The set crossed over from the heavier rock influenced to a more classical sound. This set showed the range of the band and their ability to fuse different genres into a consistently enjoyable set that satisfied the audience and left them wanting more. The band returned to the stage for the encore with “Bloodsucking Leaches.”
It was indeed a rare chance to see a classic lineup play so well and enjoy their time onstage together again. They had and continue to have a unique sound. With many bands saying they’re performing farewell tours in the last few years, it’s hard to know if you’ll ever see this combination together again. If you do get the chance to catch the Dixie Dregs on this tour do try get out and see them. You won’t be disappointed and this chance may not come again.

 

 

http://dixiedregs.com

Review by Donna Erichsen
Photos by George Bekris
Setlist
Set1:
Divided We Stand
Free Fall
Holiday
Assembly Line
Twiggs Approved
Take It Off the Top
What If
Country House Shuffle
Moe Down
Odyssey
Set 2:
Violin Solo (Allen Sloan)
Northern Lights
Go for Baroque
Day 444
Refried Funky Chicken
Leprechaun Promenade
Wages of Weirdness
The Bash
Cruise Control
Encore:
Bloodsucking Leeches

The Dixie Dregs coming to Ridgefield Playhouse in Ridgefield, CT

Critically acclaimed and six-time GRAMMY®-Award nominated musical virtuoso’s, THE DIXIE DREGS (a.k.a The Dregs), are gearing up for a national U.S. tour starting February 28. The performances will mark the first time in 40 years the original band–Steve Morse (guitar), Andy West (bass), Allen Sloan (violin), Steve Davidowski (keyboards) and Rod Morgenstein (drums)–will share the stage. Tickets are on sale now.

The “DAWN OF THE DREGS” 25-date tour–with additional dates to be announced soon–will take the band across the country starting on February 28 in Clearwater, FL and make stops in Atlanta, Charleston, Washington D.C., New York City, Boston, Pittsburgh, Cleveland, Chicago, Milwaukee, Boulder and Phoenix, among many others,before wrapping April 25 in Dallas, TX. For more information about the “DAWN OF THE DREGS” tour and to purchase tickets, visit: http://dixiedregs.com/.

“This tour is the result of the overwhelming requests we’ve received from a loyal audience of die hard Dregheads, and new fans who have never seen us perform live, but discovered the band for the first time through Steve’s membership in Deep Purple, or Rod as the drummer for Winger,” said Dreg’s bassist, Andy West. “We can’t wait to play for them all,” adds West.

For guitar aficionados, Steve Morse needs no introduction, and his place in the pantheon of guitar greats is certain. But in fact, his career started with the DIXIE DREGS. The band traces its true beginnings to the band Dixie Grit, which started in a Georgia high school with Steve on guitar and Andy West on bass. Dixie Grit morphed into the DIXIE DREGS at the University of Miami School of Music, where Allen Sloan (violin) and Rod Morgenstein (drums) joined up with Steve and Andy, who were the “dregs” of Dixie Grit.

The members of the DIXIE DREGS remained committed to attending the University of Miami School of Music, which hosted a lively and talented musical community during their tenure, including future greats Pat Metheny, Jaco Pastorius, T Lavitz, and Bruce Hornsby, among many others. In 1975, the group’s demo album, The Great Spectacular, was recorded at the University of Miami and then re-released on CD in 1997.

After graduation, the band moved back to Augusta where Steve Davidowski (keyboards) completed the band. The band paid its dues and honed its skills playing in bars and venues throughout the South in the mid-70’s. They established themselves in the firmament of American instrumental music, seamlessly fusing rock with progressive and jazz elements to create a uniquely instrumental-driven style that has stood the test of time.

Based on a short demo and a tip from former Allman Brothers keyboardist Chuck Leavell along with legendary Allman/Dregs tour manager Twiggs Lyndon, Capricorn Records signed the DIXIE DREGS to record Free Fall (1977). The success and critical acclaim of Free Fall announced the DIXIE DREGS to the world, and after its release, they would become a cult-favorite band that would have a lasting influence on much of modern rock.
Keep your eyes on www.dixiedregs.com and www.facebook.com/TheDixieDregs for all the news.

Jim Messina – Infinity Music Hall Hartford, CT – February 24, 2018

It was a fantastic evening at the Infinity Music Hall with a spot on performance by the legendary Jim Messina and his band. Messina was joined by Gary Oleyar – fiddle and guitar, Craig Thomas – saxophone, woodwinds and percussion, Dave Beyer – drums and Michael Brady on bass. Together they gave the audience a truly memorable performance.
I think Jim Messina has never received the recognition from the public nor his peers that he deserves for his contributions to the music many of us heard in the 1960’s and 70’s and continue to hear now well into the 21st century. Messina was a member of Buffalo Springfield. A founding member of Poco and Loggins and Messina. All three of these bands are now legendary in the music industry.
Prior to becoming a member of Buffalo Springfield Messina was already an accomplished guitarist and producer. He began engineering while still in high school under the tutelage of guitar greats like Foy Willing of the Riders of the Purple Sage and other western music greats. He was already building a career in record engineering before he was approached to join Buffalo Springfield at the request of the group and  Atlantic Records founder and president Ahmet Ertegun. Messina became a bass player for the band replacing Bruce Palmer who was leaving. He played and toured with the Buffalo Springfield up until the completion and release of their album Last Time Around.
Messina and Richie Furay joined together in 1968 as founding members of Poco, which was a turning point band in music of the era joining country and rock together is what was forever after called country-rock. Messina left Poco and went his own way after tiring of the touring schedule and his desire to go back into producing.
In 1970 Loggins and Messina was formed. With Messina’s background even Kenny Loggins said right from the beginning, Jimmy was the producer. Loggins was a songwriter and had never made a record, put a band together or many of the things that bring a successful band to fruition. So Jim was the leader. Their first album was released in 1971 and together the duo made a total of 12 albums including live and compilation albums.
After parting ways with Kenny Loggins, Messina recorded four solo albums: 1979’s album Oasis; 1981’s eponymous Messina featuring guest performances by Jeff Pocaro, Joe Pocaro and Victor Feldman; 1983’s One More Mile; and 1996’s re-imagined retrospective of concert favorites Watching The River Run Revisited.
The concert at the Infinity was a mix of songs from each band Messina has been in and included a walk on by Rusty Young from Poco to play slide guitar on “Listen to a Country Song.”
There was a medley of Loggins and Messina songs “Traveling Blues,” which he said held special meaning now that he has children, “House on Pooh Corner” and “Thinking of You.”
They performed “Be Free.” Messina on mandolin with Oleyar on fiddle, and Thomas on flute had the audience stomping and clapping. A song that cries to free your soul. Always one of my favorite Loggins and Messina songs it was a pleasure to hear it done so well. Messina’s voice is still strong and he hits every note perfectly. His playing is just as precise and snappy as ever.
The encore was two well known favorites “You Need a Man” and “Your Mama Don’t Dance.”
Messina’s most recent album release, Jim Messina “In The Groove” with special guest Rusty Young, was recorded live in concert at The Clark Center and The Lobero Theater in Santa Barbara. It has been released both on a 12” Vinyl LP, as well as on an 8 gig “Flash Drive” the size of a credit card and is entitled Jim Messina “Access All’ Music/Video/Data, and can be used for future downloads and discounts. Because the vinyl LP can only hold 71 minutes of recorded music, it only contains the concert set and not the encore. However, since the “Flash Drive” is 8 gigs, it holds the entire 101-minute concert and encore. In addition, the Flash Drive contains a 27-minute video Encore (You Need a Man and Your Mama Don’t Dance”), the album’s artwork, the original set list (that was edited down) and the song lyrics.
I sat and had a talk with him after the concert. He is a kind, gentle and soft spoken man. You could easily pass hours just listening to the stories of his life. Many of his fellow musicians through the years had gotten caught up in their careers, drugs or alcohol and never got to fully enjoy the fame they worked so hard for.
Married with a family Messina has a firm belief that there is more to life than just his music. That life is to be lived fully and happily. He spends his off time on his ranch with his donkeys, ducks, dogs and a cat. He surrounds himself with friends from all walks of life. Not isolating himself to just the world of musicians. He tours but does it at his own pace. A set of 4 shows over a week or two in a certain geographical location and then back home to his family.
For those of you sailors who wonder if he still sails. He used to have larger boats but these days he would prefer to teach his daughter to sail on a lake or somewhere more forgiving than the ocean. He wants her to have the experiences of sailing just on a smaller scale. He said cruising the San Juan islands in Washington state would be nice because the water is still clean, the air is clear and the scenery is beautiful.
At the age of 70, although you would not think he was that age, there are no plans of slowing down. Being raised in Texas he is thinking he would like to go back to his roots. The next adventure they are considering is moving the family and animals to Texas for a new life there. The plan includes doing 4 performance tours at upscale roadhouses in various Texas locations.
I have no doubt this is what will happen if he wants it. He knew at a very early age he wanted a career in music. He stated he’s had guardians and maybe some guardian angels from the start that helped him launch his career in the music industry. From the short time I spent with Messina it appears he has no problem fulfilling any dream he sets his mind to.
Don’t miss the chance to see this music legend perform. Jim Messina and the band are masters at their craft. Each and every band member exceeded my expectations.
http://www.jimmessina.com
Setlist:
Mojito Moon
Traveling Blues
Medley:
Watching the River Run
House on Pooh Corner
Thinking of You
Danny’s Son
Whispering Waters
Kind Woman
You Better Think Twice
Listen to a Country Song – Holiday Hotel
Be Free
Angry Eyes
Encore
You Need a Man
Your Mama Don’t Dance
Review by Donna Erichsen
Photos by George Bekris