Poco played the Infinity Music Hall to a sold out crowd of dedicated fans. The band is celebrating their 50th anniversary and is still giving it their all.
Poco in 2018 consists of Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, lap steel guitar, electric guitar, acoustic guitar, vocals; Jack Sundrud – bass, acoustic guitar, vocals ; Michael Webb – keyboard, accordion and mandolin; and Rick Lonow on drums, percussion.
Rusty Young, Richie Furay, Jim Messina, Randy Meisner and George Grantham were the founding members of the band Poco in 1968. Although most of the original members are no longer playing the four present this night were very much into making an enjoyable night for everyone. They are still holding up the traditions of one of the most well loved bands of the late 20th century.
Rusty started out the evening with a big smile and made the comment that the guys in the band were “All Fired Up” before launching into the well known song. The audience clapped along and got right into the spirit of the night.
They then played “Good Feelin’ To Know” which was followed by “Rose of Cimarron” It seemed like Rusty may have had a slight cold and coughed a couple of times during the songs. But, that didn’t detract from his recognizable voice and the band’s top notch playing.
Jim Messina, one of the founding members and the opening act to Poco, did a walk on to play a couple of songs. You could tell by the banter between Messina and Young that they still after all these years are friends and enjoy the chance to perform together. The audience got a kick out of it too.
Rusty Young quipped between songs about Poco’s history. He shared with the audience a couple of stories. He and Messina joked about a some of the early years and what they went through together.
Being the only 50 year member of the band Young did make one solo album “Waitin’ for the Sun” but that was recently. The bulk of his half century in the band was only recording with Poco.
The audience sang along to one of the best known favorites “Crazy Love.” Everyone knew the words with no prompting. It was nice to hear an entire hall of voices singing with the band.
Michael Webb got in a guitar solo as he sang lead on “That’s What Rock and Roll Will Do” from the All Fired Up album. A tune that’s about the rock and roll life on the road. It was a little more hard edged than the normal Poco songs and showed a different side to the band.
Jack Sundrud took the lead on the heartbreaking tune “Hard Country.” He did a wonderful job with the song that describes the loss of farms on a grand scale and the emotions of those left behind.
It’s still fantastic to see Poco out there and performing a setlist that most people are pleased to hear. There are certain songs that most bands know the public associate with their name, their anthems so to speak. Rusty and the band are keen to make sure that even though they can’t do all the hits and songs the audience calls out for they give a great mix. Each band member is allowed to shine and take the lead on different songs.
It was a wonderful evening of great toe tapping music that brings you back to a simpler time. One of my favorite bands of all time, I’m glad they’re still hanging together after all this time and making such enjoyable music.
It was a fantastic evening at the Infinity Music Hall with a spot on performance by the legendary Jim Messina and his band. Messina was joined by Gary Oleyar – fiddle and guitar, Craig Thomas – saxophone, woodwinds and percussion, Dave Beyer – drums and Michael Brady on bass. Together they gave the audience a truly memorable performance.
I think Jim Messina has never received the recognition from the public nor his peers that he deserves for his contributions to the music many of us heard in the 1960’s and 70’s and continue to hear now well into the 21st century. Messina was a member of Buffalo Springfield. A founding member of Poco and Loggins and Messina. All three of these bands are now legendary in the music industry.
Prior to becoming a member of Buffalo Springfield Messina was already an accomplished guitarist and producer. He began engineering while still in high school under the tutelage of guitar greats like Foy Willing of the Riders of the Purple Sage and other western music greats. He was already building a career in record engineering before he was approached to join Buffalo Springfield at the request of the group and Atlantic Records founder and president Ahmet Ertegun. Messina became a bass player for the band replacing Bruce Palmer who was leaving. He played and toured with the Buffalo Springfield up until the completion and release of their album Last Time Around.
Messina and Richie Furay joined together in 1968 as founding members of Poco, which was a turning point band in music of the era joining country and rock together is what was forever after called country-rock. Messina left Poco and went his own way after tiring of the touring schedule and his desire to go back into producing.
In 1970 Loggins and Messina was formed. With Messina’s background even Kenny Loggins said right from the beginning, Jimmy was the producer. Loggins was a songwriter and had never made a record, put a band together or many of the things that bring a successful band to fruition. So Jim was the leader. Their first album was released in 1971 and together the duo made a total of 12 albums including live and compilation albums.
After parting ways with Kenny Loggins, Messina recorded four solo albums: 1979’s album Oasis; 1981’s eponymous Messina featuring guest performances by Jeff Pocaro, Joe Pocaro and Victor Feldman; 1983’s One More Mile; and 1996’s re-imagined retrospective of concert favorites Watching The River Run Revisited.
The concert at the Infinity was a mix of songs from each band Messina has been in and included a walk on by Rusty Young from Poco to play slide guitar on “Listen to a Country Song.”
There was a medley of Loggins and Messina songs “Traveling Blues,” which he said held special meaning now that he has children, “House on Pooh Corner” and “Thinking of You.”
They performed “Be Free.” Messina on mandolin with Oleyar on fiddle, and Thomas on flute had the audience stomping and clapping. A song that cries to free your soul. Always one of my favorite Loggins and Messina songs it was a pleasure to hear it done so well. Messina’s voice is still strong and he hits every note perfectly. His playing is just as precise and snappy as ever.
The encore was two well known favorites “You Need a Man” and “Your Mama Don’t Dance.”
Messina’s most recent album release, Jim Messina “In The Groove” with special guest Rusty Young, was recorded live in concert at The Clark Center and The Lobero Theater in Santa Barbara. It has been released both on a 12” Vinyl LP, as well as on an 8 gig “Flash Drive” the size of a credit card and is entitled Jim Messina “Access All’ Music/Video/Data, and can be used for future downloads and discounts. Because the vinyl LP can only hold 71 minutes of recorded music, it only contains the concert set and not the encore. However, since the “Flash Drive” is 8 gigs, it holds the entire 101-minute concert and encore. In addition, the Flash Drive contains a 27-minute video Encore (You Need a Man and Your Mama Don’t Dance”), the album’s artwork, the original set list (that was edited down) and the song lyrics.
I sat and had a talk with him after the concert. He is a kind, gentle and soft spoken man. You could easily pass hours just listening to the stories of his life. Many of his fellow musicians through the years had gotten caught up in their careers, drugs or alcohol and never got to fully enjoy the fame they worked so hard for.
Married with a family Messina has a firm belief that there is more to life than just his music. That life is to be lived fully and happily. He spends his off time on his ranch with his donkeys, ducks, dogs and a cat. He surrounds himself with friends from all walks of life. Not isolating himself to just the world of musicians. He tours but does it at his own pace. A set of 4 shows over a week or two in a certain geographical location and then back home to his family.
For those of you sailors who wonder if he still sails. He used to have larger boats but these days he would prefer to teach his daughter to sail on a lake or somewhere more forgiving than the ocean. He wants her to have the experiences of sailing just on a smaller scale. He said cruising the San Juan islands in Washington state would be nice because the water is still clean, the air is clear and the scenery is beautiful.
At the age of 70, although you would not think he was that age, there are no plans of slowing down. Being raised in Texas he is thinking he would like to go back to his roots. The next adventure they are considering is moving the family and animals to Texas for a new life there. The plan includes doing 4 performance tours at upscale roadhouses in various Texas locations.
I have no doubt this is what will happen if he wants it. He knew at a very early age he wanted a career in music. He stated he’s had guardians and maybe some guardian angels from the start that helped him launch his career in the music industry. From the short time I spent with Messina it appears he has no problem fulfilling any dream he sets his mind to.
Don’t miss the chance to see this music legend perform. Jim Messina and the band are masters at their craft. Each and every band member exceeded my expectations.
Watching the River Run
House on Pooh Corner
Thinking of You
You Better Think Twice
Listen to a Country Song – Holiday Hotel
Guitarist Joe Satriani began the G3 tours over twenty years ago and since its inception the legendary guitar player has invited two other highly regarded rock guitarists to play each tour with him. The artists each have their own set to showcase their solo talents before coming together at the end of the concert to jam for a few songs. This entire style of show works really well. To keep the tours fresh and the audiences wondering the lineup of artists changes each tour. This year’s lineup includes G3 veteran John Petrucci of Dream Theater and first-timer Phil Collen of Def Leppard.
First up was Phil Collen’s band Delta Deep. They played a great set of blues-rock songs. Debbi Blackwell-Cook, Collen’s bandmate and blues singer gave a wonderful range pushing performance belting out the blues. At one point her and Collen battled voice and guitar pitting her multi range voice against his guitar from the deepest baritone to high soprano. Collen’s guitar and her voice add such a soulful sound to the music.
Joining Collen and Blackwell-Cook was Grammy Award winner Forrest Robinson on drums and Robert DeLeo on bass. Their set included Delta Deep’s “Mistreated” and “Down in the Delta.” These cuts off the newly released “East Coast Live” album were rolled out with a great reception by the audience. Delta Deep and their blues sound was a hit with the crowd.
Quadrant 4 (Billy Cobham cover)
Bless These Blues
Down in the Delta
John Petrucci’s set began with the lights dimmed to a deep dark blue and the bass notes started a somber reverberation through the theater. The founding member of the progressive metal band Dream Theater performed “Wrath of the Amazons” and “Jaws of Life.” Both songs were in the heavy metal genre he is best known for. He laughed after those songs and said “Someone has to bring the heavy metal.”
Following those songs Petrucci who was backed by Dave LaRue on bass and Mike Mangini on drums lightened the mood by launching into “The Happy Song.” That was followed by “Glasgow Kiss” also a lighter tune from his Suspended Animation album Then it was back on to his heavier music metal riffs that he is best known for. His playing was spot on and during “Damage Control” he showed his expert alternate picking technique that is difficult to master but Petrucci makes look effortless.
Wrath of the Amazons
Jaws of Life
The Happy Song
Joe Satriani finished out the trio taking the stage with his chrome guitar. Starting off the set with energy he played with passion and excitement moving from side to side of the stage. He even crouched down at one point and played with his teeth. His popular songs “Satch Boogie,” “Always With Me, Always With You,” were done perfectly and the master at solos made his guitar scream and moan.
While “Surfing With the Alien,” was played a screen projected behind the band animations of the Silver Surfer. Satriani’s excitement, animation and endless energy were infectious throughout his performance. He had the crowd on their feet clapping and shouting.
I particularly liked “Cherry Blossoms,” off his newly released 16th album “What Happens Next.” This was followed by “Thunder High on the Mountain.” He then rolled right into “Super Funky Badass” also from “What Happens Next.” If Satraini is growing older he is hiding it well because he looked like a 20 something rocker with his full range of facial expressions as he coaxed every whine and scream out of his guitar. It’s like his guitar is just an extension of his arms and part of his being.
Satriani is an amazing guitarist and his set flew by in a flurry of wailing guitars and drums leaving the audience wanting more. His band with Mike Keneally on keyboards/guitar, Bryan Beller on bass and Joe Travers on drums was a fantastic accompaniment to Satraini. At one point the drummer Joe Travers did an awesome solo that had the crowd cheering and stomping for more. A grand performance by the legend Satriani and his band.
Thunder High on the Mountain
Super Funky Badass
Always With Me, Always With You
After Satriani’s band concluded their set Petrucci, Collen and Blackwell-Cook joined him on the stage and jammed together. The three played “Highway Star” by Deep Purple, “Superstition” by Stevie Wonder and “Going Down” by The Alabama State Troupers.
Highway Star (Deep Purple song)
Superstition (Stevie Wonder cover)
Going Down (The Alabama State Troupers cover)
The evening was great and the crowd enthusiastic and rose for ovations numerous times during the show in appreciation. I haven’t seen a G3 tour before and the unique presentation was refreshing. I would definitely see a G3 show again. Joe Satriani and his G3 tours is something any guitar enthusiasts or fan of great music should see. The G3 2018 tour will continue this year in both the USA and Europe though June. If you get the chance don’t miss it.
More information on the G3 Tour and each individual artist:
It was a fantastic performance by Lady Gaga for the sold out crowd at Mohegan Sun Arena. A perfect venue for a top act like this. The center of the arena was all open festival standing. Although midway through the first couple of songs most in the upper sections were on their feet as well. Because as Lady Gaga said “It’s a party and what do you do at party? Stand up and dance.”
Lady Gaga performed with her band and dancers a combination of songs from her newest release “Joanne” and many of her older hits. She’s a pop queen but there is so much more there than just a pop star. Her voice is strong and beautiful and she plays variety of instruments from guitar to piano. She is absolutely nonstop energy from start to finish.
As Gaga and her dancers changed into their many different costumes a video panel in front of her band was raised and lowered with changing video images. There was never really a pause in the night even when she was not singing. It was exciting and vibrant.
The song “Angel Down” was dedicated to the victims of the San Antonio shooting. It was touching, timely and sadly relevant in this year of tragedies.
One of the tour bus drivers we spoke with said the entourage includes 29 semi’s and 12 buses. That’s a major movement of talent, machinery and lighting. It is obvious though when you see the elaborate stage and props come to life during the show. There were lifting riser stages, trap doors and lighting stretching from the front of the area to the second stage half way back and on to the final stage at the back of the arena. Giant mushroom shaped blobs on the roof turned into walkways between stages and projected close ups of her singing. Gaga does her part to keep americans employed.
Lady Gaga dedicated “Edge of Glory” to her good friend Sonja Durham, who died in May from Breast Cancer, and to a member of her troupe whose first anniversary of her father’s passing is approaching.
Gaga clearly has a love for all people and is a fiercely outspoken woman and champion of the LGBT community as well as a strong promoter for women’s rights. She speaks of her love for all people and seeks to bring all genders, races, beliefs under one roof for a night of pure entertainment. Forget the differences and stand up and have a party.
Lady Gaga’s real name is Stefani Joanne Angelina Germanotta. Her middle name was given her in honor of an aunt she never knew. The song “Joanne” is a tribute to that aunt as well as the tour. She performed the song on acoustic guitar flanked by two of her band members also on guitars. A touching song tribute that was personal to her and showcased her voice and the fact that she needs no dancers and band to back her.
For some of her fans, or “Little Monsters” as she calls them, it’s a life changing experience to attend her concerts and a pilgrimage to be done over and over again. As the show draws to a close letters and cards are hurled on the stage by those close enough to get theirs to land at her feet. The dancers collect the items and Gaga reaches down for one to open and read out to all. It’s a long eloquent letter but she reads the entire thing. It speaks of how this one person’s life was changed by years of attending her shows and friends made in the process. She asks an eager face in the audience if that was his letter, he nods. Gaga goes down in the audience and gives him a kiss and a hug before returning to the stage. She’s a class act.
Gaga strolled the length of the bridges to go from stage to stage out to her grand piano for encore song “Million Reasons.”
This was the most elaborate concert I’ve seen. When she is 45 and touring sure maybe it will be a toned down version of this, but make no mistake she has the voice and star quality to carry her for many decades. But, for now I am glad she puts on the show all will remember. This afterall is what Lady Gaga is known for, her over the top shows and dancers bouncing across the stage with her in perfectly choreographed unison.
A show everyone should see at least once.
Review by Donna Erichsen
Photos courtesy of Getty Images for Live Nation/Kevin Mazur
Come to Mama
The Edge of Glory (Piano Acoustic)
Born This Way
Dancin’ In Circles
(Contains elements of “Paparazzi”.)
Joanne (guitar acoustic)
The Garde Arts Center outdid themselves with this concert. Although they have hosted many great shows, this show was spectacular.
Growing up as a child of the sixties one the voices in the soundtrack of my youth would have to be David Crosby. He and his counterparts were a representation of the era and the outspoken cry for justice and political change in America. To see him now as an adult completes a cycle of decades of changes. Changes in age, political climate, people. Crosby has accepted those changes and evolved into a still relevant voice in American music. Though the Vietnam war is long over we are still embroiled in ever present political strife as much now as ever.
Crosby, never one to shy away from his political stance still speaks for peace and love. He has an opinion on what is right and what is wrong in America and what we as American’s allow to happen in our society.
This was such a memorable concert on many levels. To hear Crosby play his older tunes was one but also to hear his musical evolution brought it to another level. He has for almost the last two decades enjoyed playing with one of his sons. James Raymond, Crosby’s son, is the keyboard player in the band and also co-author of many of Crosby’s newer works. They have worked together since forming the band CPR (Crosby, Pevar & Raymond) with Jeff Pevar on lead guitar in 1996.
Crosby gathered together some friends to tour with him, Truly talented friends they are. As Crosby stated during the concert each band player is an accomplished musician on their own and have had their own bands. The friends are James Raymond (keyboards/vocals), Jeff Pevar (guitar/vocals), Michelle Willis (keyboards/vocals), Mai Agan (bass) and Steve DiStanislao (drums/vocals).
Starting off his career with The Byrds, then on to Crosby, Stills, Nash. Continuing with the addition of Neil Young for a time. Crosby was inducted into the Rock And Roll Hall Of Fame and inducted twice for his works with the Byrds and CSN, and he was a founding member of both bands.
Crosby released his first solo album, If Only I Could Remember My Name, in 1971 and his solo career is still going strong to this day. This past October he released Lighthouse. His newest release “Sky Trails” was available for the concert patrons to purchase only at the venues on concert nights.
There were the obligatory Crosby, Stills and Nash songs. Along with each song though there was a short explanation of where that song belonged in his life. The reasons for writing them and where his mind was at the time and who among the greats of 60’s rock he was associating with during the writing and performing of those songs.
Crosby said that all his life when he had an emotion he squashed but felt he needed to air he would air it by writing a song about it. “In My Dreams,” was the opening song of the evening. Followed by a song he wrote about Jim Morrison. The Crosby, Stills & Nash song “Long Time Coming” finished up the first set and the band took a short intermission.
After the intermission they returned to the stage and went right into a CPR song “Map To Buried Treasure” They played a Crosby & Nash song “Homeward Through The Haze” and then “Angel Dream.”
Jeff Benedict, prize winning author and native of New London, CT, who wrote the book “Little Pink House.” “Little Pink House” is a story of one woman’s fight to keep her house which was being taken by the law of eminent domain. It tells of how large corporations or governments can remove a person’s right to live in a home they purchased and call home simply because it is in the way of development. The Garde Arts Center concert was important because the fight the book and film were based upon is the case that took place in New London.
The book was made into a movie and while searching for inspired music for the movie Benedict thought of asking long time friend Crosby. Crosby an opponent of taking of homes for eminent domain of course agreed and wrote the song “Home Free” Jeff Benedict invited Crosby to play at the Garde Arts Center and the song was performed live for the first time ever at this concert.
They finished up with a rousing version of the CSNY hit “Déjà vu.” The encore to follow was full of patriotism and a great rendition of “My Country ‘Tis Of Thee”
At 75 years young David Crosby sounded fantastic as did his friends. Their voices filled the theater with such wonderful harmonies. Crosby’s vocals were so strong all we can hope for is that he continues to play for many years to come. Hopefully he will also do a encore performance at The Garde Arts Center in the near future. If he does I am sure the house will be full of eager patrons waiting to hear his beautiful music.
In My Dreams
She’s Got To Be
At The Edge
Long Time Gone
Map To Buried Treasure
What Are Their Names
Low Down Payment
Grand Theater at Foxwoods, Mashantucket, CT
April 28, 2017
Steve Winwood has a career that spans decades. He started as a member of The Spencer Davis Group at age 14 in England. He went on from there to Traffic, and then to Blind Faith one of the first super rock bands. Once leaving those bands and embarking on his successful solo career he has carried on through time with hits of his own. It is great to see such an iconic legend of an era still out there touring.
Winwood was inducted into the Rock and Roll Hall of Fame as a member of Traffic in 2004 and won two Grammy awards. He was nominated twice for the Brit Award for Best British Male Artist: 1988 and 1989.
The evening started out with Winwood on the mandolin as he and the band played his well know hit “Back in the High Life Again.” He was accompanied by Richard Bailey on Drums, José Neto on Guitar, Edwin Sanz on Percussion, and Paul Booth on Saxophone.
Then they rolled into “Pearly Queen” and then “I’m a Man” from his Spencer Davis Group days. They followed that with “Fly” off his Nine Lives Album.
“Higher Love” was one of his US Billboard Hot 100 number ones that they played. Though Windwood does not speak to the audience too much while performing he was clearly happy to have his daughter Lilly Winwood come on stage and accompany him in singing “Higher Love” as well as on “Gimme Some Lovin’ ” during the encore.
The first encore song was the ever popular “Mr. Fantasy.” Always one of the audience favorites and a must play at any Steve Winwood concert.
The song list was not lengthy, but there were some great solos by each of the band members. It had the feel of an earlier time at concerts when bands would jam on longer during live performances.
Winwood’s voice still sounds as good as ever. I last saw him 11 years ago and he has not lost a bit of his edge. I would recommend this concert to anyone wanting to hear great music spanning 4 decades. I only wish there was enough time in one concert to cover his many songs and styles of singing.
It was also refreshing to see Winwood’s daughter, Lilly Winwood open for him. She played an acoustic set of cuts from her newly released debut EP titled “Silver Stage.” Her voice was soulful, beautiful and wise beyond her years.
Back in the High Life Again
Pearly Queen (Traffic)
I’m a Man (The Spencer Davis Group)
Them Changes (Buddy Miles cover)
Can’t Find My Way Home (Blind Faith)
Had to Cry Today (Blind Faith)
The Low Spark of High Heeled Boys (Traffic)
Empty Pages (Traffic)
Light Up or Leave Me Alone (Traffic)
Higher Love (with Lilly Winwood on vocals)
Dear Mr. Fantasy (Traffic)
Gimme Some Lovin’ (The Spencer Davis Group)
(with Lilly Winwood on vocals)
To those who are Jimmy Buffett fans or Parrotheads, and even to those who are not, a Jimmy Buffett and the Coral Reefer Band concert is a once in a lifetime thing not to be missed. They are not just concerts. It is an event.
Most concerts begin at about 8 pm. Not a Buffett event. It starts as soon as the officials open the gates, usually about 11am on the day of the concert. The Parrotheads flood in with their cars sporting fins on the roofs and “Buffett or Bust” and “Follow us to Margaritaville” signs smeared on windows. You can spot them coming with their Hawaiian shirts, leis, coconuts and every array of parrot hued outfits and hats that could be imagined in a tropical bird and cheeseburger filled caribbean dream. The pop-up tents, grills, blenders, and inflatable palm trees and other inflatable items decorate each tailgate space with individual ideas of island paradise in a parking lot. Buffett music wafts through the lots and a sea of Parrotheads and Pirates float around the crowd, or island to island, enjoying the company and cheeseburgers of neighbors washed down with an assortment of inventive and tropical drinks.
When the venue opened at about 7 in the evening the party was in full swing. This no small party by any means. The Xfinity center holds about 19,900 people so you get the idea of how many grass skirt wearing wahines were mingling with the land sharks, some who were also wearing coconuts, throughout the day. If you are going to take in a Jimmy Buffett concert make sure to arrive early and enjoy the pre show in the parking lot. It’s a friendly crowd just wanting to unwind and live for an afternoon on island time.
The Xfinity Center in Mansfield, MA or as it is still fondly know as “Great Woods” is a New England Parrothead staple festival. It draws fans who have come there for so long they have brought their children and now their children’s children, called “Parakeets” for their introductions to the Parrothead life.
Now on to the concert itself. The Jimmy Buffett and the Coral Reefer Band part of it. Buffett and eleven top notch musicians and singers who make up the Coral Reefer Band took the stage and the crowd went wild. The conch shell horn sounded the beginning. Buffet led in with “SummerZcool”. The audience was on their feet singing along as he went right into “We Are The People Our Parents Warned Us About”. Beach balls flew across the crowd with a few landing on the stage and kicked about by the barefooted Buffett. I don’t think many ever sat down for the rest of the concert.
Buffett played “Grapefruit – Juicy Fruit” followed by “Son of a Sailor” with beautifully sung solo by Nadirah Shakoor. These songs are played so often the whole band could probably do them in their sleep and still pull it off perfectly. Buffett then changed the tone to a more bluegrass style and they brought out the mandolin and accordion for “Gypsies in the Palace” which then led into the “Take It Easy” cover in tribute to the late Glenn Frey of the Eagles.
Mac McAnally took over Alan Jackson’s part in the duet of the cover of Jackson’s “It’s Five O’Clock Somewhere”. They then slowed things down a bit for “Come Monday” and “Meet Me in Memphis”. Bass player Jim Mayer took the lead on “I Don’t Know and I Don’t Care” with the chorus of “Spicoli’s Theme” added in from the song Buffett wrote for the movie Fast Times at Ridgemont High.
At the opening note of “Fins” played by Michael Utley on the keyboard the audience immediately threw their arms over their heads to create fins. Buffett led the audience pointing their fins to the left and fins to the right. He laughed with the crowd and did his own land shark bites from the stage. You would never tell he is turning 70 years old this year. He seemed to draw from some fountain of youth he has found as he bounced barefoot across the stage.
They did an a acoustic version of the song “Delaney Talks to Statues”, the Margaritaville Door Number Three pick of the week. The Door Number Three pick is an opportunity for the fans on the Margaritaville website to choose a song they would like performed live from list of songs that aren’t performed on a regular basis. He does it to change things up because with 27 albums there are always songs many want to see performed. This gives Buffet a chance to showcase the most popular requests.
Of course no Buffett concert is not complete without the standards “Margaritaville”, “Changes in Latitudes” and “Cheeseburger in Paradise”, all on the must play list or the evening would not feel complete.
The crowd roared as Buffett and the Coral Reefers returned to the stage for the encore with Van Morrison’s “Brown Eyed Girl” and then “One Particular Harbor” The evening ended with a solo acoustic version of “Last Mango In Paris”.
The entire day was fantastic. They put on a great show with contagious enthusiasm. It was a perfect evening for a summertime island getaway. I would definitely go again.
Review by Donna Erichsen
Photos by George Bekris
We Are the People Our Parents Warned Us About
Son of a Son of a Sailor
It’s Five O’Clock Somewhere (Alan Jackson cover)
Meet Me in Memphis
Love and Luck
I Don’t Know and I Don’t Care
I Don’t Know (Spicoli’s Theme)
(Only the chorus lyrics are sung)
Quietly Making Noise
Delaney Talks to Statues
Gypsies in the Palace
Take It Easy (Eagles cover)
Changes in Latitudes, Changes in Attitudes
Jolly Mon Sing
Cheeseburger in Paradise
A Pirate Looks at Forty
Southern Cross (Crosby, Stills & Nash cover)
Brown Eyed Girl (Van Morrison cover)
One Particular Harbour
Last Mango in Paris
Lita Ford played the Mohegan Sun’s Wolf Den wearing a stunning red leather suit with her long blonde hair flying as she strutted the stage with her band to bring her brand of 80’s rock music back with a vengeance. One of the guitar queens of the eighties Lita and her band played to a full house plus the extra crowd that spilled out to the casino floor outside on Friday, Nov. 27, 2015. Many fans waited for hours to gain entrance to the concert. Those that didn’t get a seat circled the outside of the Den to take it in standing.
Ford started as a sixteen year old lead guitarist for the all-female rock band The Runaways in the late 70’s. After a short stint and rough breakup with the band she embarked on a long solo career. At 57 Ford is still out on tour rocking crowds 40 years into her career. LIta Ford still has staying power and proved she can still fill the seats.
Lita lead off with “Larger Than Live”, followed by “Relentless”. The warmed up crowded then rocked among to Ford’s rendition of Elton John’s “The Bitch Is Back”. They continued with many of her best known songs.
The song “Can’t Catch Me” included drummer Bobby Rocks in an exceptionally fun and interesting drum solo. He beat on the drums shirtless and focused finishing with a flair and with his forehead. I have never seen head banging taken to that extreme. Evidentially, many others had not either and he wowed the crowd.
Patrick Kennison on guitar did a great job filling in for Ozzy Osborne’s part on the hit “Close My Eyes Forever”. The song was probably Ford’s most critically acclaimed hit when she performed it as a duet with Osborne on the self titled “Lita” album.
They performed “Devil in My Head” which let Marty O’Brien on bass shine with its heavy bass and drum beats. Then crowd helped out by singing along on the well known song Ch..Ch..Ch…”Cherry Bomb”.
“Kiss me Deadly” was the final song and there was no encore, but much to the fans’ delight Lita graciously held a meet and greet and signed photos for almost an hour after the show.
Review by Donna Erichsen
Photos by George Bekris
Larger Than Life
The Bitch Is Back
Falling In and Out of Love
Gotta Let Go Back to the Cave
Devil in My Head
Can’t Catch Me
Out for Blood
Close My Eyes Forever
Kiss Me Deadly
Ian Anderson’s Jethro Tull: The Rock Opera is not just another concert. It’s the story of Jethro Tull, an 18th Century agriculturist, as seen through Ian Anderson’s eyes and imagination. The whole concept of a rock opera is not often done, but when pulled off right it’s a night not to be missed. Ian Anderson has spent decades fluting his way around the stage as one of the most recognizable front men in rock. Who else is instantly associated with standing on one leg, like the Pied Piper of rock, with flute in hand? His opera consists of many songs we are familiar with mixed with 5 new songs and narration from the projected video of virtual guests on the back screen to tell the story of Jethro Tull. It was an entertaining mix of the English countryside, fields of grain, and other interesting imagery along with wailing guitar and Anderson owning the stage.
Most of the band members were considerably younger than Anderson’s age of 68, but you didn’t notice the gap as he cavorts about the stage shifting from flute to mandolin and on to harmonica. They played 2 sets with a short intermission and it was pure energy the entire time. After many years of singing Anderson’s voice is a bit raspier, but he hasn’t lost his bounce or swagger.
The stage band consisted of John O’Hara on keyboard, Florian Opahle, who played particularly well on lead guitar, Grieg Robinson on bass and Scott Hammond on drums. The virtual guests were Unmur Birna Björnsdóttir playing Tull’s wife. She added clean and frankly beautiful note to production as her voice pierced the theater and took it that next level. The virtual young Tull was played by Ryan O’Donnell, who also used to tour with Anderson a couple of years ago.
They started off with “Heavy Horses”, followed by “Wind-up”. Then came “Aqualung” with cheers from the crowd for Florian’s guitar playing on that oh so familiar song. “With You There to Help Me” and “Back to the Family” were next. “Farm on the Freeway” was backed by scenes of farmland being pushed out by loaded freeways clogged with streams of cars. Anderson new song “Prosperous Pasture” was followed by the heavy beats of “Fruits of Frankenfield”. He then ended set one with the well know and more folkish “Songs From the Wood ”
The band resumed the opera with set two and “And the World Feeds Me” and ” Living in the Past” always well received. Next came “Jack-in-the-Green” and “The Witch’s Promise”. The set continued with new songs “Weathercock” and “Stick, Twist, Bust”, which was a new song . Anderson and the band followed with “Cheap Day Return”, “A New Day Yesterday” and “The Turnstile Gate” another of his new tunes.
It only took the first few notes of the closing set and opera song on the keyboard by John O’Hara for the audience to know “Locomotive Breath” was coming down the track and many rose from their seats singing along to the steady pounding beat and “No way to slow down”.
The final song and encore of the evening was “Requiem and Fugue”.
Well done and very entertaining night. If you get a chance to take it in don’t hesitate, even if you have seen Anderson perform many times. This rock opera rounds out a long career wonderfully.
Review by Donna Erichsen
Photos by George Bekris
Set list :
With You There to Help Me
Back to the Family
Farm on the Freeway
Prosperous Pasture Anderson
Fruits of Frankenfield Anderson
Songs From the Wood
And the World Feeds Me
Living in the Past
The Witch’s Promise
Stick, Twist, Bust
Cheap Day Return
A New Day Yesterday
The Turnstile Gate
Requiem and Fugue
(with Bourée snippet)
Joe Walsh has a reputation of putting on a consistently enjoyable concert and this was no exception. On October 16th at the Mohegan Sun Arena he treated the audience to a great show. The 67 year old is not only former member of the James Gang and Eagles, Walsh also has a number of songs written and performed in his long running solo career. This concert was a sampling of his many great and enduring songs. The only drawback is that he has so many songs in his bag of tricks there is no way we could hear them all in one concert.
Walsh was joined by one of his Barnstorm keyboardists and drummer Joe Vitale. He was also accompained by Gannin Arnold on guitar, Larry Young on bass, Jason Freeze on keyboards and ssaxaphone, Clayton James on synthisizer keyboards and Drew Hester on drums. Melanie Taylor, Windy Wagner and Connie Jackson rounded out the band with their back-up vocals.
Walsh sang “Walk Away”, “The Bomber” and a whimsical take on “Funk #49” with a midsong inclusion of lines from “Funk #50” off his solo album “Analog Man”, all sounded great. Along with “Turn To Stone” from his first solo album “Barnstorm” in 1974 he had the audience entranced in the moment. He used various guitars through out the show, so the sounds were consistently changing .
The encore started with I.L.B.T’s “I Like Big Tits”, a Breast Cancer awareness song, which was a hit with the crowd. Joe brought up the importance of this topic with the fact that his wife is a Breast Cancer survivor. He brought the message home in a positive way. Walsh then finished with ” Rocky Mountain Way”, always a favorite.
All in all a great concert and Joe Walsh never fails to put on a fun show. We’ll be seeing him next time as well.
Review by Donna Erichsen
Photos by George Bekris
A Life of Illusion
Over and Over
In the City
Pretty Maids All in a Row
Turn to Stone
The Bomber: Closet Queen/Bolero/Cast Your Fate to the Wind
Life’s Been Good
I.L.B.T.s (for breast cancer awareness month)
Rocky Mountain Way