Jethro Tull – Ian Anderson

Ian Anderson Presents: Jethro Tull — 50th Anniversary Tour

Ian Anderson Presents: Jethro Tull 50th Anniversary Tour

Toyota Oakdale Theater – Wallingford, CT
September 12, 2018

Ian Anderson brought his band to the Oakdale Theater on September 12th to celebrate the 50th Anniversary of Jethro Tull.
The 70 year old Anderson proclaimed his surprise that the years had flown by so quickly. Even at this age he is still fit on his feet and cavorted the stage with his signature foot raised moves while playing the flute.
It was 1968 at the Marquee Club in that Jethro Tull launched itself into history with the progressive sound and being the only band with a flutist frontman. Anderson is not only adept with flute but also on harmonica as well as singing lead for the band.
Ian Anderson was joined onstage by Jethro Tull band musicians David Goodier on bass , Florian Opahle on guitar, John O’Hara on keyboards and Scott Hammond on drums.
They divided the show into two sets with a short intermission. The first set was the early years of the bands cuts and started of with “My Sunday Feeling” off the album “This Was” from 1968. They progressed through songs of the early years and cuts off albums that were released into the 70’s.
The show had a backing of video from concerts back in the 60’s and early 70’s behind the band. There were also small clips from former band members and notable fans of Jethro Tull played between songs. Notably though that with all of the clips praising Anderson and the band there was not a clip from Martin Barre. He was perhaps the most well know member by the public and fans next to Ian Anderson. Barre contributed much to the band and its legacy and it was too bad he was not a part of this 50th year recognition.
There were clips from Steve Harris of Iron Maiden and Def Leppard’s Joe Elliott. Even Joe Bonamassa who recorded the song “A New Day Yesterday” on his debut studio album in 2000 joined in to wish the band well in the 50th year.
With the intro to “My God” off the 1971 “Aqualung” album Anderson stated that he was criticized and called blasphemous when performing the song in the deep south bible belt. He reasoned the song was misunderstood and it was not his intent.
The second set included ironically the song “Too Old to Rock ‘n’ Roll, Too Young to Die,” which at the time written was comical and seemed to make fun of old rockers. It drew laughter from the audience, many who have followed Jethro Tull’s music since the early days.
As most bands do they saved the biggest hits for last and had the audience cheering when they started the always looked for “Aqualung.” The animated Anderson was still full of energy and finished off on a great note.
The encore was “Locomotive Breath” and the crowd was not dissapointed as the band chugged into the night and the crowd was the all time winner. There were a couple of songs I would have liked for them to have included that they didn’t such as “Bungle in the Jungle” and “Living in the Past,” but with their large collection to select from they can’t all always be played in a couple of hours. Maybe next time.
Anderson still has boundless energy and stage presence throughout the show.  Like all of the 60’s bands each year of touring is a gift. Still on their game and a great concert to see if you get the chance.
http://jethrotull.com
Review by Donna Erichsen
Photos by George Bekris
Set 1:
My Sunday Feeling
Love Story
A Song for Jeffrey
Some Day the Sun Won’t Shine for You
Dharma for One
A New Day Yesterday
Bourrée in E minor
My God
Thick as a Brick
Set 2:
A Passion Play
Too Old to Rock ‘n’ Roll, Too Young to Die
Songs From the Wood
Ring Out, Solstice Bells
Heavy Horses
Pastime With Good Company (King Henry VIII of England cover)
Farm on the Freeway
Aqualung
Encore:
Locomotive Breath

 

 

Kenny Wayne Shepherd Band – College Street Music Hall – New Haven, CT – July 25, 2018

Kenny Wayne Shepherd Band

College Street Music Hall – New Haven, CT – July 25, 2018

The Kenny Wayne Shepherd Band rocked the College Street music hall as the second half of a night of great music that was shared with Beth Hart who performed first and also had a fanastic set. The two bands paired up in one night was outstanding.
Kenny Wayne Shepherd and Noah Hunt, who have written and recorded together for over 20 years, were completely in sync and gave the crowd a blazing set of blues twinged rock. With Shepherd on guitar and the occasional vocal he shared the stage with Hunt who sang the majority of the songs. Being together for so long they have their stage presence down to a science. Hunt sings and then steps back and Shepherd takes over with sizzling guitar solos and then Hunt steps in with the rest of the vocal. It’s a mix that completely works.
Shepherd who got his desire for the guitar from listening to greats like Stevie Ray Vaughn at a young age is now one of the best blues guitarists out there. He shreds his guitar and takes the audience on the trip with him. His hands move so adeptly and quickly note to note some of the time it’s hard to take it in how fast he moves, but it sounds fantastic. One of his guitars was so well used there is hardly any finish left on the front.
Kenny Wayne Shepherd holds the record for the longest-running album on the Billboard Blues Charts. Shepherd captivated the audience with his fast and mesmerizing blues/rock licks.
Known for his 1995 is release of his Platinum winning “Ledbetter Heights” which he recorded at the young age of 18. He and the band performed songs from that album that went back to his roots.
The Kenny Wayne Shepherd Band, consisting of Kenny Waye Shepherd – lead guitar and vocals, Noah Hunt – vocals, Kevin McCormick – bass, Chris Layton – drums and Joe Krown – keyboards.
If your a fan of blues guitar or just plain great guitar playing The Kenny Wayne Shepherd Band is definitely one band to see. They sounded great and had the house on their feet more than once. If you haven’t seen them yet they are on the must see list.
https://www.kennywayneshepherd.net
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Never Lookin’ Back
Ride of Your Life
True Lies
The House Is Rockin’ (Stevie Ray Vaughan cover)
Hard Lesson Learned
Baby Got Gone
Down for Love
Heat of the Sun
Talk to Me Baby (Elmore James cover)
Deja Voodoo
Born With a Broken Heart
Diamonds & Gold
You Done Lost Your Good Thing Now (B.B. King cover)
Encore:
Blue on Black
Voodoo Child

Jessie Colin Young Band – Katharine Hepburn Cultural Arts Center – August 2, 2018

Jesse Colin Young

 Katharine Hepburn Cultural Arts Center
August 2, 2018

Jesse Colin Young and his band of young performers including his son gave the Katharine Hepburn Cultural Arts Center aka “The Kate” audience a wonderful performance. The sold out theater was welcoming of the group and the beautifully intimate venue with only 250 seats lends itself to a warm interaction of audience and performers.
Young is one of those artists from the 60’s era of music who had two choices. One is to go out and tour resting on the laurels of well known often performed hits that many audiences come to expect. The second option, which is the one Young has chosen, is to surround yourself with a young band with fresh ideas and expectations. When that option is chosen the opportunities for new sounds and updated concerts are endless.
He chose an option allowing him to get creative and write new songs that include the sounds of his eight member band. The songs he now pens include compositions with music for the regular guitar, bass and acoustic guitar along with saxophone and backup singers. His songs now have a wider range and vision. An added bonus is that his voice sounds better than ever and he hit the highest hardest to reach notes with ease and clarity and a new breath of life.
There are those in the audience who will always request and expect the older standards that Young is known for in his past. He obliges them with a few of those but doesn’t fill the entire show with older songs. He showcases his new songs to a receptive audience and judging by the reaction of the crowd he is successful at this arrangement.
The concert is separated into two acts. The first act was Young onstage solo with an acoustic guitar for five songs. After a short intermission he returns with the full band and they pump up the tempo and the sound.
His band consists of Jesse Colin Young – Lead Vocals and Acoustic Guitar, Virginia Garcia Alves – Backup Vocals, Sally Stempler – Backup Vocals, Aleif Hamdan – Lead Guitar, Jack Sheehan – Saxophone, Tristan Young – Bass, Jenn Hwan Wong – Keyboard and Donnie Hogue – Drums.
They have a  new coming out on BMG on November 6th and it’s called DREAMERS. It was recorded in Nashville TN in March at Sound Emporium Studio A and Oceanway Studios and produced by Colin Linden. The release will be on election day of all days. Kind of an ironic date considering he was first singing and playing during the turbulent times of the Vietnam War with all of the protests and political involvement by the young men and women. Many of those of that age who his audience in the 60’s still are today. But, politics are ever present and times they are always changing and it happens the release comes at a time when there is another intense focus on government and politics. Coincidence? Planned that way? Who knows but it memorable day for an album release nonetheless.
The Jessie Colin Young Band has been performing together for a couple of years now and what started out as a fledgeling group joining the more experienced Young has now gotten their feet firmly on the ground. They put on a solid and very entertaining show and their abilities shined clearly in every song. Though Young is the leader of the band the entire ensemble has gained so much confidence since I last saw them and it clearly shows. I would see this band again without hesitation. If you get the chance do take in Jessie Colin Young live do so you will be happy you did.
http://www.jessecolinyoung.com
Review by Donna Erichsen
Photos by George Bekris
JCY Solo Setlist:
Sugarbabe
Songbird
Four in the Morning
Lyme Life- new song
Sunlight
JCY Band Setlist:
Ridgetop
Ride The Wind
Here Comes The Night – New song
Walk The Talk – New song
Cast A Stone – New song
What’s Goin’ On/Mercy Me
For My Sisters – New song
Before You Came
Sanctuary
Darkness, Darkness
Lightshine
Get Together

ENCORE-

T-Bone Shuffle

Beth Hart – College Street Music Hall – New Haven, CT – July 25, 2018

Beth Hart

College Street Music Hall
New Haven, CT
July 25, 2018

The College Street Music Hall outdid themselves when they invited in an amazing duo of acts. Beth Hart and Kenny Wayne Shepherd gave the audience a memorable night of the blues and fantastic guitar that meshed perfectly on the same night.
Beth Hart opened the night up with her solid blues number “Tell Her You Belong To Me.” This is my second time seeing Hart and she gets better each time. This theater an intimate venue seating only two thousand people and she said her and the band loved it and felt so relaxed there. which was obvious by her comfortable banter with the audience.
The band accompanying Hart was Bill Ransom on drums, Bob Marinelli on bass, and her guitarist of 20 years, Jon Nichols all gave an excellent performance.
There are many female singers out there but I can honestly say Hart is my favorite. She fills each song with such feeling it’s palpable. Hart has the audience’s complete attention and gives her all with each song and it clearly shows. Many of her songs reflect a time in her life and some struggle she has lived through and come out the other side stronger. Both a talented singer and songwriter her feelings are conveyed in every song.
At one point she wanted to come down into the audience and sing but there was no way off the stage into the crowd so instead she sat on a box at the far end of the stage and sang. It didn’t matter where she was the audience soaked in every note.
When Hart performed the Memphis Minnie & Kansas Joe McCoy song “Why Don’t You Do Right?” the song could as easily have been coming from a singer at a smoky club post WWII. She has such a dynamic voice that’s timeless and was made for the blues.
This Beth Hart concert is the best show I’ve seen this year. She is just as comfortable strutting across the stage belting out down and out blues as she is sitting at the piano singing a ballad to her mother brimming with emotion. She fills each song with such raw emotion and connects so easily with the audience. The audience showed their appreciation for her talent as they stood up more than once during the night and gave her a standing ovation. Hart is so genuinely appreciative and beamed at the applause.
The band really amped it up and proved their their versatility with the encore of Led Zeppelin’s “Whole Lotta Love.” The audience was clapping and cheering the entire band as Hart’s set ended with a bang. Hart is not just a blues star she is a full fledged rock star.

If you get the chance to see Beth Hart absolutely do it, you will not regret it. She is a truly genuine talent and so very down to earth with her well earned fame. If there is one concert to see this year make it Beth Hart.

http://www.bethhart.com

Review by Donna Erichsen
Photos by George Bekris
Setlist:
Tell Her You Belong to Me
Monkey Back
If I Tell You I Love You (Melody Gardot cover)
Baby Shot Me Down
Delicious Surprise
House of Sin
Spiders in My Bed
Love Is a Lie
Lay Your Hands on Me
I’ll Take Care of You (Bobby “Blue” Bland cover)
Why Don’t You Do Right? (Memphis Minnie & Kansas Joe McCoy cover)
Waterfalls
Take It Easy on Me
Mama This One’s for You
Leave the Light On
Encore:
Whole Lotta Love (Led Zeppelin cover)

 

 

“Yes” Grand Theater at Foxwoods July 13, 2018

Yes

Grand Theater at Foxwoods
July 13, 2018

There are two Yes bands touring and this version of Yes consists of original band members guitarist Steve Howe and drummer Alan White. It’s the 50th anniversay tour for the band, and they are still at it with their progressice rock sound. Many of the bands members have come and gone over the years but the sound remains the same.

The lead singer is Jon Davison who, though not on original member, recreates the Yes sound wonderfully as he breezes through all the songs without hesitation. He has the ability to hit those high notes with ease. Davison does a great job in a hard to fill positon in the band.

Geoff Downes was was on keyboards and synthesizer pulling out the well known synthized sound on many of the songs. The group in it’s hayday was one of the first progressive rock bands using the keyboards and guitar grouped with the synthesizer to produce a psychedeilic mix of sound with a classical twist.
Original Yes keyboardist and founding member Tony Kaye was a special guest for the last 2 numbers. Kaye helped form the group with Chris Squire, Jon Anderson, Bill Bruford and Peter Banks.

It was a filled theater with mostly those who remember the band from their early days. There were some of younger generations as well who admire the bands unique sound. It was nostalgic for many as they sat back and enjoyed the show.
Roundabout and Starship Trooper finished out the night to cheers and applause from the audience.
It was a shorter than usual concert. It’s my understanding that at some venues they played two sets. This show they played one set and an encore.
The band was great and hasn’t lost anything over the years and the crowd thoroughly enjoyed themselves.

 

http://yesworld.com/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Close to the Edge
Nine Voices (Longwalker)
Parallels
Sweet Dreams
Soon
Awaken (with Alan White)
Yours Is No Disgrace (with Tony Kaye and Alan White)
Roundabout (with Tony Kaye and Alan White)
Encore:
Starship Trooper (with Tony Kaye and Alan White)

 

 

 

ROGER DALTREY PERFORMS THE WHO’S ‘TOMMY’ WITH THE BOSTON POPS

ROGER DALTREY PERFORMS THE WHO’S ‘TOMMY’

WITH MEMBERS OF THE WHO AND THE BOSTON POPS
Koussevitzky Music Shed at Tanglewood, Lenox, MA
June 15, 2018

Rock legend Roger Daltrey accompanied by members of The Who and the Boston Pops Orchestra put on the complete performance of The Who’s 1969 rock opera “Tommy” at the Tanglewood Koussevitzky Music Shed in Lenox, MA.
Pete Townshend is taking a year off but Daltrey said he just did not want to do that. He said performing kept his voice from suffering and that too much time off and his voice would not be the same. But holding onto the familiar sound of Townshend during the vocals was Simon Townshend, Pete Townshend’s brother. Besides sounding amazingly like Pete he plays with the group and this night he sang some of the lyrics Pete would normally deliver, but Daltrey took on most of the wide array of characters in the opera.
The rest of the band consisted of Frank Simes on guitar, Scott Devour on drums and Jon Button on bass.
This performance kicked off the 2018 summer season at Tanglewood and also the celebration of the 100th anniversary of Leonard Bernstein’s birth. It’s also the 50th anniversary of the launching of the rock opera “Tommy.”
Tanglewood, the summer home of the Boston Symphony Orchestra will be celebrating Bernstein starting with this edition of “Tommy.”  Surprisingly Bernstein was a great supporter of this rock opera. I found this out at the performance during a conversation with David Knowle Edwards a writer for the Berkshire Edge.
Here is some background courtesy of Edwards. “Following a performance of “Tommy” at the Fillmore East in 1969, the Who’s lead guitarist and songwriter, Pete Townshend, received Leonard Bernstein’s effusive praise in person, straight from the maestro’s mouth:”
“Leonard Bernstein came with his daughter,” recalls Townshend (in various published interviews). “And he was incredibly excited. He grabbed me by the shoulder, shook me and said, ‘Pete! Do you realize what you’ve done?’ He was so passionate! … Of course, what he was talking about was that I was going the next step in what he had done with ‘West Side Story,’ which was creating a popular song cycle, a musical that was really rooted in street culture.”
The Boston Pops with conductor Keith Levenson joined Roger Daltrey to give the audience a fantastic night of music and even some of his famous microphone twirling. Daltrey’s voice was strong and he gave the audience an energetic and enthusiastic performance. The crowd was on their feet throughout the final few numbers showing their appreciation for the band and the Boston Pops with a long standing ovation.
The audience never took their seats as “Tommy” concluded. The encore songs were “Who Are You” and “Baba O’Riley.” During “Baba O’Riley” Katie Jacoby, a violin soloist, took center stage and gave a rousing ending to the song that had the entire crowd cheering.
Daltrey then ended the night with “Always Heading Home” off his newest album release “As Long As I Have You.” This release is Daltrey’s first solo album in 25 years and he is completely happy with the finished product.
Proceeds from the night’s sales of Daltrey’s new CD “As Long As I Have You” went to benefit the Teenage Cancer Trust. Also, one dollar from every ticket sold on The Who’s current North American Tour is being donated to Teen Cancer America. A project Daltrey is very much involved in and raises money for the charity whenever possible.
This was a historic concert that won’t be forgotten. Daltrey’s voice was strong and the band excellent. The addition of the magnificent playing from the Boston Pops made for a magical night. If you get the chance to catch this show don’t hesitate. It’s not a combination that will happen often if ever again. Different venues will have other orchestras backing Daltrey but if they perform anywhere near as well as the Boston Pops it is well worth seeing. This was a perfect pairing of talents on a beautiful summer night.
https://www.thewho.com/
https://www.bso.org/
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Overture
It’s a Boy
1921
Amazing Journey
Sparks
The Hawker (Eyesight to the Blind)
Christmas
Cousin Kevin
The Acid Queen
Do You Think It’s Alright?
Fiddle About
Pinball Wizard
There’s a Doctor I’ve Found
Go to the Mirror!
Tommy Can You Hear Me?
Smash the Mirror
I’m Free
Miracle Cure
Sensation
Sally Simpson
I’m Free
Welcome
Tommy’s Holiday Camp
We’re Not Gonna Take It
See Me, Feel Me/Listening To You
Encore:
Who Are You
Baba O’Riley
Always Heading Home

 

Greenwich Concours d’Elegance – Greenwich, CT -June 2-3, 2018

Greenwich Concours d’Elegance
Greenwich, CT
June 2-3, 2018

Greenwich Connecticut was buzzing with activity this weekend with the 2018 Greenwich Concours d’Elegance. The annual event draws attendees from all over the world for a glimpse of some of the rarest of the rare in the automotive industry and is a Northeastern USA must see for many automobile aficionados and collectors.
The 2018 Greenwich Concours d’Elegance Best of Show winners!

International Best of Show Sport was the 1957 Ferrari 335 Sport Spider Scaglietti of Scuderia N.E.

International Best of Show Elegance was the 1935 SS1 Tourer belonging to Colin Seid and Richard Annis.

American Best of Show Elegance was the 1934 Packard Convertible Victoria of Judge Joseph & Margie Cassini, III.
Saturday was the Concours Americana featuring domestic autos and motorcycles. Warm and sunny skies made a perfect day for the crowds of admirers to enjoy the various vintage auto and motorcycles. Saturday included a ring of American and Foreign modern supercars.
Sunday was the International Concours with rings full of Jaguars, Ferraris, Bentleys, MG’s, Triumphs and numerous other makes and models. There was something for every taste.
It was a beautiful weekend for a rare gathering of Briggs Cunningham automobiles highlighted at this year’s Greenwich Concours. It was an amazing feat to gather so many of the autos in one place for the show. There were 37 original Briggs Cunningham autos produced. Out of the 37 that were made there are now only 35 survivors. The owners of the 35 survivors were invited by the Greenwich Concours officials and 33 of those attended the event. I don’t think this milestone will be repeated anytime soon.
For instance one couple Larry and Jan Pfitzenmaier  brought their Cunningham C-4R 2,500 miles from Arizona not sure if the weather would cooperate but taking the chance anyway in order to attend this largest gathering of Cunninghams. Theirs is the last of the 4 continuation C-4Rs completed. It served as the test mule for the other 3. The original 331 Hemi V8 has been rebuilt to 350HP.
There was a variety of different Cunninghams, from convertibles and coupes to Corvettes as well as a 1962 Maserati Tipo 151 straight in from racing at Monaco two weeks ago. Jay Leno entered his 1953 Cunningham C3. It was an amazing sight to seen them lined up along the waterfront gleaming in the sun.
The 12 metre America’s Cup yacht Columbia, which Briggs Cunningham was the winning skipper of in the 1958 America’s Cup, was at the Delamar Hotel docks next to the concours grounds.  Charter guests enjoyed sailing on the Long Island sound off of Greenwich.
Bonhams returned to Greenwich, CT for its twelfth annual Greenwich Concours d’Elegance Auction on Sunday, June 3rd. Greenwich being less than an hour from New York City drew a large crowd for it’s weekend of premier offerings from barn finds and automobilia to totally restored rare gleaming and historically significant autos. There was also an opportunity to bid on one of two dozen cars from the late Carroll Shelby’s personal collection.
The weekend was outstanding and a complete success, it’s a wrap until next year. This is an event not to be missed.

John Fogerty – May 27, 2018 – Mohegan Sun

John Fogerty
Blues and Bayous Tour
Mohegan Sun
May 27, 2018

John Fogerty, one of the greats in rock music, was at Mohegan Sun on Memorial Day weekend to both put on a great show and also remind us what Memorial Day is about. The Blues and Bayous Tour features Fogerty and his band and ZZ Top in a killer combo evening.
Fogerty started the night with “Travelin’ Band” the band was energetic and immediately engaged the arena full of fans. They then launched into “Hey Tonight.” Many Creedence Clearwater Revival songs were performed during the night along with some of Fogerty’s solo songs from his 1985 album “Old Man Down the Road.”

Fogerty has always been outspoken about on his respect for veterans but his dislike for war. He spoke of how we don’t treat our Veterans who complete their service with the honor they deserve before singing “Love and War,” a tune he co-wrote last year with country singer Brad Paisley. The song is a reflection of America’s treatment of those who serve the country.
A New Orleans medley tribute for the city dear to his heart was performed and he sang Rockin’ Sidney’s “My Toot Toot,” Hank Williams’ “Jambalaya” and Gary “U.S.” Bond’s “New Orleans”. This ended with a New Orleans style parade through the audience as Steve Robinson, Ethan Chilton and Nathan Collins on horns played “When the Saints Go Marching In” while flashy purple, green and gold costumed band members strutted though the audience.

Fogerty’s son Shane is in the band and he was joined by Fogerty’s other son Tyler for the songs “Good Golly Miss Molly” and “Psycho.” Together they also have their own band called “Hardy Har” in the Los Angeles area.
They ended the set with the encore of “Bad Moon Rising” and “Proud Mary.”
After the conclusion of Fogerty’s set ZZ Top took the stage to finish off the evening. While they were on they celebrated Fogerty’s 73rd birthday coming up the following day with a birthday cake complete with lit candles and “Happy Birthday” sung by the band and audience. It was fitting that a man who has spent much of his life on tour  celebrated his birthday onstage during a concert.

Having seen Fogerty in concert a few times it’s always a very enjoyable night and his energy is unwavering. It was a great concert and I would go again.
https://johnfogerty.com/
Review by Donna Erichsen
Setlist:
Travelin’ Band (Creedence Clearwater Revival song)
Hey Tonight (CCR song)
Rock and Roll Girls
Who’ll Stop the Rain (CCR song)
Good Golly Miss Molly (Little Richard cover) (with Hearty Har)
Psycho (The Sonics cover) (With Hearty Har)
Up Around the Bend (CCR song)
Love and War (Brad Paisley cover)
I Heard It Through the Grapevine (Gladys Knight & The Pips)
Keep On Chooglin’ (CCR song)
Born on the Bayou (CCR song)
My Toot Toot (Rockin’ Sidney cover)
Jambalaya (On the Bayou) (Hank Williams cover)
New Orleans (Gary “U.S.” Bonds cover)(with ‘When the Saints Go… more )
Have You Ever Seen the Rain? (CCR song)
Down on the Corner (CCR song)
Centerfield
The Old Man Down the Road
Fortunate Son (CCR song)
Encore:
Bad Moon Rising (CCR song)
Proud Mary (CCR song)

Cars of Briggs Cunningham to headline 23rd annual Greenwich Concours d’Elegance in June

 

 

Original Cunningham race and street cars, cars of John Fitch, Jaguar SS Cars and Competition Motorcycles to be featured

GREENWICH, Conn.    Recognized as one of the most prestigious classic car shows in the United States, the Greenwich Concours d’Elegance will celebrate its 23rd year of showcasing significant cars, motorcycles and one-off automotive creations on June 1-3, 2018. Production and race cars created in the 1950s by the iconic Briggs Cunningham will headline the entire weekend.

The Concours continues its tradition of holding two unique Concours back-to-back, with American cars and motorcycles on Saturday, and foreign marques on Sunday. The event takes place at Roger Sherman Baldwin Park overlooking the Greenwich, Conn., harbor on Long Island Sound.

Miles Collier, one of America’s premier car collectors, and founder of The Revs Institute, has been named the Grand Marshal for this year’s event. The Revs Institute in Naples, Fla., includes the Collier Collection, with 115 automobiles of special historic and technological importance. Many were acquired from the collection of the late Briggs Cunningham, a family friend. The Institute, which fosters deeper understanding of the transformative role of the automobile, also includes the Revs Digital Library of about 500,000 automotive photographs, with emphasis on racing scenes, and a research library with over 20,000 book titles and complete runs of automotive periodicals in English, French, Italian and German. https://revsinstitute.org

The display of Cunningham cars from around the country is being organized by “Barn Find Hunter” Tom Cotter of Charlotte, N.C., and Cunningham collector and historian Charles Schoendorf, of Rowayton, Conn. Lined up along the waterfront both days will be the 1952 C-4R Le Mans roadster from the Simeone Foundation Automotive Museum in Philadelphia, and most of the 25 Vignale-bodied C-3 coupes and cabriolets.

“This will be the most comprehensive collection of Cunningham race cars, touring cars and team cars assembled at one time and place, ever, including at the factory,” says Schoendorf. “A turnout of cars like this will not happen any time soon again, if ever.”

Cunningham, who died in 2003 at the age of 96, is best known as an America’s Cup skipper, race-car builder, driver and team owner. He made the Greens Farms section of Westport, Conn., his home from the ’20s through the ’60s. He fielded his early race cars for Sam and Cowles “Miles” Collier out of his carriage house, and later kept his car collection there before moving it out of state. The Cunningham family remained at the Greens Farms compound until the death of his daughter Lucie Cunningham McKinney in 2014.

On Saturday, cars from one of Cunningham’s most notable race-car drivers, the late John Fitch, of Lime Rock, Conn., will also be on display. A highly-respected driver of the ’50s and ’60s, Fitch was also a safety pioneer and a World War II fighter pilot. The 1966 Fitch Phoenix, owned by Charles Mallory, of Greenwich, Conn., will be part of the display, along with the 1952 Fitch-Whitmore Le Mans Special.

Sunday’s Concours will host a special display of Jaguars, with a focus on the rare pre-war SS Cars. The SS 100, SS 90, SS 1 Tourer and SS 1 Coupe are all scheduled to be shown.

The weekend will also feature the presentation of A Century of Competition Motorcycles by American Iron Magazine publisher Buzz Kanter, of New Canaan, Conn., which will showcase race bikes of various styles from the early 1900s to the present. “I’ve heard motorcycle racing started when the first motorcycle rider came across another on the road. And it’s been full throttle ever since,” Kanter says.

“This year’s Concours promises to be one of the best displays of cars and motorcycles ever,” says Concours Chairman Mary Wennerstrom. “We have collectors coming from all over North America, including Canada, nearly half of the 50 states and, of course, Connecticut. It is very exciting to have so many people in the collector car world gathering in Greenwich! And we are honored to have Miles Collier serve as our Grand Marshal.”

The beneficiary of the Greenwich Concours for the 23rd year is Americares, a health-focused relief and development organization that responds to people affected by poverty or disaster with life-changing health programs, medicine and medical supplies. The Stamford, Conn.-based organization is the world’s leading nonprofit provider of donated medicine and medical supplies.

VIP tickets are available on a limited basis. VIP Tickets include early entry at 8 a.m., breakfast and lunch with the car collectors and judges, entrance to the Bonhams cocktail party on Friday night, poster, lapel pin, program and VIP lanyard.

• Gates open at 10 a.m. for general admission, 8 a.m. for VIP ticket holders

• Advance tickets for both days are available at $30 per day or $50 for both days

  • Tickets purchased on the day of the event are $40 per day or $60 for both days• Children 12 and under are free when accompanied by an adult• VIP Admission is $150 per day or $250 for both days• SaturdayNight Gala tickets are available for $175• Tickets can be purchased at http://www.greenwichconcours.com/visitors/tickets/

 

Jackson Browne – Providence Performing Arts Center – May 9, 2018

Jackson Browne invigorated the crowd at the Providence Performing Arts Center as he and his band delighted the audience with his large catalog of songs including some of his hits and a few lesser known selections.
Playing at the Providence Performing Arts Center is a treat in itself. The newly completed renovations of the 1928 theater are enough to take your breath away. The 3100 seat venue is the second largest theater of its kind in the country. It’s listed on the National Register of Historic Places and is also ranked by Pollstar as one of the Top Venues in the world.
Providence-Performing-Arts-Center
The interior of the PPAC is filled with art deco lighting and gold leaf decorating the walls and ceiling. So much time and heart has gone into restoring the theater to it’s early 20th century glory and it clearly shows. You’re treated to a marvelous experience by attending any show at the venue. They even went so far as laying carpet that’s an exact reproduction of the original carpeting throughout. The original main chandelier in the theater was lost to time so the board went to a local trade school and had a new one designed that was a close replica but keeping a bit of the school’s individual style.
The staff is rightfully proud of the center and very helpful to all patrons. I really can’t say anything but kudos to the entire staff and management of the Providence Performing Arts Center for providing a world class experience and the acoustics are marvelous.
Browne, Chavonne Stewart and Althea Mills made the best of those acoustics. Stewart and Mills have been backing him for many years and they harmonize beautifully together. Accompanied by his band they began with “Before the Deluge” followed by “Some Bridges.”
A sign of the times and a reflection on society and his always political nature Browne sang “The Long Way Around” after discussing the sad effects of the Parkland shooting that is still so fresh in everyone’s mind.
They did perform “Doctor My Eyes” and “You Love the Thunder.” These timeless classics never get old and no one is ever tired of hearing them live. It’s actually not a Browne concert to some fans unless these songs are trotted out. The audience knew every word and made sure Browne and the band heard that.
“These Days,” a reflective song that seems even more so now that Browne is 69 and like many others of this generation ponders over the things he’s accomplished as well as those he never managed to attain. Even though the song was written years ago it seems more fitting now.
A couple of my personal favorites showing foot stomping fun side of Browne were “Somebody’s Baby” followed by “Redneck Friend.” He’s as versatile as they come and shows that with the different types and tempos he plays during the show.
Browne sang the hits “The Pretender,” followed by “Running on Empty” which had the audience on their feet and they never sat down right through the encore songs “Take it Easy” and “Our Lady of the Well.”
Vonda Shepard opened the show and put on a wonderful performance. She is clearly talented and very strong vocally. Shepard played beautifully on the piano and I can think of no one else to better lead into Jackson Browne than Shepard. I would go to see her as a main act.
Vonda Shepard

 

https://www.jacksonbrowne.com
Review by Donna Erichsen
Photos by George Bekris
Setlist:
Before the Deluge
Some Bridges
The Long Way Around (Talked about the Parkland shooting)
You Love the Thunder
The Dreamer
Lives in the Balance
Doctor My Eyes
These Days
In the Shape of A Heart
Looking East
Your Bright Baby Blues
Just Say Yeah
Somebody’s Baby
Redneck Friend
World in Motion
Something Fine
Never Stop
The Pretender
Running on Empty
Encore:
Take It Easy (Eagles cover)
Our Lady of the Well