Lita Ford

Lita Ford

Lita Ford

Mohegan Sun Wolf Den – Nov. 27, 2015
Lita Ford played the Mohegan Sun’s Wolf Den wearing a stunning red leather suit with her long blonde hair flying as she strutted the stage with her band to bring her brand of 80’s rock music back with a vengeance. One of the guitar queens of the eighties Lita and her band played to a full house plus the extra crowd that spilled out to the casino floor outside on Friday, Nov. 27, 2015. Many fans waited for hours to gain entrance to the concert. Those that didn’t get a seat circled the outside of the Den to take it in standing.
Ford started as a sixteen year old lead guitarist for the all-female rock band The Runaways in the late 70’s. After a short stint and rough breakup with the band she embarked on a long solo career. At 57 Ford is still out on tour rocking crowds 40 years into her career. LIta Ford still has staying power and proved she can still fill the seats.
Lita lead off with “Larger Than Live”, followed by “Relentless”. The warmed up crowded then rocked among to Ford’s rendition of Elton John’s “The Bitch Is Back”. They continued with many of her best known songs.
The song “Can’t Catch Me” included drummer Bobby Rocks in an exceptionally fun and interesting drum solo. He beat on the drums shirtless and focused finishing with a flair and with his forehead. I have never seen head banging taken to that extreme. Evidentially, many others had not either and he wowed the crowd.
Patrick Kennison on guitar did a great job filling in for Ozzy Osborne’s part on the hit “Close My Eyes Forever”. The song was probably Ford’s most critically acclaimed hit when she performed it as a duet with Osborne on the self titled “Lita” album.
They performed “Devil in My Head” which let Marty O’Brien on bass shine with its heavy bass and drum beats. Then crowd helped out by singing along on the well known song Ch..Ch..Ch…”Cherry Bomb”.
“Kiss me Deadly” was the final song and there was no encore, but much to the fans’ delight Lita graciously held a meet and greet and signed photos for almost an hour after the show.
Review by Donna Erichsen
Photos by George Bekris

Set List
Larger Than Life
Relentless
The Bitch Is Back
Hungry
Falling In and Out of Love
Gotta Let Go Back to the Cave
Devil in My Head
Can’t Catch Me
Out for Blood
Close My Eyes Forever
Cherry Bomb
Kiss Me Deadly

Ian Anderson

From the rock opera "Jethro Tull"
Ian Anderson

Ian Anderson

Fox Theater, Mashantucket, CT
November 8, 2015
Ian Anderson’s Jethro Tull: The Rock Opera is not just another concert. It’s the story of Jethro Tull, an 18th Century agriculturist, as seen through Ian Anderson’s eyes and imagination. The whole concept of a rock opera is not often done, but when pulled off right it’s a night not to be missed. Ian Anderson has spent decades fluting his way around the stage as one of the most recognizable front men in rock. Who else is instantly associated with standing on one leg, like the Pied Piper of rock, with flute in hand? His opera consists of many songs we are familiar with mixed with 5 new songs and narration from the projected video of virtual guests on the back screen to tell the story of Jethro Tull. It was an entertaining mix of the English countryside, fields of grain, and other interesting imagery along with wailing guitar and Anderson owning the stage.
Most of the band members were considerably younger than Anderson’s age of 68, but you didn’t notice the gap as he cavorts about the stage shifting from flute to mandolin and on to harmonica. They played 2 sets with a short intermission and it was pure energy the entire time. After many years of singing Anderson’s voice is a bit raspier, but he hasn’t lost his bounce or swagger.
The stage band consisted of John O’Hara on keyboard, Florian Opahle, who played particularly well on lead guitar, Grieg Robinson on bass and Scott Hammond on drums. The virtual guests were Unmur Birna Björnsdóttir playing Tull’s wife. She added clean and frankly beautiful note to production as her voice pierced the theater and took it that next level. The virtual young Tull was played by Ryan O’Donnell, who also used to tour with Anderson a couple of years ago.
They started off with “Heavy Horses”, followed by “Wind-up”. Then came “Aqualung” with cheers from the crowd for Florian’s guitar playing on that oh so familiar song. “With You There to Help Me” and “Back to the Family” were next. “Farm on the Freeway” was backed by scenes of farmland being pushed out by loaded freeways clogged with streams of cars. Anderson new song “Prosperous Pasture” was followed by the heavy beats of “Fruits of Frankenfield”. He then ended set one with the well know and more folkish “Songs From the Wood ”
The band resumed the opera with set two and “And the World Feeds Me” and ” Living in the Past” always well received. Next came “Jack-in-the-Green” and “The Witch’s Promise”. The set continued with new songs “Weathercock” and “Stick, Twist, Bust”, which was a new song . Anderson and the band followed with “Cheap Day Return”, “A New Day Yesterday” and “The Turnstile Gate” another of his new tunes.
It only took the first few notes of the closing set and opera song on the keyboard by John O’Hara for the audience to know “Locomotive Breath” was coming down the track and many rose from their seats singing along to the steady pounding beat and “No way to slow down”.
The final song and encore of the evening was “Requiem and Fugue”.
Well done and very entertaining night. If you get a chance to take it in don’t hesitate, even if you have seen Anderson perform many times. This rock opera rounds out a long career wonderfully.
Review by Donna Erichsen
Photos by George Bekris

Set list :
Heavy Horses
Wind-Up
Aqualung
With You There to Help Me
Back to the Family
Farm on the Freeway
Prosperous Pasture Anderson
Fruits of Frankenfield Anderson
Songs From the Wood
Set2
And the World Feeds Me
Living in the Past
Jack-in-the-Green
The Witch’s Promise
Weathercock
Stick, Twist, Bust
Cheap Day Return
A New Day Yesterday
The Turnstile Gate
Locomotive Breath
Encore:
Requiem and Fugue
(with Bourée snippet)